Tag: Special Collections

Kabuki’s Modern History, as Told by Postcards

 

Today I would like to highlight one of our library collections that was featured in our recent atrium exhibit: an impressive set of 20th-century kabuki actor postcards. Featuring photographs of kabuki actors and plays—both onstage and behind the scenes—this collection contains over 2,500 postcards and is the largest we are aware of outside Japan. The contents date from the early Taishō period (1912–1926) to the 1980s and are in excellent condition overall, although some earlier cards show minor signs of wear or fading.

Portrait postcards like these became increasingly popular in Japan at the turn of the 20th century, when advancements in photography allowed printed cards to be produced at ever-faster rates. This meant that mass-produced images became prime collectibles for fans who visited kabuki theaters and other cultural sites. Soon, they surpassed the popularity of ukiyo-e woodblock prints, which had dominated the 19th century as one of the most sought-after Japanese collectibles of the era.

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From Scrolls to Postcards: Rare Treasures of East Asian Art on Display

Guest post by Jayden Mitchell

A banner on the left side and a chair and two display cases on the left side

The Thompson Library exhibit ‘Mobility, Collecting and Diaspora’, a collection of East Asian objects related to performing arts, open until July 20, 2025.

We are proud to be part of the ongoing exhibition “Mobility, Collecting, and Diaspora: Preserving and Teaching East Asian History, which brings together remarkable artifacts from Japanese, Chinese, Korean, and Indonesian performance and fine arts. Located in the Thompson Library Special Collections Display Atrium, this exhibit represents an unprecedented collaboration between the Bliss M. and Mildred A. Wiant Collection of Chinese Art, and Chinese and Japanese collections from the Lawrence and Lee Theatre Research Institute, the Rare Books and Manuscripts Library, and the Herman J. Albrecht Library of Historical Architecture.

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(Un)Censored Wooden Printing Block from the Edo Period

Collage of wooden printing block, obverse and reverse, with features

Recently our library acquired a couple of wooden printing blocks that were used during the Edo Period (1603-1868). One of these, featuring a kabuki actor named “Matsumoto Koshiro,” forms part of the Japanese Theatre Collection and is held in the Lawrence and Lee Theatre Research Institute. Dated roughly from the 18th century, the object measures 165 x 340 x 20 mm and is double-sided, with the main image carved on the obverse, and a background and outline carved on the reverse.

Matsumoto Koshiro is a stage name that has been held by a distinguished line of kabuki actors since the early 18th century. Based on the carving of “Toyokuni-e” on the upper right side of the obverse, it is believed that one of Utagawa Tokyokuni’s skilled disciples created the original illustration upon which the wooden block carvings are based.

This wooden block also bears a mark of censorship: a seal carved onto a “wooden plug” (ireki, 入木) that was inserted into the block to indicate it had been approved by censors.

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Announcing the Thomas Gregory Song Research Fellowship, Spring 2023

Thomas Gregory Song ca. 1940 in school uniform in Japan-occupied Dairen
(present-day Dalian, China). Image courtesy of Rare Books & Manuscripts Library

The Ohio State University Libraries is pleased to announce the Thomas Gregory Song Research Fellowship for an independent research project that makes substantial on-site use of the Thomas Gregory Song (TGS) Papers in the Rare Books and Manuscripts Library (https://library.osu.edu/collections/ SPEC.RARE.0195/collection-inventory). Written predominantly in Japanese and English (with some documents in Korean), the TGS Papers include Song family genealogical records; personal photographs from Song’s childhood; an Oral History Interview; over 2300 blog posts; and personal correspondence, journals, and essays. The TGS Papers shed significant light on topics of World History, East Asian Studies, Asian American Studies, Asian diaspora, migration, and gender and sexuality studies.  For more detailed information on the Song Family history and related collections held at the University Libraries, please visit the recently launched Thomas Gregory Song Family Exhibit.

Applications are due by on Dec. 15, 2022 at 5:00pm.

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Learning from Woodblock Prints at OSU

Within the depths of our libraries’ shelves, cases, and drawers lie hundreds of special materials you may have never have imagined were there! With so much to explore, today we’d like to bring your attention to our collection of woodblock prints and one of the many ways we enjoy sharing these materials with faculty and students.

