Tag: copyright education (page 1 of 2)

Public Domain Christmas Songs

It’s that time of year when Christmas lights are strung and ugly sweaters are worn. When singing along with your favorite carols have you ever thought of the copyright status behind these famous songs?

Here are nine well known Christmas songs that are in the public domain.

Away in a Manger

Once rumored to have been authored by theologian Martin Luther, this carol made an early appearance in 1882. Originally titled “Luther’s Cradle Song” an anonymous author attributed the song as one Luther wrote for his children. This was dispelled for a number of reasons, and a source states the song may have instead been associated with a celebration for the 400th anniversary of Luther’s birth in 1883. There are two musical settings commonly assigned with the lyrics, one by William J. Kirkpatrick (1895) and the other by James Ramsey Murray (1887). In 1996 it was ranked as the second most popular carol in Britain. The text of the song is based on verses from Luke 2:4-7. Source: Away in a Manger

Deck the Halls

Originally titled Deck the Hall, this is a Welsh melody that dates back to the 16th century. The famous chorus ‘fa la la la la’ may date to the medieval period, while the modern English lyrics were written by Scottish musician Thomas Oliphant in 1862. The melody comes from a traditional Welsh carol “Nos Galan”, a traditional New Year’s Eve ballad. The plural of ‘hall’ was first published in 1892. Source: Deck the Halls Song History

Jingle Bells

Perhaps one of the most well-known Christmas songs, Jingle Bells was originally written for the Thanksgiving season by James Lord Pierpont in 1857. It was copyrighted as One Horse Open Sleigh, but the name was revised when it was published in 1859 as “Jingle Bells, or the One Horse Open Sleigh”. The title comes from the common practice of placing bells on a horse’s harness to avoid collisions because a horse drawn sleigh makes little noise. Jingle Bells was the first song broadcast from outer space when two astronauts on Gemini 6 performed the song aboard the spacecraft in 1965 after reporting a sleigh like object in the polar orbit. Source: 8 Things You May Not Know About “Jingle Bells”

Jingle Bells sheet music

Pierpont, J, and J Pierpont. The One Horse Open Sleigh. Oliver Ditson, Boston, monographic, 1857. Notated Music. https://www.loc.gov/item/sm1857.620520/

Silent Night

Translated from the German “Stille Nacht, heilige Nacht”, the song was composed by Franz Xaver Gruber, a schoolmaster, with lyrics by Father Joseph Mohr, in Oberndorf bei Salzburg, Austria in 1818. Bing Crosby’s version is the third bestselling single of all time, and the song was declared an intangible cultural heritage by UNESCO in 2011. Silent Night, as we know it today was translated to English in 1859 by John Freeman Young, an Episcopal priest. Source: Silent Night

Up on the House Top

Written by Benjamin Hanby in 1864, Up on the House Top was considered the first Christmas song to focus primarily on Santa Claus. Sources credit Hanby’s inspiration for the song as Clement C. Moore’s 1822 poem “A Visit from St. Nicholas”, commonly known as “The Night Before Christmas”. The song was originally titled Santa Claus and meant to be performed as a sing along. According to The Christmas Carol Reader it is the second oldest secular Christmas song, only surpassed by Jingle Bells. Source: Up on the Housetop

Toyland

Written for the 1903 operetta Babes in Toyland, the whimsical song features a cast of Mother Goose characters in a magical toy filled land. The lyrics were written by Glenn MacDonough with music by Victor Herbert. The lyrics of the song have no direct ties to Christmas or the holiday season, but the spirit of the song, the happiness toys bring to children, has been associated with Santa Claus. The operetta has been adapted into 4 films of the same title, beginning in 1934 to the most recent animated version in 1997. Source: Babes in Toyland

The Twelve Days of Christmas

One of the most well-known cumulative songs, the carol describes an increasingly grand set of gifts for the twelve days of Christmas, beginning Christmas Day. The song was first published in 1780 without any music, and has a Roud Folk Song Index of 68. The standard tune it is now associated with was derived from a 1909 arrangement by Frederic Austin. In one 19th century variant, the gifts come from “my mother” rather than “my true love”.  PNC Financial annually calculates the total cost of all the gifts presented in the song, and the estimate for 2018 total comes to $39,0094.93. Source: The Twelve Days of Christmas Explained

