From Woody's Couch

Our Playbook on OSU History

Category: Students (page 14 of 32)

Apathetic psychic revolutionary students against pay toilets – unite!

Students discuss their organizations during Welcome Week in 1988

Students discuss their organizations during Welcome Week in 1988

Editor’s Note: At the time of year when many new students are figuring out how to spend their free time, we decided to look at what kinds of clubs used to be available to those who wanted to get involved. Archives Student Assistant Chris Inglin, whose inquisitive nature and love of the absurd, made him a natural to write this post, dug into our collection of student organization files to find the following gems.

 

“If the club you want doesn’t exist, you can form it!” How often have you heard this refrain? This line is frequently offered by colleges to assure students of the chance to take part in the extracurricular activity of their choice, whether that be rollerskate NERF gun jousting, synchronized Sudoku competitions, or underwater basket weaving (regrettably, none of those are real). Some students, however, have particularly… unusual interests, and when these students and this policy meet, you get clubs like this:

 

APATHY Magazine: I must confess, the placement of APATHY on this list of bizarre and unusual student organizations is not due to any oddity on its part, but wishful thinking and high – or perhaps low – expectations on mine. APATHY was a student publication, a campus magazine that was published from 1970 to 1972. When I saw its title, my mind was filled with images of a magazine, its cover emblazoned with a man sighing wistfully, a lone line of text reading “What’s the point?” This image of ennui, morosity and lethargy would then be followed by a series of blank pages, because, after all, what WAS the point? But alas, my hopes were not to be fulfilled. Instead, APATHY contained a fairly standard mix of student articles, essays & poetry, advertisements for local businesses, interviews, and updates on local news or social events. (Click the image on the left to see part of the original issue.)

 

1980_psychic_research_societyPsychic Research Society: Formerly the Pyramid of Psychic Research (itself formerly the Pyramid Zen Society), the Psychic Research Society managed something rather unusual for a club of its kind – it survived a change in officers. Parapsychology and other “weirdness-focused” organizations (whether interested in psychic powers, Bigfoot, or UFOs) are often driven by the enthusiasm of one or a few key members, and when those members graduate or lose interest, the organization rapidly grinds to a halt. There’s not much information on what the club’s meetings were like, so I’m forced to conclude that the students alternated between spending time bending spoons and guessing images on a screen a la Ghostbusters and telepathically manipulating their professors into giving them better grades. What I’m more interested in is how their faculty advisor dealt with all of the heckling he must have gotten around the water cooler from fellow professors. I imagine it must have been a constant struggle to resist exploding your co-worker’s heads with your mind. You have no idea how much paperwork you have to deal with after one of those incidents.

 

Revolutionary Communist Youth Brigade: “Are you now, or have you ever been, a Buckeye?” Pesky Communists were everywhere during the Cold War, even here on campus. We even had our own Revolutionary Communist Youth Brigade (RCYB), which was active from 1975 until its registration was terminated and its privileges were removed in 1980. Among its activities were a protest rally against ‘imperialist wars’ in 1975; a 1977 rally in support of Ashby Leach, a Vietnam veteran who seized the Chessie System railroad offices in Cleveland; and protests against cuts in financial aid. It seemed to be rather obsessed with the horrors of “U.S. imperialism,” about which it sought to educate the student body. Unfortunately, the problem with launching a ‘revolutionary’ crusade against The Man is that you tend to get in trouble with authorities. Specifically, the university authorities. Who have the power to ban your club. Needless the say, the RCYB had a lot of trouble with rules. Their offenses included: throwing paint on a CIA recruiter in 1979, painting slogans on campus buildings, leafleting on campus without permission, gluing posters to displays and other surfaces across campus, and failure to pay fines. (Click here to view a Dispatch article on the Revolutionary Communist Youth Brigade.)

 

The Committee to End Pay Toilets in Columbus (CEPTIC): You may scoff at the title, but there were public toilets that charged you for the dubious privilege of using them. The local chapter of the Committee to End Pay Toilets in America (based in Dayton, Ohio), called CEPTIC (pronounced septic – their constitution insists on this fact), said in its constitution that it intended to “seek out and destroy the enemy pay toilet” and “to wait and hope for the day when everyone can stand up and say, ‘I’m free (free of pay toilets)’.” Membership was open to any person in Columbus regardless of “color of eyes, facial complexion, shoe size, or tissue paper brand usage,” but members could not “join just to put another activity membership on their transcript.” Officers were elected upon the “death or graduation or both” of another officer. Officers were required to be students with a grade point average, and were compelled to make a pilgrimage to Dayton, Ohio, “sometime in their lifetime.” Meetings were held whenever the Chairman wanted, “or when enough members complain,” but were not to exceed “the total number of days per quarter.” If there were fewer than one meeting per year, “the Committee shall be considered disbanded for that school year and the officers should try harder next year.” (Click the image on the right to see part of the original issue.)