Students of HISTART 2003 observing original Meiji-era prints
by artists Kyōsai, Kiyochika, and Toshinobu

As our reading rooms opened up again last year, we were thrilled to hold several open houses, featuring our manga collection as well as substantial holdings of  woodblock prints (many of which are considered precursors to contemporary manga). Held across the University Libraries in the Theatre Research Institute, the Rare Books and Manuscripts Library, and the Billy Ireland and Cartoon Library,  these historic prints were gathered and displayed together in the reading room of the Billy Ireland for students in Artistic Media and Techniques (HISTART 4005) last October and again for those in Art & Visual Culture of East Asia (HISTART 2003) in December and April.

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Temperance in Tokyo – Unique Woodblock Prints from the Early Japanese Women’s Rights Movement

Following the Meiji Restoration (1868) and the new policies of modernization (kindaika) and Westernization (seiyōka), Japan began to import much more than material goods from the Western imperial powers. New concepts and ideologies soon made their way across the Pacific and freely entered the once “closed country.”   Riding this wave were Christian values and models of Western feminism, which in part were proselytized by the American teacher and temperance crusader Mary Greenleaf Clement Leavitt (1830-1912).

Title: “Inshu no Nariyuki.” Meiji Woodblock Print Leaves, Illustrated by Sasaki Toyoju.
Collection number SPEC.RARE.MMS.0127.
Counterclockwise: Angled view of the six prints, detail of a jovial tavern scene, drunken disorderly conduct from the main character confronting a Native American man, drunken disheveled main character robbing a man by the roadside

Inspired by Christian sermons about the destructive nature of alcohol,  Leavitt  helped found the Woman’s Christian Temperance Union (WCTU) in New York and Ohio in 1873.  Soon thereafter, her global crusade  led her as far as Japan and other countries including New Zealand, Burma, India, and Turkey, where female allies launched new chapters of the World WCTU.  Tired of the ill effects of alcohol on their domestic lives, women worldwide were drawn to the message of temperance and created an unprecedented transnational movement “for God, home and country.”

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Night Parade of One Hundred Demons: Kyōsai’s Hyakki Gadan Now at OSU Libraries

Japanese Studies invites you to learn about the mythology and artistic culture of Meiji Japan (1868-1912) through the newly acquired Kyōsai Hyakki Gadan (暁斎百鬼画談), a color woodblock print by eccentric painter and manga forerunner, Kawanabe Kyōsai (河鍋 暁斎, 1831-1889). The long, accordion book (orihon) depicts a parade of all manner of weird and wicked yōkai (妖怪), spirits and demons from Japanese mythology. This particular scene is evocative of the hyakki yagyō (百鬼夜行) idiom, a historic theme in Japanese visual representation wherein a procession of legendary creatures sets foot upon the communities of mortal men and women.

For more information about this new acquisition, please check out the full article on our Manga Blog at OSU Libraries, available here: https://library.osu.edu/site/manga/2019/10/02/night-parade-of-one-hundred-demons-kyosais-hyakki-gadan-now-at-osu-libraries/

Focus on Japan in WWII: Kōa Shingun Ezu Iri (興亜進軍絵図入)

Interior of aerogram depicting Japanese battles in the Pacific

On February 14th, I wrote a blog introducing the Pearl Harbor Exhibit that was hung last winter in commemoration of the 75th anniversary of Pearl Harbor (December 7, 2016). In order to showcase the Japanese military perspective, the exhibit included a very special document, a fold-up aerogram that was made by the Japanese wartime government.  The present blog will feature that document, known as gunji yūbin (軍事郵便), or “military mail” in English.

Gunji Yūbin (軍事郵便)

Gunji yūbin was the military mail service that connected soldiers on the front lines to their families back in the metropole. It was established in 1894 (Meiji 27) during the Sino-Japanese War. Because the gunji yūbin was responsible for handling all letters going back and forth between the soldiers and their families, its extant pieces can be a treasure trove for researchers of war-time and Imperial Japan.

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