Manga

“Girl in Mask” clip from the anime Laughing Salesman
(笑ゥせぇるすまん) Ep. 4, adapted from the manga
by the same title created by Fujiko A. Fujio,

One of my colleagues, Michiko Ito, Japanese Studies Librarian at the University of Kansas, recently put together a truly fantastic library guide that lists tons of links to online, Japanese-language manga (including comics, graphic novels, and anime) and manga resources.  Her collection definitely deserves a shout-out and share, so  I am shamelessly copying much of it verbatim here.  As Ito notes herself, a word of caution and a disclaimer is in order:  This online guide is meant to provide links to web resources created by third parties. Contents available through these websites may contain materials not suitable for educational purposes. The compiler of this guide has no control over these websites and cannot be held responsible for website contents.

To jump down to the various sections below, click on the section guide you want to see first:

Open Access Comics,
Websites by Comic Publishers,
Serialized Web Comics,
E-comic Stores,
Online Archives and Databases, and
Organizations, Museums, and Institutes.

Open Access Comics

This section lists individual Open Access (=free) manga, selected by Ito:

• Short manga stories (読み切りの作品) selected by COMIC メテオ
  Links to a selection of short and complete comic titles.
• マンガ図書館Z = Manga Library Z
  Formerly known as J komi, this website provides access to out-of-print comics with authors’ permission. All are free.
• スキマ「無料マンガ」
  Sukima (スキマ) is an e-comic store but includes some free comic works and free previews of commercial comics. Registration may be required. This link leads directly to the list of titles which are all free.
• 日刊月チャン (秋田書店)
  Designed for SNS. This is similar to a short comic published in a newspaper. 1 page-length episodes are added and updated frequently.

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Websites by Comic Publishers

The following websites are operated by major comic publishers to announce their new comic publications. Some publishers separately operate serialized web comics (see the section immediately below.) Free previews are available:

 
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Serialized Web Comics (includes free previews)

This section lists selected websites for serialized web comics, most of which are operated by well-known comic publishers. Each website includes dozens of titles, and in most cases, the first few episodes and the most recent episodes are available for free. Registration and/or purchase is often required to read full contents, such as when users are required to purchase “coins” or “points” to read chapters. Note: some of these services are limited to within Japan, and some require credit cards issued in Japan.

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Last month, our manga collection was featured at the 2020 Ohayocon, and then, as a result, in the student-run newspaper, The Lantern. We have been so very proud and grateful for this unique opportunity to share information about our wonderful collection!

Thanks to a lovely invitation to participate from the Japan-American Society of Central Ohio (JASCO), we were able to offer a table display in the Yuki Matsuri room at the Con, and we also held a well-attended panel presentation (full of cosplayers in the audience) on Manga at Ohio State University Libraries. If you check out the video, you’ll see that the members of our panel were me (Ann Marie Davis, Japanese Studies Librarian); Kapil Vasudev, Education Librarian; and Kay Clopton, Mary P. Key Cultural Diversity Inquiry Resident Librarian. Covering our activities at this event was student journalist, Aaron Lien, who in turn published the following video article about our work: 

Thank you so much, Aaron!

Ohio State Manga Collection at Ohayocon

Written by Guest Contributor Kapil Vasudev, Education Librarian

This is the second in a series of posts introducing teachers to manga. The previous post covered the origins of manga and the manga publishing industry. This week’s post will explain how to read manga and manga visual shorthand. It will conclude with a classroom activity inspired by manga’s visual style.

A Brief Introduction to Manga for Teachers, Part 2

How to Read Manga

Manga translated and published in English was originally flipped in orientation so that it could be read from left to right. However, due to production costs, a desire to reduce the length of translation from Japanese to English, and an interest in creating a reading experience more akin to reading manga in Japan, manga in English is mostly published right to left. This creates an obstacle for English readers who are not used to reading in that direction.

A guide depicting the proper order for reading panels on a manga page.
(Source: Wikihow)

In general, manga will be read from right to left and then top to bottom. This applies to reading both the panels in a page as well as the speech bubbles within each panel.

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Writen by Kapil Vasudev, Education Librarian, with intro by Ann Marie L. Davis

Happy New Year! This week we are preparing an interactive exhibit table and special panel on our world-class manga collection for the annual 2020 Oyahocon!  More to come on that later, but for now, it’s time for this very helpful, two-part, guest blog, written by Kapil Vasudev, Education Librarian at OSU.  Kapil wrote this blog after delivering a well-received half-day workshop on Japanese and Korean comics as part of the 2019 National Consortium for Teaching about Asia (NCTA).  Together with Dr. Kay Clopton, Mary P. Key Resident for Cultural Diversity Inquiry,  he offered an informative presentation on “Teaching, Manga, and Manga Clubs.”   What follows is a summary article:

An issue of Weekly Shōnen Jump, the most popular manga magazine, featuring characters from Dragonball. (Source: Flickr, CC BY-NC-SA 2.0)

A Brief Introduction to Manga for Teachers, Part 1

Manga – the Japanese style of cartoons, comics, and graphic novels – has become a fixture in American culture. While it was once rare to find even American comics in libraries, it is now common to see entire library sections devoted just to English translations of manga. This series of blog posts aim to provide an introduction to manga for teachers seeking to engage with this popular art form and incorporate it into classroom activities. This week’s post discusses the origins of manga and the manga publishing industry.

