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Student Post: The Life of Cartoonist and Illustrator Fanny Y. Cory

Here at the Billy Ireland we are incredibly lucky to have student employees with a keen interest in comics history. Below, OSU senior Emily Glassmeyer, a History and Women’s, Gender and Sexuality Studies major who has worked at BICLM for almost a year, shares her personal research on the life of cartoonist Fanny Y. Cory.

Children and Fairies and Ranchers – Oh My!
The Life of Cartoonist and Illustrator Fanny Y. Cory

By Emily Glassmeyer

When not working at BICLM or frantically writing for my thesis, I treat myself to a stroll through the library. Having always felt most at home surrounded by books, leisurely perusing aisles is one of my favorite pastimes. Recently, upon getting into poetry, I stumbled upon this book: written by Abbie Farwell Brown and published in 1902, A Pocketful of Posies features a whimsical cover – a bunch of little blossoming flowers, but instead of colorful blooms, they are little fairies. Granted, I was excited about the poetry, but more than that, I was drawn into the illustrations – simple, yet ethereal, and upon further investigation, done by illustrator and cartoonist Fanny Y. Cory

Image source:
Fanny Cory in her youth, from “Fanny Cory Cooney: Mother and Artist,”
by Bob Cooney and Sayre Cooney Dodgson, Montana The Magazine of Western History

Born in 1877, Cory grew up in rural Illinois with her older sister and two older brothers. Her mother Jessie was a loving and amiable lady, who sadly fell ill to tuberculosis and passed on in 1887, leaving Fanny and her siblings with their father — an ill-tempered travelling salesman with a disdain for Cory’s passion for art – even though she occasionally used it to pay their rent.. Eventually the two older brothers invited Fanny and her sister Agnes out to live in New York, and soon enough, Fanny was accepted at the Metropolitan School of Art in 1896. At an astounding five feet tall, Cory began trying to sell her illustrations to major publications such as Harper’s while still a student. When told she needed to build a reputation first in order to get published, no matter how good her work was, the diminutive Cory was furious. However, by the turn of the century she had made the covers of several major publications such as Life, Scribner’s Century, Harper’s Bazaar, Liberty and The Saturday Evening Post, as well as illustrating for Alice in Wonderland and many of the works by the author of the Oz series, L. Frank Baum. Through her illustrations of playful fairies and mischievous children, she was quickly becoming one of the finest illustrators of her time.

However, tragedy fell upon Fanny around this time. Her sister Agnes had contracted tuberculosis while caring for their mother ten years prior, and had been waning in health ever since. She died in her arms in 1897, leaving Fanny heartbroken and depressed for the next few years. Hoping that a change of scenery would do her good, her brothers Jack (a famous political cartoonist) and Bob invited her to Montana, where they planned to found the Cory Brothers Mine, hoping to strike gold. Although they weren’t necessarily successful miners, the next few years spent out in the wilderness riding on horseback and working on her art did Fanny a world of good – and led her to back to a rancher named Fred Cooney, who she had known in her youth but she “didn’t like him much then and he didn’t seem to know [she] existed.” They eloped in 1904 and began their life together.

[Sunshine Annie]
Fanny Y. Cory
Part of the Charles H. Kuhn Collection

Although Fanny continued to work from home for the next few years, her art went on the backburner, happily devoting her life to raising her children. She initially wanted thirteen kids, but she was warned by the doctor that her body would likely not be able to handle childbirth. She tried adamantly nevertheless, frantically working during her first pregnancy to secure enough funds to support her family if something went south. Cory eventually had three children. She nearly sacrificed her acclaim in the art world in order to raise her family, but not begrudgingly. She loved taking care of her children, reading to them, working on the farm – axe and all, and gardening. Her children remember her as having “always [been] ready to undertake anything that needed doing, including some that were a bit large for her tiny size.”

 

Sonnysayings
Fanny Y. Cory

Little Miss Muffet
Fanny Y. Cory

As her kids grew to be college-aged, Cory returned to her work – creating her first syndicated comic in 1926 called Sonnysayings and later Little Miss Muffet, a competitor for Little Orphan Annie. In large part, these two cartoons were used to pay for her children’s tuition, and provided her personal satisfaction. She kept Sonny going, that sparkling young boy, until her eyes began to fail her in 1956, and she decided that “thirty years was long enough to keep Sonny five years old.” She spent the rest of her life painting for herself and spending time with her children and grandchildren, and died at the age of 94 in her daughter’s home.

This under-studied and incredibly talented woman was one of the first female syndicated cartoonists, and her incredible drive can be shown in her prolific work—capturing and nationally showcasing the whimsy and joy of childhood for over thirty years. At the Billy Ireland Cartoon Library and Museum, we are lucky enough to have some of her work: such as original art from SonnySayings, Little Miss Muffet and some of her various illustrations for books.

Image Source:
Fanny Cory, from “Fanny Cory Cooney: Mother and Artist,”
by Bob Cooney and Sayre Cooney Dodgson, Montana The Magazine of Western History

 

Image source: Fanny Cory, from “Fanny Cory Cooney: Mother and Artist,” by Bob Cooney and Sayre Cooney Dodgson, Montana The Magazine of Western History

Research source: Cooney, Bob, and Sayre Cooney Dodgson. “Fanny Cory Cooney: Montana Mother and Artist.” Montana: The Magazine of Western History 30, no. 3 (Summer 1980): 2-17.

