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Found in the Collection: Cartoon LPs!

There aren’t just comics in the Cartoon Library! Here are some freshly processed LPs related to comics, cartoon art and conventions from the San Francisco Academy of Comic Art Collection. Ah, two of the most collected items in history, together at last!

Maybe we’ll have a listening party in our new building next year.

First up, recordings from The 1975 San Diego Comic-Con, including an opening address from Ray Bradbury! If any of you recognize anyone in the high-contrast banquet photo on the back, please let us know!

Cover of “The 1975 San Diego Comic-Con”, from the San Francisco Academy of Comic Art collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Back cover of “The 1975 San Diego Comic-Con”, from the San Francisco Academy of Comic Art collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Below: Buck Rogers in the 25th Century, the first four 15-minute episodes of the CBS radio series from 1932. Dick Tracy in B-Flat, or For Goodness Sake Isn’t He Ever Going to Marry Tess Trueheart? featuring Judy Garland as Snowflake, Bing Crosby as Dick Tracy, Frank Sinatra as Shaky, Bob Hope as Flattop, Dinah Shore as Tess Trueheart, and Jimmy Durante as The Mole- this was a live broadcast for the troops overseas in 1945, put on by the Armed Forces Radio Service. Gravely by Robert Bloch, the author of Psycho reads his short stories on this album with cover art by Gahan Wilson from 1976! Lastly, Al Capp on Campus, a collection of Capp’s speeches given to college students.

Records from the San Francisco Academy of Comic Art Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Below, Songs of the Pogo, lyrics by Walt Kelly and music by Norman Monath- but wait- SUNG by Walt Kelly himself! With the help of Fia Karin, Mike Stewart, and Bob Miller. The Terry and the Pirates original radio broadcast, with the charming description on the back “In these, Terry is where he belongs- where the Dragon Lady is scheming, where Pat Ryan is punching, where it is always sometime in the thirties, somewhere in China.” Finally, another edition of Buck Rogers in the 25th Century, and the Dick Tracy original radio broadcast.

Records from the San Francisco Academy of Comic Art Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Below, art by the one and only George Herriman for Don Marquis’ Archy and Mehitabel, narrated by David Wayne, with the voices of Eddie Bracken, Carol Channing, and Percival Dove. The Phantom Limbs album Romance, featuring art by Gray Morrow, Charlotte Weaver and Jim Lawrence. The soundtrack to the first animated feature film to receive an X rating in the United States, Fritz the Cat. And finally, Popeye the Sailor Man, musical stories from the original TV scripts, narrated by Harry F. Welch. The back cover of this album states “The Rocking Horse Players and Orchestra have written and produced hundreds of happy records for young folks to provide them with hours of fun-a-plenty.”

Records from the San Francisco Academy of Comic Art Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Below, the original radio broadcasts Blondie, and the exclusive Wonder Woman stories “The Amazons from Space”, “The Secret of the Magic Tiara”, and “Wonder Woman Versus the War-God”. A Daily News/Chicago Tribune split of Frank King’s Gasoline Alley and Frank Willard’s Moon Mullins radio broadcasts. Lastly, The Official Adventures of The Shadow, written by John Fleming with cartoon illustrations.

Records from the San Francisco Academy of Comic Art collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

The original radio broadcasts of Alex Raymond’s Jungle Jim, followed by Peanuts stories come to life in the voices of Kaye Ballard and Arthur Siegel- which came to fruition when Charles Schulz showed up at one of their performances and the two actors/Peanuts fans acted out a few of the strips they had memorized. The 1966 Batman and Robin soundtrack, and the original radio broadcasts of Flash Gordon by Alex Raymond.

Records from the San Francisco Academy of Comic Art collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

And finally, quite possibly the ultimate album artwork in this latest batch, The Groundhogs Who Will Save the World? fully illustrated by Neal Adams.

