Temperance in Tokyo – Unique Woodblock Prints from the Early Japanese Women’s Rights Movement

Following the Meiji Restoration (1868) and the new policies of modernization (kindaika) and Westernization (seiyōka), Japan began to import much more than material goods from the Western imperial powers. New concepts and ideologies soon made their way across the Pacific and freely entered the once “closed country.”   Riding this wave were Christian values and models of Western feminism, which in part were proselytized by the American teacher and temperance crusader Mary Greenleaf Clement Leavitt (1830-1912).

Title: “Inshu no Nariyuki.” Meiji Woodblock Print Leaves, Illustrated by Sasaki Toyoju.
Collection number SPEC.RARE.MMS.0127.
Counterclockwise: Angled view of the six prints, detail of a jovial tavern scene, drunken disorderly conduct from the main character confronting a Native American man, drunken disheveled main character robbing a man by the roadside

Inspired by Christian sermons about the destructive nature of alcohol,  Leavitt  helped found the Woman’s Christian Temperance Union (WCTU) in New York and Ohio in 1873.  Soon thereafter, her global crusade  led her as far as Japan and other countries including New Zealand, Burma, India, and Turkey, where female allies launched new chapters of the World WCTU.  Tired of the ill effects of alcohol on their domestic lives, women worldwide were drawn to the message of temperance and created an unprecedented transnational movement “for God, home and country.”

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Two Maps of Mount Fuji: A Nook Exhibit in the Research Commons

Guest Post by Anqi Chen

Located in a small corner of the Research Commons on the third floor of the 18th Avenue Library, a small display highlights two colorful examples from the Japanese collections held by The Ohio State University Libraries: geological maps of Mount Fuji, the highest peak in Japan and one of the country’s most recognizable natural and cultural landmarks.

 

Mount Fuji is an active volcano located near the geographic center of Japan, and its geological structure has been the subject of sustained interdisciplinary attention. The two maps featured here were produced by the Geological Survey of Japan (地質調査総合センター): one published in 1968 by Hiromichi Tsuya, and a second, updated version published in 2016 by Akira Takada, Takahiro Yamamoto, Yoshihiro Ishizuka, and Shun Nakano. Displayed together, they reflect more than a half century of geological research and illustrate how scientific approaches to studying Mount Fuji have developed over time.

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Harvesting History: The Meg Milk Shashi and Their Agricultural Roots

Guest Post by Brendon Baughn

The Ohio State University recently expanded its collection of shashi (社史, company histories) with the 2023 acquisition of three volumes from Meg Milk Snow Brand, Japan’s leading dairy producer. This addition brings the total number of Meg Milk–related shashi held by the University Libraries to seven and further strengthens OSU’s growing collection of materials related to agriculture, food production, and corporate development. The most recent volumes were donated during a campus visit by Meg Milk Snow Brand representatives, which included a tour of OSU’s main campus library, where the shashi are housed.

 

 

Images in the slider above show representatives from Meg Milk Snow Brand presenting the most recent volumes of their company’s history to The Ohio State University Libraries during a campus visit.

Entitled Yukijirushi Nyūgyō shi, the seven-volume Corporate History of Meg Milk Snow Brand chronicles the evolution of Japan’s modern dairy industry. Beyond tracing the company’s institutional history, these volumes document broader developments in milk processing technologies, as well as the establishment of legal and quality standards that shaped dairy production and consumption across Japan through the oil crisis of 1974.

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Diaries and Documents of Premodern Japan: Shiryō Sanshū

Front page of a website

Homepage of the JapanKnowledge collection of the Shiryo Sanshu.

As part of our ongoing effort to strengthen access to premodern Japanese historical sources, we announced earlier this fall the addition of the complete digital transcription of Heian Ibun (平安遺文). Building on that momentum, we are pleased to now offer access to the first unit of Shiryō Sanshū, newly available through the JapanKnowledge platform.

This initial release includes documents and diaries dating from the Heian, Kamakura, and Nanboku-chō periods, offering valuable insight into Japan’s premodern past. The collection features writings by prominent historical figures, including Prince Shigeakira (4th son of Emperor Daigo, 重明親王), Emperor Hanazono (花園天皇), Fujiwara no Teika (藤原定家), and Nakahara Momori (中原師守), among others. These diaries and journals allow researchers to explore the daily lives, thoughts, and concerns of court nobles and members of the imperial family.

