ScriptoriaSlavica

Medieval Slavic Manuscripts and Culture

Month: February 2013

Preservation Field School in Italy: Buildings, Ceramics, Paper, Books and Art

 

The San Gemini Preservation Studies Program, now in its 14th year, is dedicated to the preservation of cultural heritage and offers students the opportunity to study and travel in Italy. The 2013 summer session is open for applications.

Deadline for application: March 15, 2013.

The 2013 courses offered are listed below. Check their website for more information about the application, housing, etc.

Building Restoration* (May 26th–June 22th)

Introduction to Art and Building Restoration in Italy
Surveying and Analyzing Historic Buildings

Ceramics Restoration (May 26–June 22)

Introduction to Conservation of Archaeological Ceramics
Workshop on Ceramics and Ceramics Conservation

(NEW) Book Bindings Restoration* (May 26–June 22)

Introduction to the Restoration of Book Bindings
Workshop on the Restoration of Book Bindings

Paper Restoration* (July 7–August 3)

Introduction to Restoration of Paper in Books and Archival Documents
Restoration Workshop – Paper in Books and Archival Documents

Traditional Painting Materials & Techniques (July 7–August 3)

Traditional Painting Methods and Techniques in Italy, including Issues of Weathering and Aging
Painting Workshop – Traditional Painting Methods and Techniques in Italy

Preservation Theory and Practice in Italy (July 7–August 3)
Restoration in Italy – Issues and Theory

*Field Projects:

Restoration of the Porta Burgi (12th-century city gate in San Gemini)
Surveying the 12th-century San Giovanni Battista Church complex
Archaeological survey of the public baths in Carsulae
San Gemini Historic Archives Project (restoration and digitalization of 16th- to 18th-century archival material)
The courses are open to students from various disciplines, both undergraduate and graduate. All lessons are taught in English.

Source: Email announcement from Max Cardillo, Director, San Gemini Preservation Studies Program

Online Resource: Apophthegmata patrum

 

Raffaele Caldarelli (Viterbo) has posted the full text of his 1996 edition of the Alphabetic part (CPG 5560) of the Alphabetico–Anonymous Collection of Apophthegmata patrum (based on the South Slavic witnesses available) at the site <http://hdl.handle.net/2067/2344>. It can be downloaded in .pdf format.

“The work presents the Old Church Slavonic text of the Alphabetic Paterìk (Lives of the Desert Fathers) according to Serbian and Bulgarian manuscripts, paralleled by the original Greek text.” The edition is based primarily on the manuscripts Gil’ferding 50* ( Serbian, from the mid 14th cent.) and Synodal (Patriarchal) Collection 345 (342)** (Greek, 11th cent.).

Caldarelli also examined several manuscripts from Hilandar Monastery’s Slavic collection, HM.SMS.421 and HM.SMS.428.

For additional information on the Apophtegmata patrum tradition, see the recent article, “The Scete Paterikon,” by W.R. Veder in Cyrillic Manuscript Heritage 32.

*National Library of Russia “Saltykov-Shchedrin,” St. Petersburg
**State Historical Museum (GIM), Moscow

Source: Announcement courtesy of William R. Veder.

 

Last Call for Papers: Sixth International Hilandar Conference

 

The Sixth International Hilandar Conference will be held at The Ohio State University in Columbus, Ohio, July 19-21, 2013. The conference theme is Medieval Slavic Text and Image in the Cultures of Orthodoxy. We invite abstracts (not to exceed 500 words in length) of proposed presentations to be sent as Word.doc attachments to hilandar@osu.edu prior to February 28, 2013.

Image of a page from the manuscript entitled the Illumniated Life and Lament of Joseph the Beautiful (manuscript SPEC.OSU.HRL.SMS.15)

For the latest information, see the 6th International Hilandar Conference page.

The conference will follow immediately after the conclusion of the 2013 Medieval Slavic Summer Institute (MSSI), which is scheduled for June 24-July 19. We look forward to introducing participants and guests to the recently renovated Thompson Library, the Jack and Jan Creighton Special Collections Reading Room, and the enhanced research, teaching, and preservation opportunities now at the disposal of the HRL.

 

Recent Acquisition: Byzantium without Borders

 

A recent acquisition comes as a donation from Svetlana Kuiumdzhieva, renown musicologist and vice-president of the Bulgarian Academy of Sciences. It is the most recent issue of Българско музикознание /Bulgarian Musicology 36.3-4 (2012), which contains the proceedings of “Byzantium Without Borders: Hymnography and Music in the Byzantine World,” the 22nd International Congress of Byzantine Studies that was held in Sofia, Bulgaria, August 22-27, 2011.BulgarskoMuzikoznanie3-4

The papers are divided into three sections: New Sources, New Approaches, and Distinguished Personalities.

“New Sources” includes articles by Svetlana Kuiumdzhieva on the Tropologion, Yuliya Artamonova on Znamennaia Notation, Gregory Myers on the ritual and music for the Dedication of a Church; Olga Grinchenko discussing Byzantine and Slavic Kontakaria, and musical manuscripts from Sozopolis (by Stefan Harkov) and in Ohrid and Tirana (by Asen Atanasov).

Christian Troelsgärd addresses a “new approach” in “The Construction and Dissemination of the Middle Byzantine Musical Notation,” Nina Zakharina considers “On the Reforms (‘Ispravlenie’) of Russian Liturgical Chant Books from the 11th to the 19th Century,” Galina Alekseeva and Denis Gordeev write on “Mechanisms for the Adaptation of Byzantine Culture in Russia: Chant, Church Service,” and Elena Toncheva‘s abstract alludes to discussion “About the Modal Characteristics during the Post-Byzantine Period: Based on Sources in Slavonic Church Music.”

Prominent figures in Byzantine and Slavic musicology discussed are: Gregory of Nyssa – by Anna Arevshatyan, Photios – by Silvia Tessari, Apostol Nikolaev-Strumski – by Stefka Venkova, and Hieronymus Tragodistes – by Christiana Demetriou.