We Wish You a Merry Christmas

The famous greeting which gives name to the song, “a merry Christmas and a happy New Year” is recorded from 18th century England. The song is a nod to the dynamic between the rich and poor, and describes townspeople parading the steps of the rich calling for figgy pudding and refusing to leave until it was delivered. The modern popularity of the song comes from a Bristol based composer Arthur Warrell, who arranged the song for the University of Bristol Madrigal singers in 1935. The very early history of the carol is unknown; it is notoriously missing from popular song books of the 18th and 19th centuries. Source: We Wish You a Merry Christmas

O Christmas Tree

Also known as O Tannenbaum, O Christmas Tree is a German Christmas song; a tannenbaum is the German word for a fir tree. The modern lyrics were written in 1824, and instead of referring to Christmas, reference the evergreen as a symbol of constancy and faithfulness. The custom of Christmas trees developed throughout the 19th century, and the song became associated with the holiday. The song was famously used in the 1965 television special A Charlie Brown Christmas. Source: O Christmas Tree: Lyrics and Chords

 

Copyrighted Christmas Songs

Unfortunately the songs listed below are still under copyright protection so we’ll have to wait a little while before they enter the public domain.

Winter Wonderland
Written: 1934
Public Domain: 2030

Rudolph the Red Nosed Reindeer
Written: 1939
Public Domain: 2035

Frosty the Snowman
Written: 1950
Public Domain: 2046

Jingle Bell Rock
Written: 1957
Public Domain: 2053

Rockin’ Around the Christmas Tree
Written: 1958
Public Domain: 2054

Little Saint Nick
Written: 1963
Public Domain: 2059

Holly Jolly Christmas
Written: 1964
Public Domain: 2060

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By Allison DeVito, Copyright Services Specialist at Copyright Services, The Ohio State University Libraries

 

 

 

Back to the Basics with Copyright Law

Today is the 9th anniversary of the Copyright Corner blog, with the first post (Why Copyright Education?) published back in August of 2009. Since then, we’ve had posts covering a wide-range of issues; from copyright protection for patterns and DMCA exemptions to copyright issues faced by units across OSU Libraries and tips on finding a copyright owner. For this post, we are going back to the basics and looking at some of the fundamentals of copyright law in the United States.

Why do we have copyright?

There are a number of theories on the purpose of copyright. Countries may have laws that encompass one or more of these theories.

One common theory for the purpose of copyright is utilitarian. Under this theory, we provide authors a copyright in the works they create as an incentive to create and disseminate new works. The law is organized to promote the collective welfare of society, but recognizes that unless creators can recoup the costs involved in the creation and dissemination of their works, they won’t produce the works. Copyright gives to authors and creators exclusive rights in the works they create, which in turn allows them to suppress competition for a limited time.

Much of U.S. copyright law seems to align with this theory, with Article I, Section 8, Clause 8 of the U.S. Constitution granting Congress the power “to Promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Rights to their respective Writings and Discoveries.”

Another theory for the purpose of copyright is the author’s rights theory. Under this theory, the primary purpose of copyright is to recognize and protect the emotional bond between artists and their creations, acknowledging creative works as manifestations and extensions of their author’s personality. Countries whose laws are influenced by this theory may provide moral rights for authors and creators that exist separately from economic rights.

What exactly is copyright and how do you get it?

Copyright is a legal right that allows creators and authors the ability to control certain uses of their works. The owner of a copyright has a number of exclusive rights that are provided under the law (these rights are discussed below).

In the U.S., copyright protects original works of authorship that are fixed in a tangible medium of expression and copyright exists at the moment of fixation. In other words, copyright protection is automatic.

Including a copyright notice (e.g., © 2018 The Ohio State University) is optional for works created today but there can be some advantages to including a notice on your copyrighted work. And registration with the U.S. Copyright Office? That’s also an optional step that provides some important benefits to copyright holders.

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Articles of Interest: January-June 2018

This post highlights articles published in the first half of 2018 with a focus on copyright, especially as it pertains to libraries, higher education, and scholarly communication. Links to the full-text articles are provided when available; [OSU full-text] links will connect authenticated users through The Ohio State University Libraries, while [OA full-text] links point to an open access version of the article that should be available to all users.

Did we miss an interesting article? Please share the citation in the comments!