The Shiryō Sanshū is a highly respected compilation of ancient diaries and documents, published by Yagi Shoten (八木書店), a Tokyo-based publishing house, between 1968 and 2020. The series encompasses more than 260 documents spanning from the Heian period through the Edo period. Each volume has been meticulously digitized, presenting both the original script and modern Japanese transcriptions. This dual-format approach enables full-text searching using both historical and modern character forms.

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Expanding Premodern Japanese Sources: Heian Ibun Now Available

A website featuring a variety of Japanese texts, listed in chronological order.

Front page of the Heian Ibun collection, which is included in the “Ibun Series” (遺文シリーズ) archive on JKBooks.

We are pleased to announce another significant addition to our growing collection of accessible archives and databases: the complete digital transcription of Heian Ibun (平安遺文), one of the largest and most comprehensive collections of Heian-period (794–1185) historical documents in the world. This digitization greatly expands research possibilities by providing full-text, searchable transcriptions of all included materials.

Heian Ibun was compiled by historian Dr. Rizō Takeuchi (竹内理三博士), who began assembling the collection in 1947. Over the course of approximately twenty years, he brought together more than 5,500 documents, publishing them across 11 volumes arranged largely in chronological order and spanning the entirety of the Heian period. In 1974, Dr. Takeuchi returned to the project to revise and reorganize the volumes into a new format.

These revised editions were later digitized and further updated by historians at the University of Tokyo, who have continued to make corrections and enhancements since 1996. The most up-to-date versions of these texts are now available digitally through the JKBooks platform on JapanKnowledge.

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Kabuki’s Modern History, as Told by Postcards

 

Today I would like to highlight one of our library collections that was featured in our recent atrium exhibit: an impressive set of 20th-century kabuki actor postcards. Featuring photographs of kabuki actors and plays—both onstage and behind the scenes—this collection contains over 2,500 postcards and is the largest we are aware of outside Japan. The contents date from the early Taishō period (1912–1926) to the 1980s and are in excellent condition overall, although some earlier cards show minor signs of wear or fading.

Portrait postcards like these became increasingly popular in Japan at the turn of the 20th century, when advancements in photography allowed printed cards to be produced at ever-faster rates. This meant that mass-produced images became prime collectibles for fans who visited kabuki theaters and other cultural sites. Soon, they surpassed the popularity of ukiyo-e woodblock prints, which had dominated the 19th century as one of the most sought-after Japanese collectibles of the era.

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From Scrolls to Postcards: Rare Treasures of East Asian Art on Display

Guest post by Jayden Mitchell

A banner on the left side and a chair and two display cases on the left side

The Thompson Library exhibit ‘Mobility, Collecting and Diaspora’, a collection of East Asian objects related to performing arts, open until July 20, 2025.

We are proud to be part of the ongoing exhibition “Mobility, Collecting, and Diaspora: Preserving and Teaching East Asian History, which brings together remarkable artifacts from Japanese, Chinese, Korean, and Indonesian performance and fine arts. Located in the Thompson Library Special Collections Display Atrium, this exhibit represents an unprecedented collaboration between the Bliss M. and Mildred A. Wiant Collection of Chinese Art, and Chinese and Japanese collections from the Lawrence and Lee Theatre Research Institute, the Rare Books and Manuscripts Library, and the Herman J. Albrecht Library of Historical Architecture.

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A Rare Acquisition: Yosano Akiko’s A New Translation of The Tale of Genji

The Japanese collections at OSU hold a wide range of contemporary and historic editions of the famous Genji Monogatari. Among these is a rare and historically significant set of A New Translation of The Tale of Genji (Shin’yaku Genji monogatari), published in 1912 by the renowned feminist writer Yosano Akiko (与謝野晶子, 1878–1942). Held in the Rare Books and Manuscript Library, this set represents a pivotal moment in the reception of Genji Monogatari, as Yosano boldly transformed the Genji Monogatari into a modern-language masterpiece that could be easily appreciated by all.