For more original art by Fanny Y. Cory, check out the BICLM Art Database: https://osucartoons.pastperfectonline.com/vocabulary?keyword=Cory%2C+Fanny+Y.%2C+1877-1972&letter=C&searchtype=creator&showsearch=true

For books illustrated by Fanny Y. Cory, check out the BICLM Library Catalog: http://library.ohio-state.edu/search~S7/X?SEARCH=(fanny%20y.%20cory)&searchscope=7&SORT=D&b=cga

For original art work by her brother Jack Cory, check out the BICLM Art Database: https://osucartoons.pastperfectonline.com/vocabulary?keyword=Cory%2C+J.+Campbell%2C+1867-1925&letter=C&searchtype=creator&showsearch=true

Upcoming event: Celebrating the Life and Art of Barbara Shermund with Liza Donnelly

Join us on Thursday, February 7th at 6:30pm for a program and reception celebrating Barbara Shermund, the subject of our current exhibit, Tell Me A Story Where The Bad Girl Wins: The Life and Art of Barbara Shermund*, on display through March 31st at The Billy Ireland Cartoon Library & Museum.

Celebrating the Life and Art of Barbara Shermund: An Evening with New Yorker Cartoonist Liza Donnelly
Thursday, February 7th
6:30pm-8:30pm
FREE
The Ohio State University Billy Ireland Cartoon Library & Museum
Sullivant Hall, Jean and Charles Schulz Lecture Hall
1813 N. High St, Columbus OH 43202

6:30pm: in the Jean and Charles Schulz Lecture Hall: Presentation by New Yorker cartoonist and resident cartoonist of CBS News, Liza Donnelly,* on cartoonists who are women who have worked at The New Yorker. Introduction by Dr. Judith Yaross Lee, author of Defining New Yorker Humor. Opening remarks by Amanda Gormley, art collector and niece of Barbara Shermund.

7:30pm: Reception with cash bar, exhibit viewing, and book signing for Liza Donnelly’s Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons

Please note: our galleries will remain open from 1:00pm to 8:30pm on February 7th for exhibit viewing before and after the program.

Facebook event: https://www.facebook.com/events/2213846725600170/


*More info about Liza Donnelly
(from lizadonnelly.com): Donnelly is a cartoonist and writer with The New Yorker Magazine, and resident cartoonist at CBS News. She also writes for the New York Times, Forbes.com, and Medium. She has been profiled globally in numerous publications and her work has been exhibited around the world. Donnelly received an honorary doctorate from University of Connecticut, where she delivered the commencement address to the Graduate School ceremony.

Donnelly is a Cultural Envoy for the US State Department, traveling around the world speaking about freedom of speech, cartoons and women’s rights. As a public speaker, Donnelly has also spoken at TED (Technology Entertainment and Design), the United Nations, and The New Yorker Festival, the Thurber House, and the American Association of Editorial Cartoonists annual convention, Vassar College, Bard College, Brown University, The Omega Institute, The Society of Illustrators, The Museum of Cartoon and Comic Art, The Norman Rockwell Museum, among other places. Donnelly was profiled on CBS Sunday Morning and NBC and has been interviewed on radio and in numerous magazines.

Donnelly is the author/editor of sixteen books and was a finalist for the Thurber Prize for American Humor. She wrote the critically acclaimed history, Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons.

Donnelly wrote and illustrated seven children’s books for Scholastic, Inc. and two children’s books with Holiday House.

She is a charter member of an international project, Cartooning for Peace, helping to promote understanding around the world through humor; and is one of the founding members of USA FECO, the US chapter of the international cartoonists’ organization FECO. She has curated several exhibits of international cartoonists, here and abroad. Donnelly taught at Vassar College and the School of Visual Arts and is a member of PEN, the American Association of Editorial Cartoonists and the National Cartoonist Society. She is the recipient of an honorary degree from the University of Connecticut, a Reuben Award from the NCS, the Salon St. Just, France International Prize, the Woman of Distinction Prize from the American Association of University Women; and was a member the jury of the World Press Cartoon Prize in Lisbon, the Cartooning for Peace Prize in Geneva in 2012 and 2014, and the Aydin Dogan International Cartoon Competition in Istanbul, Turkey. Her cartoons are in the Library Of Congress Prints and Drawings Collection, the Society Of Illustrators Collection and private collections.

*More info about Tell Me A Story Where The Bad Girl Wins: The Life and Art of Barbara Shermund: Barbara Shermund is an unheralded early master of gag cartooning. Her sharp wit and loose style boldly tapped the zeitgeist of first-wave feminism with vivid characters that were alive and astute. Shermund’s women spoke their minds about sex, marriage, and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so.

In Liza Donnelly’s book Funny Ladies, she writes, “What comes through in many of the cartoons is that Shermund’s women did not need men.”

Born in San Francisco in 1899, Shermund briefly attended the California School of Fine Arts before relocating to New York City. As one of the first women cartoonists to work for The New Yorker after its launch in 1925, she created nine covers and hundreds of cartoons for the magazine. Shermund later became a mainstay at Esquire, contributed to Life and Collier’s, had her syndicated newspaper cartoon Shermund’s Sallies published by King Features, and illustrated a variety of books and advertisements. In 1950, Shermund was among the first three women to be accepted as a member of the male-dominated National Cartoonist Society. She lived a private life and traveled extensively. Without ever having a formal studio space, she preferred drawing at the kitchen table, and should an idea strike her in the middle of the night, she slept with a notepad and pencil under her pillow.

Through photographs, letters, original art, and books never before displayed, this exhibition uncovers and celebrates the life and career of this outstanding cartoonist.

Curated by Caitlin McGurk, Assistant Professor & Associate Curator

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