Author: Caitlin McGurk (page 133 of 158)

Found in the Collection: Mr. Coffee Nerves

Joining the ranks of YoYo Martin as our favorite villains of the comics pages, Mr. Coffee Nerves is a vaudevillian apparition whose arch-nemesis is made of whole wheat and bran, and tastes quite delicious when combined with warm milk. Postum, the coffee-alternative.

“Dad Gives a Good Tip” Postum advertisement. The San Francisco Academy of Comic Art Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Paul Arthur’s character Mr. Coffee Nerves gains his pleasure in breaking up families, destroying careers, instigating murders, and other generally evil intentions perfectly suitable for the host of a caffeine headache. Who is this Paul Arthur, you ask? Well, if you couldn’t take a guess from the style, he’s both Milton Caniff and Noel Sickles.

Milton Caniff and Noel Sickles in their New York City studio, 1937. Photo from the Milton Caniff Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

The old best friends and native-Ohioans shared a studio at 320 East 42nd Street (which Sickles also called home), where amid pumping out Terry and the Pirates and Scorchy Smith, respectively, the two also moonlighted doing advertisement work. “Paul Arthur” was their chosen non-de-plume, and is a reversal of Caniff’s two middle names. As noted by Bruce Canwell in Scorchy Smith and the Art of Noel Sickles, “Because the deadlines of producing a regular comics feature were relentless, employers were not enamored by the thought of their creators adding to their workload, which increased the risk of artists turning in their strips late”, thus the necessity of a pseudonym.

“Jeanne gets a curtain call” Postum advertisement. The Milton Caniff Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

The two worked on the Postum advertisements, and many others like it, from roughly 1936-1938. These advertisements would often allow them to rake in triple of what they were making in the syndicates each week.

“Mother Takes a Hand” Postum advertisement. The San Francisco Academy of Comic Art Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Coffee in the 1930s, it would seem, is marginally decipherable from crack- barring the employment of Snidely Whiplash’s grandfather as a mascot. We love Sickles and Caniff’s interpretation of the character, as later versions in the 1950s unfortunately added a jet-pack to Nerves’ costume and lost the hat. The two geniuses would collaborate again as Paul Arthur in 1977 on an unsold Bruce Lee comic strip, the original drafts of which reside in our collection at the Cartoon Library.

“Peter Joins The Club” Postum advertisement. The Milton Caniff Collection, The Ohio State University Billy Ireland Cartoon Library & Museum. (click to enlarge)

As a bonus for those especially tickled by Mr. Coffee Nerves- give a listen to hear him in dubious action on a radio commercial for Postum, available through the Old-Time Radio website.

Found in the Collection: Frank Beaven

Here at the Cartoon Library, it’s always a bittersweet thrill to find another absurdly gifted yet unsung talent in the vaults. Today, Frank Beaven! Born in Vincennes, Indiana and a graduate of Wabash College in Crawfordsville, Frank lived from 1907-1975, and worked primarily in the 1930s-50s.

Marry me, Gwendolyn, and I’ll take you away from all this” Frank Beaven original from the Ned White Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Although most people unfortunately do not recall him at all, Frank Beaven is remembered either as a cartoonist of saucy girlie drawings for Humorama magazines (which we will not be picturing here!) alongside the likes of Dan DeCarlo and Bill Ward, or as a more refined artist working for The New Yorker, Colliers, Esquire, and The Saturday Evening Post. Because of the two extremes in clientele, Beaven changed his signature often enough to drive a librarian insane. If it wasn’t his full name, it was “FB”, “REKOJ”, “RE”, “F.”, and so on.

Now if she would just look out the window.” Frank Beaven original, from the International Museum of Cartoon Art Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Frank was an occasional contributor to many publications, and a regular contributor to few. Beyond the high society and mens mags, his work could be seen in ads for Schlitz beer, Tabasco Sauce, Zippo Lighters and Eveready Batteries, as well as in Radio Craft Magazine, a hobbyist publication for those with an interest in home made radios.

He says he’s a stranger here himself!” Frank Beaven original, from the Charles H. Kuhn Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (caption on back of piece)

From 1935 to 1937, Frank was in the funny pages of the Register and Tribune syndicates with his Bats in the Belfry multiple gag feature, for which he would occasionally pay a dollar to readers to write-in gags. For reasons unknown to us (but appreciated by us), nearly every installment contained a panel of ghost jokes.

“Bats in the Belfry” Frank Beaven tear sheet. From the San Francisco Academy of Comic Art Collection, The Ohio State University Billy Ireland Cartoon Library & Museum.

Frank and his wife Elise Rosenborg moved to Staten Island in 1932, and eventually to Allendale, NJ after the war where they remained until Frank passed away of Lou Gehrig’s Disease.

Do you have more information on Frank? Feel free to share!

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