Manga

...bibliographic notes about manga...

Category: early manga

Jiji Manga’s New Year Humor In Interwar Japan

Guest post by Anqi Chen

A comic showing an enormous crowd of people celebrating the beginning of spring

Full image of The Bustle of the Beginning of Spring (Click Image to Enlarge)

If you enjoy Japanese manga, history, and politics, OSU Libraries has something especially compelling for you. In January 1902—more than a century ago—a cartoon series titled Jiji Manga (時事漫画, literally Current Manga) was launched as a supplement to the newspaper Jiji Shinpō (時事新報, Current Events). The series was edited by the renowned manga and nihonga artist Yasuji Kitazawa—better known by his pen name Rakuten Kitazawa (北澤楽天, 1876–1955)—a pioneering figure in the development of modern manga.

Founded by Fukuzawa Yukichi (福澤諭吉, 1835–1901), one of the most influential intellectuals of modern Japan, Jiji Shinpō had a wide national readership. Jiji Manga, issued as a separate illustrated supplement, adopted a distinctly visual and experimental approach, presenting political news and social criticism through humor and caricature. According to the Bujalance Collection, Jiji Manga was the first periodical to use the term “manga” in its title in a modern sense. Each issue featured a single full-page editorial cartoon, often accompanied by ironic dialogue that reflected Rakuten’s sharp, satirical take on contemporary politics. As the creator of thousands of early editorial cartoons and comic strips that influenced generations of artists, Rakuten is now widely regarded as the founding father of modern manga. 

Cartoon of a crowd of people speaking in Japanese

Fig. 1: Close-up on the upper left

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Leveling Up the Jiji Manga Wiki: Fresh Updates + Video Walkthrough

Collage of Jiji Manga Covers

A collage of Jiji Manga covers retrieved from the University Libraries’ Digital Collections

Inspired by American-style newspaper comic supplements, Jiji Manga was one of Japan’s first modern comic strips. It featured cartoons by Kitazawa Rakuten (北澤楽天) and his contemporaries, translations of foreign comics, as well as puzzles, photographs, and editorial articles. The Billy Ireland Cartoon Library & Museum holds 476 of the 504 published volumes—making it one of the most complete runs in the world.

To help make this remarkable resource more discoverable, our library launched the Jiji Manga Wiki over fifteen years ago (a project still in progress). This past summer, thanks to the dedicated efforts of student workers Anqi Chen and Joseph Santiago, many gaps in the Wiki were finally filled. Their careful reading of prewar, non-standardized Japanese texts has allowed us to add complete contents transcriptions for almost every volume of the magazine—bringing us closer than ever to completion.

Jiji Manga Video Tutorial Transcription

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Glimpses from the Vault: The Tokyo Puck (Tōkyō pakku) Originals and Reprints

Among the many unique manga serials held at OSU’s Billy Ireland Cartoon Library & Museum (BICLM) are three original issues of Tokyo Puck (東京パック), an early Japanese satirical comic newspaper launched by Kitazawa Rakuten (北沢楽天, 1876-1955) and published from 1905 to 1923 (with a 5-year interruption circa the First World War). This Japanese manga newspaper was inspired by the American magazine Puck (published from 1877 to 1918), one of the earliest humor magazines in the US to solely feature cartoons, caricatures, and political satire.

Colorful newspaper cover page with a geisha, flying beer bottles and a drunken soldier

The cover page of an issue of Tokyo Puck (Volume 2, Number 11, published June 1, 1906), held at the BICLM. PN6790.J32 T65 v.2:no.11

Recently I had the opportunity to click some pictures of two of our Tokyo Puck issues during a class visit with students from “The Art of Colonial Taiwan,” (ArtHist 5002). In addition to our Tokyo Puck samples, the students in this class browsed a variety of materials depicting Taiwan and other Japanese colonies in historical cartoon maps, water colors, and artist scrolls created by famous manga artists of the early 20th century.

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A Near-Complete Run: The Bungei Shunjū, Manga Tokuhon Magazine Series

We are proud to announce that we now have a near-complete run of Bungei Shunjū: Manga Tokuhon (文藝春秋 漫画讀本), a core manga magazine of the 20th century. Held at the Libraries’ Billy Ireland Cartoon Library and Museum, the series is comprised of 170 volumes published from the 1950s to 1970s. With this recent acquisition, Ohio State has the largest holdings of this title in North America.

“Special Issue” label Manga
Tokuhon
in [5 Sept. 1950]

The parent magazine of Bungei Shunjū: Manga Tokuhon, Bungei Shunjū, was established by Kan Kikuchi (菊池寛) in 1923 and began as an essay magazine. Still in publication today, it contains a variety of essays and critiques written by individuals from all disciplines; artists, politicians, historians, journalists, and more. Though it has a historically conservative slant, Bungei Shunjū has featured articles by authors of all political persuasions.

In 1954, mangaka and animator Ryūichi Yokoyama (横山隆一) approached the CEO of Bungei Shunjū about creating a special edition of solely manga. They immediately phoned the special editions manager, Hiroichi Tagawa (田川博一), and not long after, Manga Tokuhon was born. Though initially its issues were categorized as “special issues” of Bungei Shunjū, it became published as its own magazine with the March 1958 issue. Throughout its run, Manga Tokuhon featured the works of many famous mangaka, including Astro Boy creator and industry legend Osamu Tezuka (手塚治虫).

April issue [1 April 1958]
of Manga Tokuhon

The magazine sold around 300,000 copies in its heyday, yet publication ceased in 1970. After that, two more issues were released as limited edition Bungei Shunjū magazines, comprised of re-prints of prior Manga Tokuhon publications. Since then, the world of Manga Tokuhon has gone dark.

July issue [1 July 1959] of Manga
Tokuhon

Shedding light on the state of manga as its popularity took off in intellectual circles as well as mainstream media, this fascinating series holds a critical place in the history of manga magazines and modern manga as a whole. As a repository with particular strengths in original comic strips and manga serials throughout the twentieth century, we are thrilled to make this series available to researchers through the University Libraries. Interested parties can head to the Billy Ireland Cartoon Library and Museum desk to inquire about using these materials.