Copyright

Benson, S. R.  (2018).  Sports  uniforms  and  copyright:  Implication for applied  art  educators  from  the  Star  Athletica  decision. Journal of Copyright in Education and Librarianship, 2(1), 1–7. doi:10.17161/jcel.v2i1.6575 [OA full text]

Carlstone, J., Stein, A., Norman, M., & Wilkin, J. (2018) Copyright renewal of U.S. books published in 1932: Re-analyzing Ringer’s study to determine a more accurate renewal rate for books. College & Research Libraries, [S.l.], v. 79, n. 5, p. 697. doi:10.5860/crl.79.5.697. [OA full text]

Harbeson, E. J. (2018). Bridge over Bridgeport: An incremental change in case law of sampling. ARSC Journal 49(1), 41–46. [OA full text]

Pike, G. H. (2018). Legal limits to linking challenge social media. Online Searcher42(3), 36-38. [OSU full text] / [OA full text]

Willi Hooper, M. (2018). Copyright for movie night: Film screenings on campus. Journal of Copyright in Education and Librarianship, 2(1), 1–17. doi:10.17161/jcel.v2i1.6576 [OA full text]

Legislation & Policy Developments

Hines, S., & Russell, C. (2018). Washington Hotline: Music copyright legislation proceeding. College & Research Libraries News79(4), 205. [OSU full text] / [OA full text]

Peet, L. (2018). Marrakesh Treaty Act introduced. Library Journal143(7), 10-11. [OSU full text] / [OA full text]

Libraries

Algenio, E. (2018). Making the transition as the new copyright librarian. Journal of Copyright in Education and Librarianship, 2(1), 1–24. doi:10.17161/jcel.v2i1.6579 [OA full text]

Ensign, D. (2018). Copyright Corner: Library reproduction and distribution of older copyrighted materials. Kentucky Libraries82(1), 2-3. [OSU full text]

Goben, A., & Doubleday, A.F. (2018).  Copyright in the health sciences literature: A narrative review. Journal of Copyright in Education and Librarianship, 2(2), 1-26 . doi:10.17161/jcel.v2i2.6654 [OA full text]

Lewin-Lane, S., Dethloff, N., Grob, J, Townes, A., & Lierman, A. (2018). The search for a service model of copyright best practices in academic libraries. Journal of Copyright in Education and Librarianship, 2(2), 1-25. doi:10.17161/jcel.v2i2.6713 [OA full text]

Thomas, C. (2018). In depth: Interactive copyright education for 3D objects. Journal of Copyright in Education and Librarianship, 2(1), 1–17. doi:10.17161/jcel.v2i1.6577 [OA full text]

Publishing & Scholarly Communication

Charlton, J. (2018). Elsevier negotiations still in limbo. Information Today35(2), 8. [OSU full text] / [OA full text]

Greco, A. N. (2018). The scholarly publishing community should support changes to US copyright law. Journal of Scholarly Publishing49(2), 248-259. doi:10.3138/jsp.49.2.248 [OSU full text]

Lipinski, T. A., & Kritikos, K. C. (2018). How open access policies affect access to grey literature in university digital repositories: A case study of iSchools. Grey Journal (TGJ)14(1), 6-20. [OSU full text]

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By Maria Scheid, Copyright Services Coordinator at Copyright Services, The Ohio State University Libraries.

Articles of Interest: July-December 2017

This post highlights articles published in the second half of 2017 with a focus on copyright, especially as it pertains to libraries, higher education, and scholarly communication. Links to the full-text articles are provided when available; [OSU full-text] links will connect authenticated users through The Ohio State University Libraries, while [OA full-text] links point to an open access version of the article that should be available to all users.

Did we miss an interesting article? Please share the citation in the comments!

Copyright

Bailey, J. (2017). How Copyright Law Works for YouTube. Copyright & New Media Law21(4), 5-7. [OSU full-text]

Christou, C. (2017). Copyright in 2018. Information Today34(10), Cover-29. [OSU full-text] / [OA full-text]

McCord, G. (2017). A Few Secrets About Fair Use. Copyright & New Media Law21(4), 8-10. [OSU full-text]

Myers, C., Taylor, T., & Wesolek, A. (2017). An Interview with Peter Jaszi, Professor of Law, Faculty Director of the Glushko-Samuelson Intellectual Property Clinic. Journal of Copyright in Education and Librarianship. 2(1), 1‒8. doi.org/10.17161/jcel.v1i2.6970. [OA full-text]

