Category: Library News (page 44 of 47)

Sullivant Hall Hard Hat Tour

We came, we saw, we imagined walls where none have been built yet, hiked dusty staircases to our three heavenly cartoon museum galleries, stood stupefied and tried to envision where we would hang the limited edition full-color lithograph of Nancy dreaming about eating an ice cream cone.

The exterior of our new home, Sullivant Hall, facing N. High Street.

Curator Jenny Robb and architect Pete Confar look over the blueprints for the 2nd floor of the new Billy Ireland Cartoon Library & Museum project.

Yes, our most recent hard hat tour of the Sullivant Hall building project was overwhelmingly exciting. Currently, demolition has been completed in the space, and construction begins soon.

Wandering across the North High Street pavilion from our current 6,000 sq-ft facility to the new just-under 30,000 sq-ft facility for the Cartoon Library felt like every metaphor from a college graduation to opening up a birthday gift or running into the living room on Christmas morning. The plans have been over 7 years in the making, and we’re finally just a year away, with something real to behold.

It is particularly thrilling to imagine what this must feel like for the invincible Lucy Caswell, our founding curator, to see this all start coming to fruition.

Founding Curator Lucy Shelton Caswell, in her hard hat lovingly decorated by cartoonist Jeff Smith.

 

 

 

Lucy, who started it all and has been here since Milton Caniff showed up with his collection in the 1970s, will finally see this long-deserved home for the Cartoon Library fully realized. After so many decades of dedicated hard work at preserving and promoting the comics form, the payoff is sure to feel beyond gratifying.

One of multiple collection storage areas.

 

 

 

 

The expansion of the Cartoon Library into Sullivant Hall offers us boundless potential. Not only will the space have three museum-quality exhibit galleries (complete with security guards, gorgeous custom made cases, and sleek benches), but every other aspect of what we do here will be enhanced.

The immensely expanded storage areas will allow us to consolidate an entire offsite facility we have been using for years. We will have a large seminar room dedicated to Will Eisner for programming as well as a conference room, giving us the potential for all new community outreach opportunities, event hosting, classes and more. We’ll have massive processing facilities for tackling the collection and comfortably accommodating more workers and volunteers. Extensive reading room space, with all new ergonomic furniture to make for the most agreeable researching experience possible. Exhibit preparation, framing, and encapsulation facilities. A gorgeous lobby (architect rendering below) with Billy Ireland’s drawing table prominently displayed in a glass case as you walk in.

Architectural rendering of the Billy Ireland Cartoon Library & Museum’s north lobby.

Furthermore, we will have two large exquisitely hand-made stained-glass windows of Billy Ireland’s cartoons from The Passing Show, one of which will be back-lit and displayed at the entrance on North High Street, and the other of which will separate the reading room from the north entrance lobby.

This is indeed an exciting time for all of us here at the Cartoon Library, and we hope that all of you out there reading this can share in our glee, let alone join us for our opening festivities next fall! The three galleries in our new building will rotate three times per year, and we have some extremely riveting exhibits in the works. The opening show will be guest curated by the great Brian Walker, whose father’s International Museum of Cartoon Art collection resides here at OSU. Brian came in from Connecticut and spent the past week with us at the Cartoon Library choosing items for the show, and take it from us- it’s going to be something else.

Thank you to all who have supported us in this massive endeavor, we truly cannot wait to be able to give back with bigger and better programming and exhibits than ever before. Fall of 2013 can’t come quicker!

Library and Architecture staff in the soon-to-be home of the Cartoon Library

To see more images of the Sullivant Hall construction project, visit our Facebook page and check out the album “Sullivant Hall Hard Hat Tour”

Special Announcement: The Dylan Williams Collection

On behalf of the Billy Ireland Cartoon Library & Museum, I’m thrilled to announce the establishment of The Dylan Williams Collection of small press and self published works. Please read the collection policy below for more information.

The Dylan Williams Collection Development Policy

The purpose of the Dylan Williams Collection at the Billy Ireland Cartoon Library & Museum is to strengthen and modernize our representation of the contemporary small press comics community. Although our collection currently features a diverse selection of historical self-published works, the Dylan Williams Collection will continually target and support emerging artists in the alternative comics field. We are proud to honor small press publisher, comics historian and cartoonist Dylan Williams with the namesake of this collection.

A. Namesake

Dylan Williams, Sparkplug Comics publisher, cartoonist, comics advocate and historian passed away on September 10th, 2011 after a long battle with Leukemia. In congruence with the one year anniversary of his death, the Dylan Williams Collection is to be established and announced at the 2012 Small Press Expo. This collection, curated to focus on items and publishers with a strong DIY ethic, is astutely named in Dylan’s honor as he was an essential part of the DIY community. Beyond his leadership as a small press publisher, Dylan was a constant advocate of under-appreciated artists, and a champion of raising awareness of cartoon art history among his contemporaries. As a friend and disciple of Bill Blackbeard, whose San Francisco Academy of Comic Art Collection resides here at the Billy Ireland Cartoon Library & Museum, a collection in Dylan’s name also serves as a fitting acknowledgement of that lineage. Though Dylan’s impact on the comics world is irreplaceable, his spirit lives on through the small press publishers that have risen in Sparkplug’s likeness, the artists who have thrived from his influence, and this collection which is intended to represent and support both as he would have done.

B. Focus and Scope of The Dylan Williams Collection

Complementing the preexisting collections of underground, alternative, and mainstream comics, the Dylan Williams Collection will focus on self-published and small press works, with an emphasis on hand-made books.

Gifts-in-kind, including personal work and collections, are welcome. Dylan Williams Collection acquisition funds will be used to purchase selective works from contemporary cartoonists that particularly represent the spirit of the Dylan Williams Collection or fill gaps in the BICL&M collection as a whole.

  1. The focus of the Dylan Williams Collection is on self-published works, including handmade books or those printed through local businesses. Although a strong emphasis will be placed on short form pamphlet style works (“mini-comics”), the collection may also contain self-published graphic novels.
  2. Works published by small-presses similar to and emulating the spirit of Sparkplug Comic Books. For example, materials published by small presses that are run by a small to single-person staff will take priority.
  3. Personal comics collections of self-published and small-press works, ranging from 1970 (Dylan Williams’ birth year) to the present.
  4. Original artwork from self-published work.
  5. Limited edition prints by self-publishing creators.
  6. Secondary sources. Self-published works about comics but are not comics (ie. reviews, essays, fanzines etc.)
  7. Micro-distributed materials. Primarily works that are distributed through non-traditional methods, including but not limited to mail-order, hand-selling at conventions, and small distributors will take priority.
  8. Small print runs for small-press work. Materials with a print run of over 3,000 copies will not be eligible.
  9. Works outside of the superhero genre will take priority.

For more information please contact: Caitlin McGurk

mcgurk.17@osu.edu – 614-292-0538


If you are attending the Small Press Expo in Bethesda, Maryland this weekend, please feel free to ask me about this collection! I will be representing the Cartoon Library on the following panel on Saturday, September 15th at 2pm.

Institution Building and Comics
2:00 pm | White Flint Auditorium

While comics have gained a great deal of cultural legitimacy over the past twenty years, comics, as a field, still lacks the institutional infrastructure enjoyed by other, more historically established art forms. Sara Duke (Curator of Popular and Applied Graphic Art, Library of Congress), Tom Hart (Sequential Arts Workshop), Cheryl Kaminsky (AS220), and Caitlin McGurk (Ohio State University) will discuss the needs and challenges of comics-specific institution-building with moderator Tom Spurgeon.

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