Author: Caitlin McGurk (page 40 of 158)

Collection Spotlight: Vernon E. Grant 

by Wendy Pflug, Associate Curator for Collections

In 2019, the Billy Ireland Cartoon Library & Museum at the Ohio State University acquired the papers and artwork from the late Vernon E. Grant. Vernon Ethelbert Grant (also known as Vern Grant) was born February 14, 1935. Grant was an early appreciator of Japanese manga and wrote about Lone Wolf and Cub for publications as early as the 1970s. He was also a cartoonist who did several strips for the military newspaper Stars and Stripes, created a science fiction graphic novel series called The Love Rangers, and self-published many of his works.

Original art for The Love Rangers by Vernon E. Grant

Through a generous donation from his widow, Betsy Reese Grant, we have procured a collection of his papers and his published and unpublished cartoon work. When asked about her motivation for donating the collection, Betsy remarked: “My primary reason for choosing the Billy Ireland Cartoon Library and Museum was because it was highly recommended by the late Bhob Stewart of Massachusetts, artist and comics expert, who always gave me excellent advice on how to perpetuate Vernon’s legacy. Once I started talking with Wendy Pflug and Jenny Robb, I was very impressed with their depth of knowledge of cartoons and their deep concern for preserving them in history, and it made the final decision easy.”

Grant served three army tours in Japan and Vietnam in the 1960s and contributed numerous cartoons for the Pacific edition of Stars and Stripes, including three comic strips about life in the military: Grant’s Heroes, A Grant Time in Japan, and Grant’s Grunts.  After leaving the Army in 1968 he enrolled as a student at Sophia University in Tokyo and continued to draw cartoons for English language newspapers. He received his Bachelor of Arts from Sophia University in 1970 and frequently wrote about manga. He is a pioneer in introducing Japanese concepts to U.S. audiences. Manga’s influence can be seen in Vernon’s 1972 work A Monster is Loose!- In Tokyo, a humorous look at the life of a foreigner in Japan. He also self-published a book of his single panel cartoons, Stand By One! and a series of three books about life in U.S. Army featuring his character Point-Man Palmer, all of which are found in the collection.

“Well Terwilliger…How does it feel to make aviation history?”

…Due to a slight error in the request transmission, the Pentagon has sent us the wrong type of guerrilla expert!…

Grant returned to Cambridge, Massachusetts with his wife Betsy in 1973, where he began work on his science fiction graphic novel The Love Rangers. Grant’s wartime experience in Vietnam influenced the creation of this series, which features a racially mixed space crew traveling through the universe to promote peaceful change through the use of love. Our holdings include original artwork from The Love Rangers (1977-1988) and documentation of Grant’s efforts to self-publish and distribute the books.

Original Art for The Love Rangers by Vernon E. Grant

“The materials in this amazing collection document Vernon Grant’s imagination, humor, and talent spanning decades.  The materials deal with diverse themes including love, military life, appreciation of manga, the expatriate experience in Japan, and science fiction,” says curator Jenny Robb. “We are very fortunate to have this extraordinary body of work from an early pioneer of the self-publishing movement. His work, while often humorous also shows a serious side, conveying Grant’s philosophy of the ability of love to transform hate and negativity.  We are grateful to Betsy Grant for sharing these treasures with us and the world.”

For more information about this collection, contact us at cartoons@osu.edu.

Caption: Vernon and Betsy Grant, 1995

 

About the Billy Ireland Cartoon Library & Museum:  The BICLM is one of The Ohio State University Libraries’ special collections. Its primary mission is to develop a comprehensive research collection of materials documenting American printed cartoon art (editorial cartoons, comic strips, comic books, graphic novels, sports cartoons, and magazine cartoons) and to provide access to these collections.  The BICLM recently moved into its newly-renovated 30,000 sq. ft. facility that includes a museum with three exhibition galleries, a reading room for researchers and a state-of-the-art collections storage space.  The library reading room is open Monday-Friday 9 a.m. to 5 p.m. and Sunday 1 p.m. to 5 p.m. The Museum is open Tuesday-Sunday from 1 – 5 p.m.  See http://cartoons.osu.edu/ for further information.

The Ohio State University Libraries

Billy Ireland Cartoon Library & Museum
Contact: Caitlin McGurk
Sullivant Hall
1813 N. High St
Columbus, OH 43210

614-292-0538 Phone
614-292-9101 Fax

2020 Lucy Shelton Caswell Research Award Winner: Kevin Cooley

Will Eisner and Lucy Shelton Caswell

The Billy Ireland Cartoon Library & Museum (BICLM) is pleased to announce the winner of the annual Lucy Shelton Caswell Research Award.  The award of up to $2500, named for the founding curator of the BICLM, Professor Emerita Lucy Shelton Caswell, supports researchers who need to travel to Columbus, Ohio to use the collections materials of the BICLM on site.

We were delighted to receive a robust and diverse range of proposals from both national and international scholars and artists. A panel of reviewers from a variety of disciplines at Ohio State was appointed to assess the proposals.

The recipient for 2020 is Kevin Cooley. Cooley holds a Master of Arts in English Literature from St. Bonaventure University, and is currently completing his Doctorate in English Literature from University of Florida. Cooley will utilize the research award in support of two related projects. First, in support of his dissertation and monograph Queer Beyond Here: Animated Sex and How To Get Used To It, which Cooley states “chronicles the development of queer animation from the earliest moving image devices to contemporary cartoons like Steven Universe.” In order to do justice to this lineage, Cooley “found it crucial to investigate the queer energies (and sometimes characters) of the formative comic strips that inspired early animation.” During a research visit to The Billy Ireland Cartoon Library & Museum in the summer of 2019, Cooley found that George O. Frink’s strips Circus SollySlim Jim and the Force and The Picture Show revealed “obvious influences on the chase scenes of Warner Bros. animation (impossible physics, drag performances, and all).” This has led him on an exhaustive pursuit of Frink, including a visit to the Elgin Mental Health Hospital, the contemporary site of the asylum in which Frink was institutionalized and where he died. As a result, the second project that the award will support will be an article and monograph about Frink’s life, tentatively titled Acrobats, Asylums, and Would-Be Animators: The Surprisingly Queer Stories of George O. Frink, the Forgotten Cartoonist. Cooley will utilize the San Francisco Academy of Comic Art Collection to conduct close readings of Frink’s strips The Awful Bore, The Goat Family, Mister Mainbrake, Mrs. Clubberly Clubber, Tommy Town, and Ratty and Algy, as well as those of his contemporaries at the Chicago Daily News.

Congratulations Kevin Cooley!

The application process for the 2021 award will take place in Fall 2020.

Ongoing support of this award was made possible by a generous gift from the Will and Ann Eisner Family Foundation, which was matched by many additional donors to create an endowment.  The endowment will provide funding for one award to be given each year. Past awardees include Dr. Susan Kirtley, Dr. Daniel Worden, Xavier Dapena, and Frank Santoro.

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