Perez, J. E. (2017). Images and the Open Educational Resources (OER) movement. Reference Librarian58(4), 229-237. doi:10.1080/02763877.2017.1346495. [OA full-text]

Pike, G. H. (2017). NAFTA and its IP provisions at risk. Information Today, 34(10), 18. [OSU full-text]

Russell, C. (2017). The latest on H.R. 1695/S. 1010. College & Research Libraries News, 78(7), 398. [OSU full-text] / [OA full-text]

Libraries

Butler, B., & Russell, C. (2017). Section 108 revision: Nothing new under the sun. Journal of Copyright in Education and Librarianship. 2(1), 1‒37. doi.org/10.17161/jcel.v1i2.6972. [OA full-text]

Oltmann, S. s. (2017). Intellectual freedom in academic libraries: Surveying deans about its significance. College & Research Libraries, 78(6), 741-760. [OSU full-text] / [OA full-text]

Vargas, M.A., & Bright, J. (2017). Rev your engines: Racing ahead with mass digitization. Computers In Libraries37(7), 4-8. [OSU full-text]

Publishing & Scholarly Communication

Narayan, B., & Luca, E. (2017). Issues and challenges in researchers’ adoption of open access and institutional repositories: a contextual study of a university repository. Information Research22(4), 1-14. [OSU full-text] / [OA full-text]

Sterman, L. (2017). The enemy of the good: How specifics in publisher’s green OA policies are bogging down IR deposits of scholarly literature. College & Research Libraries News78(7), 372-401. [OSU full-text] / [OA full-text]

Yeates, S. (2017). After Beall’s ‘List of predatory publishers’: Problems with the list and paths forward. Information Research, 22(4), 1-6. [OSU full-text] / [OA full-text]

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By Maria Scheid, Copyright Services Specialist at Copyright Services, The Ohio State University Libraries

Articles of Interest: January-June 2017

This post highlights articles published in the first half of 2017 with a focus on copyright, especially as it pertains to libraries, higher education, and scholarly communication. Links to the full-text articles are provided when available; [OSU full-text] links will connect authenticated users through The Ohio State University Libraries, while [OA full-text] links point to an open access version of the article that should be available to all users.

Did we miss an interesting article? Please share the citation in the comments!

Copyright

Clobridge, A. (2017). The ins and outs of open licenses. Online Searcher41(2), 62-65. [OSU full text]

Fernández-Molina, J., Moraes, J. E., & Guimarães, J. C. (2017). Academic libraries and copyright: Do librarians really have the required knowledge? College & Research Libraries78(2), 241-259. doi:10.5860/crl.78.2.241. [OA full text] / [OSU full text]

Harbeson, E. (2017). The Story So Far: Recap and Update on Flo & Eddie. ARSC Journal48(1), 43-49. [OSU full text]

Pike, G. H. (2017). Influence and Independence: Intrigue and the direction of the Copyright Office. Information Today34(1), 21. [OA full text] / [OSU full text]

Wilkin, J. P. (2017). How large is the “Public Domain”? A comparative analysis of Ringer’s 1961 Copyright Renewal Study and HathiTrust CRMS data. College & Research Libraries78(2), 201-218. doi:10.5860/crl.78.2.201. [OA full text] / [OSU full text]

Legislation & Policy Developments

Ayris, P. (2017). Brexit – and its potential impact for open access in the UK. Insights: The UKSG Journal30(1), 4-10. doi:10.1629/uksg.336. [OA full text] / [OSU full text]

Benson, S. R. (2017). Keep copyright in the library: Why the Copyright Office belongs in the Library of Congress. American Libraries48(5), 20. [OA full text] / [OSU full text]

Peet, L. (2017). Experts on next Register of Copyrights. Library Journal142(3), 14-17. [OA full text] / [OSU full text]

Libraries

Benson, S. R. (2017). Interpreting Fair Use for Academic Librarians: Thinking Beyond the Scope of the Circular 21 Guidelines. Journal of Academic Librarianship43(2), 105-107. doi:10.1016/j.acalib.2017.02.001 [OA full text]

Borchard, L., & Magnuson, L. (2017). Library leadership in open educational resource adoption and affordable learning initiatives. Urban Library Journal23(1), 1-13. [OA full text] / [OSU full text]

Sims, N. (2017). Rights, ethics, accuracy, and open licenses in online collections. College & Research Libraries News78(2), 79-82. [OA full text] / [OSU full text]