Neal Adams album art for The Groundhogs, 1972. From the San Francisco Academy of Comic Art collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Neal Adams inner album art for The Groundhogs, 1972. From the San Francisco Academy of Comic Art collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Neal Adams inner album art for The Groundhogs, 1972. From the San Francisco Academy of Comic Art collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Sullivant Hall Hard Hat Tour

We came, we saw, we imagined walls where none have been built yet, hiked dusty staircases to our three heavenly cartoon museum galleries, stood stupefied and tried to envision where we would hang the limited edition full-color lithograph of Nancy dreaming about eating an ice cream cone.

The exterior of our new home, Sullivant Hall, facing N. High Street.

Curator Jenny Robb and architect Pete Confar look over the blueprints for the 2nd floor of the new Billy Ireland Cartoon Library & Museum project.

Yes, our most recent hard hat tour of the Sullivant Hall building project was overwhelmingly exciting. Currently, demolition has been completed in the space, and construction begins soon.

Wandering across the North High Street pavilion from our current 6,000 sq-ft facility to the new just-under 30,000 sq-ft facility for the Cartoon Library felt like every metaphor from a college graduation to opening up a birthday gift or running into the living room on Christmas morning. The plans have been over 7 years in the making, and we’re finally just a year away, with something real to behold.

It is particularly thrilling to imagine what this must feel like for the invincible Lucy Caswell, our founding curator, to see this all start coming to fruition.

Founding Curator Lucy Shelton Caswell, in her hard hat lovingly decorated by cartoonist Jeff Smith.

 

 

 

Lucy, who started it all and has been here since Milton Caniff showed up with his collection in the 1970s, will finally see this long-deserved home for the Cartoon Library fully realized. After so many decades of dedicated hard work at preserving and promoting the comics form, the payoff is sure to feel beyond gratifying.

One of multiple collection storage areas.

 

 

 

 

The expansion of the Cartoon Library into Sullivant Hall offers us boundless potential. Not only will the space have three museum-quality exhibit galleries (complete with security guards, gorgeous custom made cases, and sleek benches), but every other aspect of what we do here will be enhanced.

The immensely expanded storage areas will allow us to consolidate an entire offsite facility we have been using for years. We will have a large seminar room dedicated to Will Eisner for programming as well as a conference room, giving us the potential for all new community outreach opportunities, event hosting, classes and more. We’ll have massive processing facilities for tackling the collection and comfortably accommodating more workers and volunteers. Extensive reading room space, with all new ergonomic furniture to make for the most agreeable researching experience possible. Exhibit preparation, framing, and encapsulation facilities. A gorgeous lobby (architect rendering below) with Billy Ireland’s drawing table prominently displayed in a glass case as you walk in.

Architectural rendering of the Billy Ireland Cartoon Library & Museum’s north lobby.

Furthermore, we will have two large exquisitely hand-made stained-glass windows of Billy Ireland’s cartoons from The Passing Show, one of which will be back-lit and displayed at the entrance on North High Street, and the other of which will separate the reading room from the north entrance lobby.

This is indeed an exciting time for all of us here at the Cartoon Library, and we hope that all of you out there reading this can share in our glee, let alone join us for our opening festivities next fall! The three galleries in our new building will rotate three times per year, and we have some extremely riveting exhibits in the works. The opening show will be guest curated by the great Brian Walker, whose father’s International Museum of Cartoon Art collection resides here at OSU. Brian came in from Connecticut and spent the past week with us at the Cartoon Library choosing items for the show, and take it from us- it’s going to be something else.

Thank you to all who have supported us in this massive endeavor, we truly cannot wait to be able to give back with bigger and better programming and exhibits than ever before. Fall of 2013 can’t come quicker!

Library and Architecture staff in the soon-to-be home of the Cartoon Library

To see more images of the Sullivant Hall construction project, visit our Facebook page and check out the album “Sullivant Hall Hard Hat Tour”

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