Tag: black press

New Acquisition: Collection of Jackie Ormes and Black Press Materials Acquired

Torchy in Heartbeats by Jackie Ormes, Pittsburgh Courier, April 12,1952

FOR IMMEDIATE RELEASE: February 27, 2023

Collection of Jackie Ormes and Black Press
Materials Acquired by Billy Ireland Cartoon Library & Museum

COLUMBUS – The Billy Ireland Cartoon Library & Museum has acquired a collection of materials documenting the life of pioneering Black cartoonist Zelda “Jackie” Ormes as well as sections of Black press newspapers amassed by collector and biographer Nancy Goldstein. Ormes was the first Black woman cartoonist with a nationally-distributed comic strip in the United States.

The collection includes rare eight-page color comic sections from the Pittsburgh Courier that include Jackie Ormes’s adventure strip Torchy in Heartbeats, as well as other strips centered around Black life and characters. Of major significance in the collection is an original Patty-Jo doll produced by the Terri Lee Company in the late 1940s, based on Jackie Ormes’s single panel cartoon Patty-Jo ‘n’ Ginger which ran from 1945-1956. The Patty-Jo doll became the first African-American doll to have an extensive upscale wardrobe, in contrast to prior creations that adhered to racist stereotypes.

Goldstein collected these materials while conducting research for her seminal book, Jackie Ormes: The First African American Woman Cartoonist (University of Michigan Press, 2008). Goldstein noted: “the collection is significant because it brings hard-to-find materials relating to Jackie Ormes’s life and work together in one place.” Other materials include Ormes’s FBI file and dozens of folders of Goldstein’s research materials, documents, interviews, and ephemera relating to Ormes’s life and work. “Some of the items could suggest new avenues for researchers, teachers, students, writers, and cartoonists. For instance, details about Ormes’s work in fundraising for the Urban League, housing, or the March of Dimes could inspire more exploration into Black women’s social activism of the era. Other information found in these materials could be a jumping off point for an in-depth history—or historical fiction or even a stage play—based on the fashionable mixed-race Sutherland Hotel where the Ormeses lived.”

Jenny Robb, Head Curator of Comics and Cartoon art said of the collection, “We are so excited to acquire this essential collection of materials related to comics trailblazer Zelda “Jackie” Ormes. There is so much interest in the work of Ormes, and we know this material will be in high-demand by researchers, educators, publishers, students and fans. This collection compliments our substantial holdings of work by Sam Milai, Ollie Harrington, and other cartoonists of the Black Press newspapers.”

To learn more about the Billy Ireland Cartoon Library & Museum and view the collections, visit cartoons.osu.edu. For press inquiries, contact mcgurk.17@osu.edu.

Pittsburgh Courier, August 4, 1951

Found in the Collection: Jackie Ormes! (1911-1985)

In the week between Black History Month and Women’s History Month, what better time to highlight the great Jackie “Zelda” Ormes- our country’s first African American woman cartoonist. Getting her start all the way back in 1937 with her debut strip Torchy Brown in ‘Dixie to Harlem’, Ormes was a regular figure in the historic black press newspapers, including the successful Pittsburgh Courier and The Chicago Defender. This early installment of Torchy, which ran for a year from ’37-’38, was all about the exploits of a country girl relocating to the big city.

Jackie Ormes' "Torchy Brown in 'Dixie to Harlem'", from the Sam Milai Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Jackie Ormes’ “Torchy Brown in ‘Dixie to Harlem'”, from the Sam Milai Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Jackie Ormes' "Torchy Brown in 'Dixie to Harlem'", from the Sam Milai Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Jackie Ormes’ “Torchy Brown in ‘Dixie to Harlem'”, from the Sam Milai Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

TorchyDixie2

Jackie Ormes’ “Torchy Brown in ‘Dixie to Harlem'”, from the Sam Milai Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Ormes’ drawing style would mature rapidly throughout her early career. Her next feature Candy from 1945 was a one-panel gag full of witty declarations from the main character maidservant, which served as good practice for her later and more popular and refined gag feature Patty-Jo and Ginger (1945-1956) about two very different sisters and the clever banter between them.

Her Torchy character was far more developed by 1950, when readers could follow her love life and adventures on the newspaper pages in Torchy in Heartbeats which ran through 1954.

Jackie Ormes' Torchy in Heartbeats

Jackie Ormes’ “Torchy in Heartbeats”, September 22, 1951, from the Jackie Ormes biographical file, gift of Nancy Goldstein, The Ohio State University Billy Ireland Cartoon Library & Museum

Jackie Ormes’ “Torchy in Heartbeats”, July 4, 1953, from the Jackie Ormes biographical file, gift of Nancy Goldstein, The Ohio State University Billy Ireland Cartoon Library & Museum

No matter the strip, Ormes was presenting African American women in a way that no other cartoonist in the papers had done previously. Her characters were demure and dynamic, involved in and commenting on current events, sporting the latest fashions. They were upper class women. Torchy in Heartbeats was often accompanied by Torchy Togs, paper dolls of the character with a variety of high-end outfits.

Jackie Ormes' Torchy Togs

Jackie Ormes’ “Torchy Togs”, March 3, 1951, from the Jackie Ormes biographical file, gift of Nancy Goldstein, The Ohio State University

Ormes artistic legacy, however, is not tied as strongly to her comics themselves as it is to the deal she struck in 1947 with the high-end Terri Lee Doll Company to create a deluxe doll in the likeness of her characters. This doll, Patty-Jo, was the first African American girl doll to come with an extensive, upscale wardrobe, in contrast to those sold previously that almost entirely projected the pickaninny or mammy archetype.  The Patty-Jo doll was meant to capture the spunky, smart, precocious and cute personality of Ormes’ comic character.

In life, Jackie Ormes was a firecracker. She was an outspoken journalist and progressive political activist, one whom the F.B.I. amassed a 287-page file on. If you are interested in learning more about Ormes’ life, Nancy Goldstein has written a biography on her entitled Jackie Ormes: The First African American Woman Cartoonist. Many of the images above have been provided to us by Nancy in the research file for her book, which is kept in our Cartoonist Biographical Files for Jackie Ormes. These files, kept on over 5,000 cartoonists, are an excellent starting point for conducting research in our collection.