Tay Pek, S., Lim Heng, G., Ghani Azmi, I. A., & Sik Cheng, P. (2017). The impact of copyright law on the digitization of library collections in academic libraries in Malaysia. Malaysian Journal Of Library & Information Science22(1), 83-97. [OA full text] / [OSU full text]

Publishing & Scholarly Communication

Badke, W. (2017). Sci-Hub and the researcher. Online Searcher41(2), 56-58. [OSU full text]

Gardner, C. c., & Gardner, G. g. (2017). Fast and Furious (at Publishers): The motivations behind crowdsourced research sharing. College & Research Libraries78(2), 131-149. [OA full text] / [OSU full text]

Myška, M. (2017). Text and data mining of grey literature for the purpose of scientific research. Grey Journal (TGJ)1332-37. [OSU full text]

Rowley, J., Johnson, F., Sbaffi, L., Frass, W., & Devine, E. (2017). Academics’ behaviors and attitudes towards open access publishing in scholarly journals. Journal of the Association for Information Science and Technology, 68(5), 1201-1211. doi:10.1002/ASI.23710 [OA full text] / [OSU full text]

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By Maria Scheid, Rights Management Specialist at the Copyright Resources Center, The Ohio State University Libraries

Articles of Interest: July-December 2016

This post highlights articles published in the second half of 2016 with a focus on copyright, especially as it pertains to libraries, higher education, and scholarly communication. Links to the full-text articles are provided when available; [OSU full-text] links will connect authenticated users through The Ohio State University Libraries, while [OA full-text] links point to an open access version of the article that should be available to all users.

Did we miss an interesting article? Please share the citation!

Copyright

Bailey, L. (2016). How Copyright Law is Promoting Cultural Amnesia. Copyright & New Media Law20(2), 1-5. [OSU full text]

Kristof, C. (2016). Data and Copyright. Bulletin Of The Association For Information Science & Technology42(6), 20-22. [OA full text]

Matulionyte, R. (2016). 10 years for Google Books and Europeana: copyright law lessons that the EU could learn from the USA. International Journal Of Law & Information Technology24(1), 44-71. doi:10.1093/ijlit/eav018 [OA full text]

Menard, G. (2016). Copyright, digital sharing, and the liberal order: sociolegal constructions of intellectual property in the era of mass digitization. Information, Communication & Society19(8), 1061-1076. doi:10.1080/1369118X.2015.1069872. [OSU full text]

Price, D. (2016). Stop Using Our Songs!. Copyright & New Media Law20(3), 5-9. [OSU full text]

Reymond, M. J. (2016). Lenz v Universal Music Corp : Much ado about nothing? International Journal Of Law & Information Technology24(2), 119-127. doi:10.1093/ijlit/eav021 [OA full text]

Tehranian, J. (2016). Constitutionalizing Infringement: Balancing Copyright and Free Speech. Copyright & New Media Law20(3), 1-4. [OSU full text]

Copyright Education

Estell, A., & Saunders, L. (2016). Librarian Copyright Literacy: Self-Reported Copyright Knowledge Among Information Professionals in the United States. Public Services Quarterly12(3), 214-227. doi:10.1080/15228959.2016.1184997 [OA full text]

Jaszi, P., Remington, M., Ivins, O., & Dyas-Correia, S. (2016). Copyright and Intellectual Property: What You Need to Know. Serials Librarian70(1-4), 34-43. [OA full text]

Libraries

Ensign, D. (2016). What is Kirtsaeng and Why You Should Care. Kentucky Libraries80(3), 27-28. [OSU full text]

farrelly, d. (2016). VHS Copyright and Due Diligence. Library Journal141(20), 16. [OSU full text] / [OA full text]

Miller, R., & Homol, L. (2016). Building an Online Curriculum Based on OERs: The Library’s Role. Journal Of Library & Information Services In Distance Learning103(3/4), 349-359. doi:10.1080/1533290X.2016.1223957 [OSU full text]

Peet, L. (2016). Sci-Hub Sparks Critique of Librarian. Library Journal141(15), 14-17. [OSU full text] / [OA full text]

Publishing & Scholarly Communication

Bennett, L., & Flanagan, D. (2016). Measuring the impact of digitized theses: a case study from the London School of Economics. Insights: The UKSG Journal29(2), 111-119. doi:10.1629/uksg.300 [OSU full text] / [OA full text]

Laakso, M., & Lindman, J. (2016). Journal copyright restrictions and actual open access availability: a study of articles published in eight top information systems journals (2010-2014). Scientometrics109(2), 1167-1189. doi:10.1007/s11192-016-2078-z [OA full text]

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By Maria Scheid, Rights Management Specialist at the Copyright Resources Center, The Ohio State University Libraries

 

Open Access Week 2016

To kick off this year’s Open Access Week, we are sharing information on open access workshops offered by The Ohio State University Libraries throughout the week. This blog post first appeared on the Research Commons blog.

