Category: Library News (page 1 of 44)

Congratulations to the 2024 Lucy Shelton Caswell Research Award Winners!

The Billy Ireland Cartoon Library & Museum (BICLM) is pleased to announce the winners of the annual Lucy Shelton Caswell Research Award for 2024. The award is named for Professor Emerita Lucy Shelton Caswell, the founding curator of BICLM, and provides $2500 to support researchers who need to travel to Columbus, Ohio to use the BICLM collections materials on site. We were delighted to receive a robust and diverse range of proposals from both national and international scholars and artists. A panel of reviewers from a variety of disciplines at Ohio State was appointed to assess the proposals.

The recipients for 2024 are Dr. Safiyya Hosein and Dr. Jonathan Najarian.

Dr. Safiyya Hosein

Dr. Safiyya Hosein is a lecturer at Toronto Metropolitan University and holds a PhD in Communication and Culture. Her research focuses on Muslim superheroes, Muslim audiences, and Muslim fandoms. Hosein has been published in peer-reviewed journals such as the Popular Culture Studies Journal, Feminist Encounters: A Journal of Critical Studies in Culture and Politics, and The Journal of Graphic Novels and Comics, as well as in the popular press such as The Conversation, the CBC, Spice Radio, the National Post, and in many international media outlets. As a comics writer, her work appears in The Nib and several comics anthologies. In 2017, she was selected by Vice Media Motherboard for their “Humans of the Year” series. Hosein will utilize the Milestone Comics Collection at the Billy Ireland Library and Cartoon Museum to examine the representations of the pioneering Black Muslim superhero, Wise Son, for her upcoming book on Muslim superheroes.

 

Dr. Jonathan Najarian

Dr. Jonathan Najarian is Visiting Assistant Professor of Writing and Rhetoric at Colgate University. He is the editor of Comics and Modernism: History, Form, and Culture (University Press of Mississippi, 2024), and is currently at work on a book on early American newspaper comics. Some recently published essays include Crazy Quilt, Advertising, and the Chicago Tribune as well as ‘And words were images to him’: Narrative Remediation in Rockwell Kent. Najarian will use his time at the Billy Ireland Cartoon Library & Museum to support research for his current book project Immediate Fantasies: Comics in Context, 1890-1940. This monograph will explore materiality in newspaper comics in the United States: their leap from the page to billboards and merchandise, the stage and screen, fashion, etcetera—in addition to the cultural imaginary they inhabit.

Congratulations Safiyya and Jonathan!

The application process for the 2025 award will take place in late Fall 2024.

Ongoing support of this award was made possible by a generous gift from the Will and Ann Eisner Family Foundation, which was matched by many additional donors to create an endowment. The endowment provides funding for one award to be given each year. Past awardees include Dr. Margaret Galvan, Dr. Christina M. Knopf, Dan Yezbick, Adrienne Resha, Eike Exner, Kevin Cooley, Dr. Susan Kirtley, Dr. Daniel Worden, Xavier Dapena and Frank Santoro.

New exhibit! Depicting Mexico and Modernism: Gordo by Gus Arriola

(Columbus, OH) – The Billy Ireland Cartoon Library & Museum presents Depicting Mexico and Modernism, the first retrospective on the comic strip Gordo. On view Dec. 13, 2023–May 5, 2024, the exhibit celebrates the dazzling artistry of Mexican-American cartoonist Gustavo ‘Gus’ Arriola.

The syndicated strip ran from 1941 to 1985 and featured Gordo Salazar Lopez, a bean farmer turned tour guide, who introduced readers to Spanish words and Mexican culture. At first, the title character, Gordo Salazar Lopez, a bean farmer, was portrayed through Hollywood’s regrettable stereotype as a lazy Mexican. When Arriola realized he was perpetuating negative stereotypes, he shifted the character’s story, reimagining Gordo as a tour guide navigating a Mexican ‘colectivo’ (bus) called Halley’s Comet and focused instead on accurately portraying Mexican life and folklore. Arriola’s development as a modernist artist was influenced by his first trip to Mexico in the 1960s where he immersed himself in Mexican culture and modernist art. The exhibition invites visitors to trace his journey as an artist who used the comics page to celebrate and share his Mexican heritage with American readers.

Gordo was a successful newspaper comic strip during its run, but few people today are familiar with it,” said Jenny Robb, Head Curator of Comics and Cartoon Art at the Billy Ireland Cartoon Library & Museum. “The strip is remarkable not only for the way it introduced American audiences to Mexican culture, but also because of Arriola’s inventive storytelling and design that was unlike anything else on the comics page. With this exhibition, we hope to introduce Arriola’s amazing work to new audiences while providing an in-depth retrospective that will also appeal to his many fans.”

Curated by Nhora Lucía Serrano, the exhibition consists of animation made by Bret Olsen and works on loan from Mark Burstein, Jim Guida, Lalo Alcaraz, Hector D. Cantú and from the collections of the Billy Ireland Cartoon Library & Museum at The Ohio State University.

“Hailed as a virtuoso comic strip artist by Charles Schulz, Hank Ketchum, Mort Walker and Eldon Dedini, Gus Arriola was a gifted visual storyteller whose Gordo is a masterclass on how modernism and Mexican ‘artesanía’ influenced the comics medium,” said Nhora Lucía Serrano, exhibition curator. “Originally intended to be the Mexican Li’l AbnerGordo is also an early example of how the cartoonist and his character’s ethnic identity evolved and emerged in comic strips. Long overdue, this exhibition is the first retrospective on Gordo—a celebration and a testament to the impact that Gus Arriola has had on today’s Latinx’s cartoonists.”

This exhibit will be presented with labels in both English and Spanish languages.

Save the Date! Join us on Saturday, January 20 for a reception to celebrate the opening of this exhibition and a program featuring Lalo Alcaraz, Hector D. Cantú, Carlos Castellanos and Frederick Luis Aldama.

 

Gordo, by Gus Arriola, Sunday, June 18, 1950. Part of the San Francisco Academy of Comic Art Collection at the Billy Ireland Cartoon Library & Museum. © Scripps Licensing, Inc.

Gordo, by Gus Arriola, Sunday, September 27, 1959. Part of the San Francisco Academy of Comic Art Collection at the Billy Ireland Cartoon Library & Museum. © Scripps Licensing, Inc.

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