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Medieval Slavic Manuscripts and Culture

Tag: Three Saints Church (Ansonia CT)

Pimen Sofronov’s Work at St. Anthony’s in Bergenfield, NJ

The Very Rev. John H. Erickson, the Peter N. Gramowich Professor Emeritus of Church History at St. Vladimir’s Orthodox Theological Seminary, is the author of the children’s book, Orthodox Christians in America (1999), which is part of the Religion in American Life series of Oxford University Press. The book is recommended for grades 7 and up or ages 12 and above.

In Chapter 5 “The Quest for Unity,” Erickson focuses on “The Birth of a Pan-Orthodox Mission Parish,” in Bergen County, New Jersey, i.e., St. Anthony Orthodox Church:

“‘To establish a multiethnic parish in Bergen Country, N.J., and to adopt English for use in the services’ was the goal of seven Arab-American Orthodox families when they asked the late Metropolitan Antony Bashir for his archpastoral blessing in April 1956….

“In 1958 Gabriel Ashie was ordained a priest and assigned to the new parish by Metropolitan Antony. Within a few years a beautiful church was built in Bergenfield, bordering on Englewood and Tenafly. Pimen Sofronov, the most famous iconographer in this hemisphere, painted the icons for the iconostasis. By that point, the congregation was more than 100 families–30 percent Slavs, 30 percent Arabs, 30 percent Greeks, and 10 percent converts. The phenomenon of the pan-ethnic parish in suburban New Jersey was realized!” (Erickson 1999: 106-107; bold is added for this blog post).

St. Anthony’s has some beautiful photos on its website of the icons and stained glass in its church in a Google Photos folder labeled St. Anthony’s At a Glance (accessed August 31, 2018).

Iconostasis at St. Anthony Orthodox Church (Bergenfield, NJ)

Not all of the work depicted in the online photo gallery of St. Anthony’s interior was done by Pimen Sofronov, but the icon of St. Sophia with her daughters Faith, Hope and Charity, is immediately recognizable and familiar from an icon and fresco at the Three Saints Church in Ansonia, Connecticut.

In the Pimen M. Sofronov Collection at the Hilandar Research Library, we have several of Sofronov’s working drawings of St. Sofia with Vera (‘Faith’), Liubov’ (‘Love”), and Nadezhda (‘Hope’).

St. Sophia with her daughters Faith, Hope and Charity at St. Anthony Orthodox Church (Bergenfield NJ)

 

 

 

Pimen M. Sofronov in America

To date, there is no comprehensive and definitive list of the works created by the Russian Old Believer iconographer, Pimen M. Sofronov (1898-1973).  After immigrating to the United States in 1947, he created frescoes and icons for numerous churches and individuals, and taught iconography in various places.

*Note that the names of churches in America below are linked to current websites.

“A Brief Biography” is provided in a program for Sofronov’s “Exhibition of Icons” sponsored by The Russian Orthodox Icon Society at the Russian Orthodox Cathedral in San Francisco, California, March 5-21, 1966.

Born 1898.

Began to study iconography 1910.

Taught courses in icon painting:

  • Riga, 1930
  • Paris, 1933 (10 months)
  • Prague, Czechoslovakia, 1934 (3 months)
  • Belgrade, Yugoslavia, 1935-38

1939, went to Italy, where, at the request of the Vatican, he painted 56 icons for the projected World Exhibition of Religious Art.

1941, held exhibition of his iconographic work in Rome.

1947, came to America at the invitation of Russian Orthodox Archbp. Vitaly of N. Y. to paint icons in various churches.

1953-55, painted walls of Sts. Peter & Paul Church, Syracuse, N. Y.

1955-57, painted walls and iconostas of St. Vladimir Church, Trenton, N. J.

1958-60, painted walls in Holy Trinity Church in Brooklyn, N. Y.

1960, became American citizen.

1961, celebrated 50th anniversary jubilee of icon painting.

1960-62, painted frescoes and icons on iconostas in Three Hierarchs Church in Ansonia, Conn.

1965, came to San Francisco at invitation of Russian Orthodox Icon Society to teach courses in icon painting.