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Found in the Collection: Spring-Heeled Jack!

London in the 1830s was a truly weird and terrifying place. The city and surrounding villages were plagued at large by a menacing and mysterious figure who not only lurked in dark alleys, but had the gall to occasionally go door-to-door frightening people. Detailed attacks were reported as early as 1838, in which the assailant was said to have “deprived seven women of their senses”, spit blue fire in many a passerby’s face, and generally freak many folks out based on appearance alone. However, among the many of the fiends horrific traits, that which was noted the most was his inhuman ability to… hop.
To hop over fences, in front of horse-drawn carriages causing them to turn over, down long stretches of road while stopping to slap onlookers across the face, etc.

Hence, horror was given a name, and it was Spring-Heeled Jack:

"Spring Heeled Jack" The San Francisco Academy of Comic Art, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

“Spring Heeled Jack”  No. 9 & 10. From The San Francisco Academy of Comic Art, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Although police reports were filed and many a news article written at the time, the real Spring-Heeled Jack was never caught, and so inspired over a century of urban legends. Among the earliest of pop culture formats that Spring-Heeled Jack could be found in was the penny dreadful, a large collection of which we have here at the Cartoon Library in our San Francisco Academy of Comic Art Collection. These publications, sold for one penny each, were marketed toward working class adolescents, and their feverish fan consumption served as precursors to the modern comic book.

Featured here on the blog today are some of our favorite covers from the collection, where appearances of Spring-Heeled Jack lay somewhere on the border of horrifying and hilarious.

The San Francisco Academy of Comic Art, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

“Spring-Heeled Jack” No. 1. From The San Francisco Academy of Comic Art, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

    "Spring-Heeled Jack" No. 1. From The San Francisco Academy of Comic Art, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

“Spring-Heeled Jack” No. 19 & 20. From The San Francisco Academy of Comic Art, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

SHJ3

“Spring-Heeled Jack” No. 35 & 36. From The San Francisco Academy of Comic Art, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

“Spring-Heeled Jack” No. 3. From The San Francisco Academy of Comic Art, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Over the years, the legend of Spring-Heeled Jack has gone from evil to good, to evil all over again. Could his winged visage be a Victorian era inspiration to our 20th century Batman?

Teaching in the Cartoon Library: Digital Photography 2555

Shortly after our Artists’ Book Open House this February, we were thrilled to be contacted by lecturer Kristen Spickard in the art department about bringing her students into the Cartoon Library for a zine-making assignment.

Kristen’s class is the very first Intro to Digital Photography class that we’ve hosted here, and for their final project she wanted the students to create their own zine on any topic of their choice, so long as they incorporated photography into the piece. In order to gain some inspiration and learn more about binding techniques, the students came in to the Cartoon Library for two hours for a lecture on the history of zine and mini-comics making, and a show-and-tell of some of our incredibly unique items in The Dylan Williams Collection.

These 25 students of varying majors and ages were entirely new to the zine format and culture when coming in to the class, and each left with a thorough understanding of the spectrum of shapes, sizes, and subject matters that a self-published piece can take on.

On the last day of classes, I was invited to come to ART 2555’s Zine Release Party, where the students were trading their own finished publications, and swapping stories of how they were made. The results were amazing! No two students final projects were alike, and the topics ranged from personal pieces to instructional pamphlets, each incorporating digital photography into the theme.

There were accordion-style photo zines:

Food zines (food included)!
FoodZinesZines about traveling and new homes:
TravelingZinesZines on faith:faithzineZines of passion:PassionZines…and one student even hand-made their own paper for their zine!

At the Zine Release Party, the students were kind enough to gift us a copy of each of their final project zines, to be donated to The Dylan Williams Collection, from which their inspiration came!
zinebag
Thank you, ART 2555!

For information about bringing your class into the Cartoon Library, please contact us at cartoons@osu.edu

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