 

4 books

The four books that make up Shin’yaku Genji Monogatari.
Image courtesy of The Lavenberg Collection of Japanese Prints

Her translation was both a scholarly achievement and an uncommon intervention, offering a fresh poetic rendering of Genji at a time when it was largely studied through a male-centric academic lens. As a first edition, this set is exceptionally rare and an invaluable resource for scholars, students, and enthusiasts of Japanese literature.

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(Un)Censored Wooden Printing Block from the Edo Period

Collage of wooden printing block, obverse and reverse, with features

Recently our library acquired a couple of wooden printing blocks that were used during the Edo Period (1603-1868). One of these, featuring a kabuki actor named “Matsumoto Koshiro,” forms part of the Japanese Theatre Collection and is held in the Lawrence and Lee Theatre Research Institute. Dated roughly from the 18th century, the object measures 165 x 340 x 20 mm and is double-sided, with the main image carved on the obverse, and a background and outline carved on the reverse.

Matsumoto Koshiro is a stage name that has been held by a distinguished line of kabuki actors since the early 18th century. Based on the carving of “Toyokuni-e” on the upper right side of the obverse, it is believed that one of Utagawa Tokyokuni’s skilled disciples created the original illustration upon which the wooden block carvings are based.

This wooden block also bears a mark of censorship: a seal carved onto a “wooden plug” (ireki, 入木) that was inserted into the block to indicate it had been approved by censors.

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Online Japanese Newspapers with PressReader!

Current newspapers can offer a great way to see how events are unfolding and discussed in Japan. In this digital age, such resources are thankfully at our fingertips. The present blog shows how advanced readers of Japanese can access Japanese periodicals and newspapers like the Mainichi Shinbun (毎日新聞, literally “Daily News”) in full print view through an online database called PressReader!

Mainichi Shimbun shown on PressReader

The Mainichi Shimbun is one of the top five most widely read daily newspapers in Japan (along with the Asahi Shimbun, Yomiuri Shimbun, Sankei Shimbun, and Nikkei Shimbun). In addition to carrying the daily news, PressReader also offers over ten years of full print views of the Mainichi Shimbun dating back to April 2011.  (It also offers of other foreign language newspapers, as well as English language newspapers published overseas. For example, readers who prefer reading in English can also access the Japan News, a major English language newspaper published by the Yomiuri Shinbun, on this powerful digital archive.)

Accessing PressReader and the Mainichi Shinbun

To access the Mainichi Shinbun, we recommend starting from the OSU library catalog page for PressReader. From here, you will click on the blue “PressReader” link near the middle of the page. After entering your OSU credentials (name.# and password), you will next be brought to Pressreader’s home page.

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“If I could read that…” and other Paleography Handbooks

Woodblock print of Japanese courtesan with Japanese script in upper left corner Have you ever wished you could read the Japanese calligraphy (kuzushiji) in museum woodblock prints or old Edo-period manuscripts? When it comes to archival sources and manuscripts, even expert Japanologists often feel the need to brush up on– if not start completely from ‘zero’–their Japanese paleography reading skills.

With this in mind, we’ve recently stepped up our holdings in Japanese paleography handbooks, including several nifty new acquisitions by Kobayashi Masahiro, an expert and scholar of historical documents (komonjo).

The image here, courtesy of the Tokyo Fuji Art Museum, is a digital facsimile of Shojiki-mono (正直者) from Kitagawa Utamaro’s series Kyokun Oya no Megane (教訓親の目鑑).  It is one of several museum pieces featured in Kobayashi’s book Korenara yomeru! Kuzushiji, komonjo nyūmon (これなら読める!くずし字・古文書入門), which roughly translated is “If I Could Read That: An Introduction to Japanese kuzushiji and komonjo.” As the picture suggests, the book offers a variety of lesson as well as useful tips for learning how to decipher such Japanese texts often found in Edo-period woodblock prints.  Describing the moral virtue of being honest for Edo period young women, the body text of famous woodblock prints such this one are all the more legible thanks to Kobayashi’s insightful lessons.


For additional titles on learning Japanese hentaigana, check out these recent additions:

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