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By Nick Castle

As Halloween draws nearer, so does our fanatical obsession with all things spooky and scary, peeking their heads around the corner like ghosts behind a gravestone. Why not indulge in some vintage scares at the OSU Libraries?

Japanese Studies invites you to learn about the mythology and artistic culture of Meiji Japan (1868-1912) through the newly acquired Kyōsai Hyakki Gadan (暁斎百鬼画談), a color woodblock print by eccentric painter and manga forerunner, Kawanabe Kyōsai (河鍋 暁斎, 1831-1889). The long, accordion book (orihon) depicts a parade of all manner of weird and wicked yōkai (妖怪), spirits and demons from Japanese mythology. This particular scene is evocative of the hyakki yagyō (百鬼夜行) idiom, a historic theme in Japanese visual representation wherein a procession of legendary creatures sets foot upon the communities of mortal men and women.

A view of the book’s cover with title
Kyōsai hyakki gadan

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By Justine Kang (kang.231@osu.edu)

Recently, the Japanese Studies section at OSU Libraries acquired an advertisement manga illustrated by the early manga artist Okamoto Ippei (岡本 一平, 1886-1948), one of the most influential writers and illustrators of the Taisho era (1912-1926).  Okamoto combined cartoon books and comic strips and produced cartoons and serial comics in prominent newspapers including the Asahi Shinbun (朝日新聞).

Entitled On Brightening the Home! (Katei wo akarumi he, or 家庭を明るみへ！), the new acquisition is unusual as a pre-war advertisement for life insurance that featured colorful comics.  Okamoto was commissioned to develop a manga story as the central focal point of this pamphlet advertising the products of the Nisshin Life Insurance Company (Nisshin Seimei, or 日淸生命保險株式會社).

With no date on the document itself, there is no evidence as to when the advertisement was published.  However, we can find some clues about it through the well-known Nisshin Life Insurance Building, featured on the back of the pamphlet.  Constructed in 1932, this building was located in Chiyoda ward, near the Imperial Palace, in central Tokyo. Because the company was eventually absorbed by the Nomura Life Insurance Company in 1941 (and the building was later known as the Marunouchi Nomura Building), we know that the booklet must have been made in the 1930s.

During the tumultuous Taishō and early Show (1926-1989) eras, many Japanese people must have felt a need for life and health insurances.  Above are some pictures from the pages of the pamphlet with illustrations by Okamoto Ippei.  In the bottom right corner is an image of the iconic Nisshin Seimei building, featured on the last page of the pamphlet.

To learn more about Okamoto Ippei and discover some of his original work, please check out these OSU Library resources:

Okamoto, Ippei. Ippei Manga. Tōkyō: Monkkōsha, 1924.

Okamoto, Ippei. Ippei Manga Kōza. Tōkyō: Sōshisha, 1981.

Okamoto, Ippei, and Yukio Sugiura. Ippei Zenshū. Tōkyō: Ōzorasha, 1990.

Okamoto, Ippei, and Isao Shimizu. Okamoto Ippei Manga Manbunshū. Tōkyō: Iwanami Shoten, 1995.

Okamoto, Ippei, Kanoko Okamoto, and Tarō Okamoto. Okamoto Ippei Ten: Botsugo 50-Nen : Gendai Manga No Paio’nia. Tokyo: Asahi Shinbunsha Bunka Kikakukyoku, 1997.

Okamoto, Ippei. Tesei No Ningen. Tōkyō: Gendai Yūmoa Zenshū Kankōkai, 1928.

Shimizu, Isao, and Kōichi Yumoto. Manga to Shōsetsu No Hazama De: Gendai Manga No Chichi Okamoto Ippei. Tōkyō: Bungei Shunjū, 1994.

For even more resources on these and related topics on the world wide web, please check out the following:

Honjo, Eijiro. “The Development of the Study of the Economic History of Japan Subsequent to the Meiji Restoration.” The Kyoto University economic review 16.1 (1941): 18-31.

McCarthy, Helen. 2010. “The Attraction of Ippei Okamoto.”

ja.wikipedia.org. “丸ノ内野村ビルディング” (Marunouchi Nomura Building).