Month: June 2012 (page 1 of 5)

Found in the Collection: Eldon Dedini, Part Three!

HAPPY BIRTHDAY, ELDON DEDINI!

Born June 29th, 1921, Eldon Dedini would have been 91 years old today. We are proud to have celebrated his birthday all month on the blog, as our fabulous MLIS practicum student, Caitlin Naber, has worked hard to process his collection. To catch up on some of the glorious finds so far, you can read the other Dedini posts here and here.

For this final Dedini dedication, we thought we would go all out in showing just how personal and expansive an artist’s collection can be. In this post, we’re highlighting some of our favorite pieces from his career, and a few of the actual objects that are contained in the Dedini files- some of which are obviously things that don’t directly correlate to Dedini’s cartooning, but breathe life into the folders and boxes that provide us with the structure of who he was.

For example, we can only assume that we have Dedini’s mother to thank for the items shown in the photo below. Pictured are bits and pieces from Eldon’s infancy to his high school years- just a small representation of the incredibly thorough amount of documentation that was saved throughout his life. Included are Dedini’s adorably pink infancy bonnet (made by a family friend in 1920, as the tag reads), one of his leather… baby…gloves, nearly all of his report cards (and he was apparently quite the star student- though we wonder if only the good ones were saved!), two school pamphlets from 1935 for which Dedini did the illustrations, and a tiny book of photos featuring the rather dashing young man himself.

Personal items from Dedini’s youth. From the Eldon Dedini Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Below, Dedini’s class photos from Elementary school and High School (with our added detail of him close-up):

Eldon Dedini Elementary School class photo. From the Eldon Dedini Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

 

Eldon Dedini’s High School class photo. From the Eldon Dedini Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

One of the very important parts of Eldon’s early career was his time spent working as a staff cartoonist for Disney beginning in 1944, primarily on The Adventures of Ichabod and Mr. Toad (an adaptation of Wind in the Willows), Mickey and the Beanstalk, and Fun and Fancy Free.

The folders upon folders of Eldon’s collection that contain his work for Disney, full of gorgeous pastels, are absolutely stunning. Some of the most enchanting pieces to look at in particular are his background renderings (featured below). We’ll leave the character sketches out of this for obvious copyright complications, but you can fill in the soul of the landscapes yourself, as we do for Dedini as a whole by piecing together his life through his collection. We hope you’ll spare any judgment of our whimsy-but for a researcher or archivist-sorting through the life-spanning personal pieces of someone’s collection with them no longer alive does feel a bit like peeking into these character-less scenes.

Eldon Dedini background illustration for Disney. From the Eldon Dedini Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Eldon Dedini background illustration for Disney. From the Eldon Dedini Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Eldon Dedini background illustration for Disney. From the Eldon Dedini Collection, The Ohio State University Billy Ireland Cartoon Library & Museum (click to enlarge)

Included in these folders also are Dedini’s identification cards, and an illustrated chapbook guide to the ins-and-outs of working for Disney:

Eldon Dedini’s Walt Disney Productions employee ID card and Screen Cartoonists union ID card. From the Eldon Dedini Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

“The Ropes At Disney” employee handbook. From the Eldon Dedini Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Although Eldon’s most significant work was seen in Esquire and The New Yorker–and his biting humor was what we remember the most–believe it or not there was a time when he tried his hand at political cartooning. Below, a sample of one of the many political Dedini cartoons we have found in his collection, as well as a rejection letter from Esquire explaining lightly that the readers of Esquire do not want to hear about the big issues- they are simply here to entertain.

One of Dedini’s rejected political cartoons for “Esquire”. From the Eldon Dedini Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Rejection letter to Eldon Dedini from “Esquire”. From the Eldon Dedini Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

We hope that on this fine day of Dedini’s birth, and throughout the past month, your Dedini crave has been satiated- or better yet, that we’ve wet your appetite to access our collection and find out even more about Eldon. We’re thrilled to have the paper trail of his life with us here at the Cartoon Library, and are so grateful to have our enthusiastic practicum student here to process it- and to share her fabulous finds with me.

The Caitlins (McGurk and Naber) blush over a full-color Dedini “Playboy” original. From the Eldon Dedini Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

 

Found in the Collection: Mighty Mouse, distraught!

We have decided to post this original from Mighty Mouse today for two reasons.

One: Is there anything more disconcerting than a tearful, sweaty Mighty Mouse? We could hardly resist hugging the actual original art for this page upon finding it in the collection, though we know it would be bad for the paper.

Original art from "Mighty Mouse", unknown artist. From the Mark J. Cohen and Rose Marie McDaniel Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Two: We have very little  information on it. For those of you who did not catch this, we were extremely inspired by our readers a few weeks back when we posted a hilarious page we called The Tall Circus on the blog that we couldn’t find a source for, and the information was revealed in the comments section by the artist himself! After that great experience, we thought we would start occasionally featuring work like this to ask for your help. In the world of comics, the fans are often the scholars.  No one is getting a Ph.D in Comics Studies (yet), and it is empowering to work with a medium where the experts are members of the comics-reading-and-making community, who are some of the most friendly and enthusiastic people you could meet.  We are very proud to be a part of that community.

We know that this is a page from the Mighty Mouse series published by St. John Publishing, Co. We even know that it is page 13 from  issue number 25! But who is the artist that captured such fret in dear Mighty Mouse’s face? If you recognize this heart-wrenching page from an old issue of a Mighty Mouse comic, we would love your help.

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