Category: Found in the Collection (page 49 of 53)

Found in the Collection: Gus Arriola’s “Gordo”

With Cinco de Mayo approaching, today on the blog we’re highlighting Gus Arriola’s comic strip Gordo. Arriola was a Mexican-American cartoonist, raised by his sisters in a Spanish-speaking family in Arizona- where he laid claim to learning English by reading the Sunday comics.  His widely syndicated strip Gordo which ran from 1941-1985, was considered to be the first comic to introduce Mexican culture to America.

Original from Gus Arriola's "Gordo". From the Mark J. Cohen and Rose Marie McDaniel Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

An important note about Gordo is that–having not visited Mexico himself until the 1960s–Arriola’s first inception of the characters was through a somewhat stereotypical lens. As a young cartoonist wanting to draw something new, light, and above all, fun- Arriola relied on the visually-identifiable concepts of Mexicans that were popular in Hollywood at the time.  It wasn’t until 5 or 6 years in that he realized his strip was actually the only comics representation many American’s were getting of Mexican culture, leading him to put away his gimmicks and focus instead on purely reflecting Mexican life and folklore. Below, we can see an example of one of Arriola’s less-enlightened earlier strips from Gordo. When he purged his stereotype crutch, he got rid of the painful-to-read broken English his characters were using as well. However, he did maintain a heavy usage of Spanish language words. As a result, the strip has been credited with popularizing such words and phrases as “hasta la vista”, “amigo”, “muchacho”, “pinata”, “andales” and many many more. Arriola’s Gordo received wide praise from the Mexican Government, and was stated to have done more for changing the racist attitudes of American’s toward Mexicans than any other medium in its time.

Early original from Gus Arriola's "Gordo". From the Mark J. Cohen and Rose Marie McDaniel Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Happy Birthday, Bill Blackbeard! (April 28, 1926 – March 10, 2011)

Here at the Cartoon Library, Bill Blackbeard is a regular household name. We hope the same goes for all of you readers, as the Man Who Saved Comics deserves much remembrance and praise.

Portrait of Bill Blackbeard, ink and gouache original by Alfredo Alcala. San Francisco Academy of Comic Art Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

This Saturday, April 28th would be Bill’s 86th birthday. In 1998, Bill Blackbeard’s life’s work–The San Francisco Academy of Comic Art collection–arrived at The Billy Ireland Cartoon Library & Museum in six semi-trucks, filled to the brim with 2.5 million newsprint clippings of comic strips, entire Sunday comics sections, and tearsheets. This collection had resided with Bill Blackbeard and his wife in their home in California since the 1960s.

The late Bill Blackbeard, among the SFACA collection in its California home. Photo taken by R.C. Harvey. From the San Francisco Academy of Comic Art collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Having collected the bundles of discarded daily newspapers at the end of the week from neighbors houses as a child, Bill’s enthusiasm and fixation on the newsprint comics form grew exponentially throughout the rest of his life. In the 1960’s, libraries across the country began to convert their large bound volumes of newspapers to microfilm in order to conserve shelf space. Once the papers were converted, these hundreds upon thousands of volumes were then discarded or transferred elsewhere. When Bill Blackbeard found out this was happening, he and his wife Barbara and some volunteering friends rescued these volumes of newspapers from around the country – specifically for the comics sections. Because of certain policies in place about the transference of library materials to an individual collector- in one week’s time Bill established himself as a nonprofit organization, The San Francisco Academy of Comic Art. Overnight, Bill and Barbara’s home became the Academy, and one of the most important establishments in comics history of all time.

SFACA collection while it was housed in California. Photo by R.C. Harvey. From the San Francisco Academy of Comic Art collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Declared as being open for visitors and researchers at “all hours of every day” (because Bill lived there), the SFACA collection made possible an endless amount of comics scholarship, reprint books, and inspiration for cartoonists and fans alike. Bill, with help of volunteers, spent his days, years, and entire life clipping these strips and organizing them chronologically under each title.

The SFACA collection continues to have an incalculable impact at its permanent home here at the Cartoon Library- where it is easily our most highly-used collection.

Further Information:

To find out much-much more about Bill Blackbeard’s legacy and the collection’s arrival at the Cartoon Library, follow this link to the OSU Knowdledge Bank for an exhaustive article by our head curator Jenny Robb entitled Bill Blackbeard: The Collector Who Rescued the Comics.

To see many more fantastic pictures of Bill Blackbeard and his collection, you can visit our “We Love Bill Blackbeard Album” by liking the Billy Ireland Cartoon Library & Museum on Facebook.

To browse the San Francisco Academy of Comic Art finding aid, visit this link. Due to the size of the SFACA collection, it is constantly under processing so this is in no way a complete representation. We are very proud to have about 40% of the collection processed at this time (remember, it contains  millions of items!)

Happy Birthday, Bill Blackbeard!

Portrait of Bill Blackbeard, original in ink and gouache, by Alfredo Alcala. San Francisco Academy of Comic Art Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

-Caitlin McGurk

 

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