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Found in the Collection: Zat magazine

Darryl Mendelson, best known to Columbus locals as the co-owner of the legendary comics shop Monkeys Retreat and one of the key coordinators of ComFest, passed away on August 20, 2023.

Born and raised in Brooklyn, New York, Darryl first found his way to Columbus to study at The Ohio State University in 1966, before heading West to immerse himself in the countercultural mecca of San Francisco. After some wild years that included the Woodstock music festival and living out of a converted school bus, Darryl settled back down in Columbus where he was joined by his younger brother Ro-Z in 1970. Along with their friend Stan Bobrof, the two Mendelson brothers helped bring counter-culture to Columbus through their various business ventures and community organizing. It was Monkey’s Retreat, however, that left the biggest mark on Columbus’s comics scene.

Originally located at 2400 N. High Street in 1975 (eventually relocating in the ’90s to 1190 N. High and then 1202 N. High), the shop was unlike any other in the city at the time, pedaling underground comix and newspapers, records, posters, fanzines, clothes, sci-fi and fantasy books, and more. Over its 35 years of business, Monkey’s Retreat played a formative role in developing the artistic sensibilities and activist ambitions of the countless people who came through the door. The various iterations of the store did much more than sell standard headshop paraphernalia, it played host to Anti-Racist Action (ARA) meetings, served as a tai chi studio, and fostered a community interest and passion for a part of pop culture that still reverberates through Columbus today. They referred to it as a “space age variety store,” and impressionable young cartoonists who attended Ohio State, like Derf Backderf and Jeff Smith, had their vision of what comics could be brought into focus thanks to the material on the Monkey’s spinner racks.

However, Darryl and Stan’s impact reached far beyond Columbus.

In 1977 during a visit to New York City for a tradeshow, Darryl and Stan found cheap retail space for rent at 307 W. Broadway, in the then-bohemian neighborhood of Soho, and opened up a new shop. SohoZat quickly became an oasis for music, magazines, and above all: underground comix and newspapers. In 1980, SohoZat regulars Art Spiegelman and Françoise Mouly sold the first issue of Raw magazine out of Mendelson’s shop — making it the very first place the new radical art comics magazine could be purchased.

Everyone hung out there, from John Belushi to Anthony Bourdain. The latter contributed some of his earliest writing about life in the kitchens of New York to a magazine published by SohoZat, the short-lived Zat magazine, seen below. Bourdain even appeared on the cover of Zat no. 4.

“The Young Caremians” essay by Anthony Bourdain for Zat issue no. 2, October 1984.

Photos by Darryl Mendelson and Carol Ann Hawkins, “Celebrities from the Zat Headshot Collection” in Zat no.1, including Art Spiegelman and Françoise Mouly.

Zat magazine’s first issue debuted in 1984, and intermittently thereafter for five more issues before ceasing publication in 1985. It included a frenzy of features on graffiti, personal politics, music and movie reviews, fiction and personal essays, interviews with figures from the underground art and music world, and even recipes for cheesecake. There were pages of illustrations and comics, including work by Gary Panter, Mark Beyer, Bill Griffith, Jay Lynch,  Art Spiegelman, and more.

 

The magazine is a packed time capsule, filled to the brim with loud expressions of life in New York City captured over the course of one short year. While it’s distinctly Soho-centric, nearly every issue ended with a call back to Columbus — a full page advertisement for Darryl, Ro-Z, and Stan’s store: Monkey’s Retreat.

Two page ad for Monkey’s Retreat in the back of Zat no. 2

Due to rising rents, by 1992 SohoZat closed its doors, and Darryl’s energies refocused on the Columbus community. We are so grateful for the influence and impact that Darryl Mendelson had on artistic communities near and far, from his shop just a few blocks from the Billy Ireland Cartoon Library & Museum.

Learn more about Monkey’s Retreat and Darryl Mendelson here. To view the Billy Ireland Cartoon Library & Museum’s holdings of Zat magazine, visit our Lucy Shelton Caswell Reading Room or make an appointment by contacting cartoons@osu.edu.

New Acquisition! Basil Wolverton Collection

FOR IMMEDIATE RELEASE: July 7, 2023

Basil Wolverton Collection donated to
The Ohio State University
Billy Ireland Cartoon Library & Museum

Photobooth images of young Basil Wolverton

COLUMBUS – Monte Wolverton has donated a significant collection of his cartoonist father Basil Wolverton’s archives, ephemera, and some original art to the Billy Ireland Cartoon Library & Museum.

Basil Wolverton (1909-1978) was best known for his contributions to Mad magazine and Timely Comics (the pre-cursor to Marvel Comics), and his characters Powerhouse Pepper and Spacehawk. Self-described as a “Producer of Preposterous Pictures of Peculiar People who Prowl this Perplexing Planet”, Wolverton’s idiosyncratic and frequently-grotesque style stood out among his peers, and gained him cult following among future generations of cartoonists. In 1946, Wolverton’s work was introduced to a national newspaper reading audience when he won a contest to depict “Lena The Hyena, the World’s Ugliest Woman” for Al Capp’s Li’l Abner comic strip (read more).

Cover of Mad Magazine no. 11 by Basil Wolverton, 1954

This collection, meticulously organized, preserved and donated by his family, contains roughs and page layouts for his comics, fan mail, personal and business correspondence, photographs, juvenilia, ephemera, newspaper articles and other publicity, and high-resolution negatives and copies of various pieces. Of particular note are Wolverton’s personal daily journals from 1923 to 1925 and 1941 to 1974, as well as a notebook containing short stories and sketches he created between ages nine and eleven.

“This collection offers a fascinating window into the comic book business in the 1930s through the early ‘50s,” said his son, Monte Wolverton, “with correspondence from editors (including Stan Lee) who were offering direction and advice. Such specifics may be less documented for other comic artists who were not working remotely as my father was on the West Coast.” Also among the correspondence are “rejection slips from nearly every major magazine in the United States from the 1940s and ‘50s”.

Wolverton’s unique sense of humor, hobbies, and perspective on the world are reflected in the collection. “It’s a rare delight to get this level of insight into the development, daily musings, and professional journey of a cartoonist,” said Caitlin McGurk, Curator of Comics and Cartoon Art, “Wolverton’s work is frequently requested by our patrons and researchers, and we’re so grateful to his family for entrusting us with the preservation of his legacy.”

“I consider the Billy Ireland to be to be the number one institution in the United States for the history of comic artists and cartoonists—designed to be accessible to scholars and researchers” said Monte Wolverton. “I have great confidence in head curator Jenny Robb and the highly professional staff!”

Patrons can access this collection by visiting the Lucy Shelton Caswell Reading Room. Please contact cartoons@osu.edu to set up an appointment. To learn more about the Billy Ireland Cartoon Library & Museum visit cartoons.osu.edu.

Click to enlarge images below for a sampling of items from this collection:

 

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