Category: Found in the Collection (page 32 of 53)

Happy 143rd Birthday, Winsor McCay!

Tomorrow will mark the great Winsor McCay’s 143rd birthday, and as the proud home of the world’s largest public collection of McCay originals, we’re glad to give him a shout out.

Back in the infancy of our blog, we featured McCay’s Tale of the Jungle Imps and the story of how five of the fully hand-colored originals came to arrive at the Cartoon Library in 2006- the first known originals to ever resurface. However, those five breathtaking pieces are a small sampling of over 90 original McCay works that reside in our collection.

Among these, more than 20 of the original animation cels from McCay’s groundbreaking early animation from 1914, Gertie the Dinosaur, which paved the way for later animators like Walt Disney and the Fleischer brothers who would also employ lovable anthropomorphic creatures and animals as the stars of their cartoons.

Original Winsor McCay production drawing for “Gertie The Dinosaur”. From the Woody Gelman Collection, The Ohio State University Billy Ireland Cartoon Library & Museum.

Original Winsor McCay production drawing for “Gertie the Dinosaur”. Gift of Mrs. Henrietta Adam Brotherton. The Ohio State University Billy Ireland Cartoon Library & Museum.

Original Winsor McCay production drawing for “Gertie the Dinosaur”. Gift of Mrs. Henrietta Adam Brotherton. The Ohio State University Billy Ireland Cartoon Library & Museum.

Our other McCay originals span almost the entirety of his cartooning career, including a large collection of pieces from Dream of the Rarebit Fiend, McCay’s editorial cartoons, A Pilgrim’s Progress, Hungry HenriettaLittle Sammy Sneeze and more.

McCay would use the same dinosaur character in his comic strips as well, as seen in the original below from Dino.

Winsor McCay original for “Dino”. From the Woody Gelman Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Found in the Collection: Tijuana Bibles

Is there a tactful way to talk about Tijuana Bibles in an academic setting? Well, we aren’t sure, so we’re going to keep it short and just let you know that we have plenty of them for your perusal.

Tijuana Bibles from the San Francisco Academy of Comic Art Collection, The Ohio State University Billy Ireland Cartoon Library & Museum.

For those unfamiliar with these strange and salacious little publications, Tijuana Bibles were wallet-sized, folded-and-stapled pamphlets that saw their heyday from the 1920s through the 1960s. Made to fit easily in ones back pocket, they would be found passed around bars, barbershops, burlesque houses, and of course between kids behind the schoolyard.

Typically in a 2.5×4 inch format, running 8 pages long, the anonymous artists of the Tijuana Bibles cast many of America’s most beloved newspaper comic strip characters, movie stars and public figures into the role of exhibitionists, adulterers, and general sex-loving fiends. Yes, turning something once family-friendly into fornication (as many of the underground cartoonists would do) is not a new trend, but nearly a century old in the comics format.

Tijuana Bibles from the San Francisco Academy of Cartoon Art Collection, The Ohio State University Billy Ireland Cartoon Library & Museum.

The majority of the Tijuana Bible artists remain unknown, though some (including Superman‘s Joe Shuster and Bazooka Joe‘s Wesley Morse) have been identified. The nickname “Tijuana Bible” caught on from the lore that these little books were being shipped over illegally from below the border, though history hints that the center of circulation seemed to be no place other than New York City.

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