 

Ladies and Gentlemen, there is nothing more to say. In my unprofessional estimation, there has never been, and never will be, another student organization like CEPTIC. I cannot imagine any product of our modern imaginations reaching the heights of glory attained by that lost, golden age of 1976. It is my deepest regret that I was not born in time to see it.


Filed by Chris Inglin

 

OSU alum and acclaimed artist Bellows ‘made good at anything’

George Bellows, c1903

George Bellows, c1903

With the opening of the George Bellows exhibit at the Columbus Museum of Art, we would like to take the opportunity to talk about this OSU alum, who became one of the nation’s most celebrated artists in his relatively short life.

George Bellows was born on Long Island in New York in 1882, but moved with his family to Columbus when he was a child. His father wanted him to become a builder and architect like himself, but Bellows, the son, rebelled. Fellow Ohio State classmate Fred Cornell (the author of Carmen, Ohio) later said of Bellows: “He was rigid in the teachings of his parents. But, in the things that are of the mind, he stepped out for himself… He made good at anything to which he turned his hand.”

Bellows' sketch of Professor Nathaniel Lord, c1903

Bellows’ sketch of Professor Nathaniel Lord, c1903

Bellows graduated from Central High School before attending Ohio State from 1902 to 1904. Known as “Ho” Bellows to his fellow undergrads, the young artist spent much of his time participating in the Men’s Glee Club and the Baseball and Basketball teams, and he also served as art editor of the Makio, Ohio State’s yearbook. The 1904 Makio in particular bears his mark, with cartoons and illustrations throughout, including some rather entertaining sketches of his professors.

Bellows left Ohio State to attend the New York School of Art under Robert Henri, a leader of the American realism movement. While Columbus gave Bellows his start, New York was undoubtedly where he found his inspiration. There, he also met another art student, Emma Story, whom he later persuaded to marry him. His work developed, and his love of athletic contests of all varieties is recorded on canvas. He painted what he wanted to paint, without regard for fashion, style, artistic formula, the critics or popularity.

"Summer Day" by George Bellows, n.d.

“Summer Day” by George Bellows, n.d.

Sadly, George Bellows passed away all too soon at the age of 42 after an emergency appendectomy in 1925. It did not take long after his death for the museums to start clamoring for his work, and for critics to declare his work as some of the greatest examples of American art in the 20th century.

Last year, OSU Libraries and the Columbus Museum of Art partnered to acquire Bellows’ business ledgers in which he maintained meticulous records of his artistic production, including sales and exhibition showings.

          Filed by C.N.

‘Across the Field,’ and into the record books: Drum-major firsts

"Tubby" Essington, 1923

“Tubby” Essington, 1923

The Ohio State University Marching Band began as a drum corps in the 1878-79 academic year, so from the very beginning the band has had a drum major. At that time, the drum major led the musical unit that accompanied the weekly parade of cadets and kept tempo for the units to follow, according to Script Ohio, the definitive OSUMB history.

It wasn’t until the early 1920s, though, that the band had its first drum major who exhibited the showmanship and personality to be a standout figure on the field. That figure was G. Edwin Essington, whose nickname was “Tubby.” It’s unclear why it began, but Essington was the one who started the tradition that continues today.

Dwight Hudson, 1970s

Dwight Hudson, 1970s

He served as drum major for three seasons, from 1920 to 1922. He is best remembered for leading the parade through the streets of Chicago after the Buckeyes defeated the University of Chicago on its home turf in 1921. His characteristic showmanship gained him national recognition that day: At that time, marching bands were in the process of transitioning from traditional military bands to the large, complex entertainment units we know today. The following year, he performed at the first game played in Ohio Stadium. (The Buckeyes were defeated by Michigan, but the band no doubt put on a good show.) He graduated from Ohio State in 1925.

Fifty years later, the Marching Band introduced its first African-American drum major to Ohio Stadium crowds: Dwight Hudson. He started twirling in elementary school and wrote a letter to Paul Droste, then the Marching Band’s director, that he wanted to become the band’s drum major someday. To achieve that goal, he practiced – so much that in 1975 he placed 7th in the world twirling competition. When he came to Ohio State, Dwight Hudson fulfilled his wish: In 1977 he became the drum major. Hudson served as drum major for three years, longer than any other drum major since Essington. His final performance was at the 1980 Rose Bowl.

Shelley Graf, 1981

Shelley Graf, 1981

More than 100 years after the first band formed, the first woman earned the spot of drum major.

Michelle “Shelley” Graf was not only the first woman drum major at Ohio State, but also in the Big Ten. She also started twirling at a very young age, and she performed with her high school band, although as a majorette. Since Ohio State did not have majorettes, she decided to try for drum major. She was assistant drum major in 1980, then won the lead job in 1981. Graf still works for the University as a clinical instructor in the School of Health and Rehabilitation Sciences and as a physical therapist at the Wexner Medical Center. Every November, she leads her patients in performing Script Ohio.

 Filed by C.N.

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