Found in the Collection: Etta Hulme!

“I’m in this business to dispense opinions,” Etta Hulme once said in an interview, “and — if the job gets done right — to get people stirred up while keepin’ things on the funny side.” Best known for her editorial cartoons, Etta Hulme (1923-2014) was the chief cartoonist for the Fort Worth Star-Telegram for 36 years. She also served as President for the American Association of Editorial Cartoonists, and twice received the National Cartoonist Society award for Best Editorial Cartoonist. The BICLM recently acquired a collection of Hulme’s original artwork, sketches, correspondences, books, comics, and other belongings.

During her long and industrious career, Etta provided a consistent voice in cartooning. Her path wasn’t always easy; she was one of the only women to be hired as a full-time newspaper cartoonist, and was frequently carped for her boldly liberal views in a conservative Texan town. Etta laughed off criticism and even threats; her endless wit and terrific determination are best illustrated by her daily cartoons. Among the 33 sketches are a few that feature one of her popular targets, the IRS:

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Sketches for editorial cartoons. Dates unknown

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Sketches for editorial cartoons. Dates unknown

Etta’s cartooning long pre-dates her political strips. These are the artifacts of a long and varied career, beginning with Disney; the animation studios hired her during World War II, when restrictions on hiring women were temporarily lifted. During her early days working in animation, Etta earned her chops story-boarding, inventing characters, and cartooning for a kids’ audience.

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She submitted a number of storyboards to popular comic book publishers, many of which were turned down. Editors were often very candid with their criticism–letters like this one would have required a thick skin!

Rejection letter from Whitman Publishing Company, 1951

Rejection letter from Whitman Publishing Company, 1951

 

Eventually, in the late 1940s and early 1950s, Etta landed a regular job writing and drawing for “Red” Rabbit, a very popular kids’ comic. We found this fantastic photo in a box of her belongings—a group of kids in the early fifties, gathered around their favorite comic.

 

Photo of kids reading “Red” Rabbit circa early 1950s, with the caption “Yes sir, Mr. Laue, down here in Texas, Red Rabbit Comics are about all you ever see. Wherever you find five or six kids together, you’ll find two or three Red Rabbits.”

Photo of kids reading “Red” Rabbit circa early 1950s, with the caption “Yes sir, Mr. Laue, down here in Texas, Red Rabbit Comics are about all you ever see. Wherever you find five or six kids together, you’ll find two or three Red Rabbits.”

The “Mr. Laue” referred to in the caption is Charles “Chas” Laue, who was Etta’s editor. Etta and Chas had a friendly working relationship, and his letters were fond and informal, unlike previous editors’. Here’s an example of one such letter, in which Chas asks Etta for advertising advice:

 

Letter from Charles “Chas” Laue, March 22, 1951

Letter from Charles “Chas” Laue, March 22, 1951

Chas Laue was happy with a cover Etta (then Etta Parks) had drawn. Among a pile of original “Red” Rabbit covers are this sketch and final print, as well as some charming character sketches.

Sketch and final cover for “Red” Rabbit No. 22, September to October 1951

Sketch and final cover for “Red” Rabbit No. 22, September to October 1951

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Taking inspiration for both editorial cartoons and kids’ comics, Etta had a (heavily bookmarked!) collection of Cartoons Magazine, a World War I anthology of humor and politics, as well as these colorful comic books ranging from Krazy Kat to Korak.

 

A pile of thirteen Cartoons Magazine issues from 1913-1921

A pile of thirteen Cartoons Magazine issues from 1913-1921

 

Assortment of comic books from the early 1950s

Assortment of comic books from the early 1950s

Etta Hulme was a talented cartoonist and a fascinating person—this is just a small sample of her life and legacy. To learn more about Etta and her work:

NEW EVENT: Mo Willems and Hilary Price!

The Low-Down on Mo:
A Conversation with Mo Willems and Hilary Price

ThankYouBook hi res cover

Friday, August 19th 2016
7pm
FREE
Wexner Center for the Arts – MERSHON AUDITORIUM

The Ohio State University Billy Ireland Cartoon Library & Museum is thrilled to co-host award-winning author and illustrator MO WILLEMS in conversation with HILARY PRICE, the creator behind Rhymes With Orange.

Mo Willems 2015 Credit Jo Chattman HilaryPrice

Mo Willems is a New York Times best-selling author and illustrator, and has been awarded three Caldecott Honors for his books Don’t Let the Pigeon Drive the Bus!, Knuffle Bunny: A Cautionary Tale, and Knuffle Bunny Too: A Case of Mistaken Identity.  This year, Mo celebrates the 25th and final book in his long-running Elephant and Piggie series, which has twice won the Theodor Seuss Geisel Medal.

Joining Mo in conversation will be Hilary B. Price, the creator behind the internationally syndicated comic strip Rhymes With Orange. Price has been awarded the “Best Newspaper Panel” four times by the National Cartoonists Society, and her work has appeared in Parade Magazine, The Funny Times, People and Glamour.

This free event will be held in the Wexner Center for the Arts MERSHON AUDITORIUM. A book signing with Mo and Hilary will take place immediately after the event in the lobby.

The Wexner Center is located at 1871 North High Street at the corner of 15th Avenue on the campus of The Ohio State University. Get directions here.
Contact mcgurk.17@osu.edu for more information.

This event was made possible with help from our co-sponsors at the Wexner Center for the Arts.

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