Japanese Collections

Noriko Awaya in her fifties. From 「淡谷のり子：わが放浪記」

Awaya Noriko (淡谷のり子) was a Japanese soprano and blues singer born in Aomori, Japan on August 12, 1907. Because her family was quite wealthy, she was able to go to school for a time at Toyo Conservatory of Music (東洋音楽学校, present day Tokyo College of Music). However, her father’s business became bankrupt and she was forced to leave school for a year, working part-time as a nude model. Eventually she returned to school, finished her studies, and began her 70-year long career. Her most famous songs include the 1937 hit 「別れのブルース」 (Wakare no burūsu) and 「雨のブルース」 (Ame no burūsu).

Rekion access in OSUL — Noriko Awaya’s popular songs can be found with the following Rekion identifiers:

• 「別れのブルース」
  • info:ndljp/pid/2915506
• 「雨のブルース」
  • info:ndljp/pid/8272244

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Nagayo Moto’ori, from 朝日新聞 January 12, 1917

Nagayo Motoori (本居長世) (1885-1945) was a Japanese composer known for children’s songs. Although his grandfather and guardian protested, he pursued a music degree at Tokyo School of Music (present day Tokyo University of the Arts) and began working there as a research assistant studying traditional Japanese music. He was well-known for his talent on the piano (for which he served as an assistant professor) but switched suddenly to composing due to a finger injury. During his employment at the university, he taught other important Japanese musicians such as Shinpei Nakayama. Continue reading

The Shōchiku Kagekidan (松竹歌劇団) was an all female revue and musical troupe that lasted from 1928 to 1996, and rivaled the famed Takarazuka Kagekidan (宝塚歌劇団). Continue reading

Tokugawa in 1961, from 「徳川夢声と出会った」

Musei Tokugawa (徳川夢声) was a multi-talented performer known for his silent film narrations, film and radio appearances, as well as for authoring numerous essays and novels.

He was born in 1894 in Shimane prefecture. His career began as a benshi (弁士), or a narrator of silent films. He enjoyed success in this realm until the end of the silent film era. From there, he began appearing in film and television as an actor, as well as storytelling through radio.

Some of Tokugawa’s stories can be heard at the Rekion station at the OSUL Music/Dance Library by searching the following access codes, or by searching 「徳川夢声」. Continue reading

Typical calisthenics routine from Illustrated “Salaryman” in Japan (Click the image for the book in the OSUL Catalog).

One unique characteristic of daily life in Japan is mass participation in morning calisthenics routines. Particularly noticeable are construction workers who can be observed stretching outside at construction sites, but  the routines are also common in a range of spaces from kindergartens to offices.

These radio-broadcast routines were originally brought from the U.S. in the 1920’s, (detailed timeline is available on かんぽ生命 website) but contrary to their American counterparts, the exercises continue to be a part of daily Japanese life.

In 1931, the Radio Taisō Song (ラジオ体操の歌) was released and for many represented the beginning of the day. The broadcasts were banned for a period following the war, but were revived with the addition of a new theme song in 1951.

Rekion access in OSUL – There are several versions of the  Radio Taisō Song available through Rekion. Continue reading