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Open Access Week Logo

Open Access Week 2016 by SPARC is licensed under CC-BY 4.0 (cropped).

 

Next week, October 24-30, 2016, we celebrate the 9th International Open Access Week. This year’s theme is “Open in Action” and will highlight ideas for taking action to open research and scholarship.

Open Access Week is a yearly global event to spread awareness of Open Access, a movement that supports free and immediate access to research. The Open Access movement seeks to maximize the impact and accessibility of published research through the removal of financial and use restrictions placed on research. Interested in learning more about Open Access? Peter Suber’s “Open Access Overview” provides a great summary of the Open Access movement and the different forms and vehicles through which Open Access research may be shared.

Join us at the Research Commons and Thompson Library to celebrate Open Access by attending an OA workshop offered by The Ohio State University Libraries next week:

 

Open Access: Know Your Rights, Share Your Research

This workshop will cover the basics of copyright and open access, including understanding your rights as an author, sharing your research to a broader audience, and publishing in open access journals. Presented in conjunction with International Open Access Week, this workshop will feature speakers from the University Libraries’ Copyright Resources Center and Publishing and Repository Services department. Light refreshments will be provided, and our presenters will be available afterward for consultations.

Light refreshments will be provided, and our presenters will be available afterward for consultations.
When: Tuesday, October 25, 11:00am – 12:30pm
Where: Research Commons, 3rd floor of the 18th Avenue Library

Register: go.osu.edu/oa-workshop

 

Open Access Week: Creative Commons

Please join the University Libraries’ Copyright Resources Center for a workshop on Creative Commons (CC). The session will introduce CC and explore how CC licenses benefit creators and users of licensed material. These licenses contribute to affordability and the development and use of Open Educational Resources, a particularly relevant topic for us in light of the university-wide focus on affordable learning. Bring your questions!

When: Wednesday, October 26, 10:00 am-11:30 am

Where: Thompson Library, Room 165

RSVP: http://go.osu.edu/oa-creativecommons

 

Open Data: A Panel Discussion

Curious about Open Data? Want to know more about where to find Open Data to use in your own research, or how to make your data open to comply with funding agency mandates? Have your top concerns and questions addressed by a group of campus experts – all who are interested in Open Data are welcome!

This event is part of Data Analytics Month @ Ohio State. Learn more at: go.osu.edu/dataanalyticsmonth.

 

When: Wednesday, October 26, 2:00 – 3:30pm
Where: Research Commons, 3rd floor of 18th Avenue Library

Register: go.osu.edu/opendata-panel

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By Maria Scheid, Rights Management Specialist at the Copyright Resources Center, The Ohio State University Libraries

Debunking Top Copyright Myths: The Myth of the Innocent Infringer

A persistent myth in the world of copyright law is that of the innocent infringer.  This particular myth takes two forms, both of which will be addressed in this post.  The first is the myth of a complete defense, in that if you didn’t know you were infringing someone’s copyright, you can’t be found liable.  The second is a partial defense, in that if you didn’t know you were infringing someone’s copyright, although you may be found liable, you won’t have to pay any damages.

Neither of these is correct.  Where did this myth come from and why does it persist? This is best answered by looking at the history of United States copyright law.  Let’s take a trip in the copyright time machine (CTM)!

The first stop is in 1790.  Back then, being an innocent infringer meant you were not liable for infringement.  The Copyright Act of 1790 required that an infringer be “knowing”[1] with regards to the copyright status of the work.  There was actually a mens rea[2] component to copyright infringement.  Not only would you not have had to pay any damages, but you had not actually committed copyright infringement in the first place.  Which is good, because the statute required that “offenders shall… forfeit and pay the sum of fifty cents for every sheet which shall be found in his or their possession”[3]Translated into 2015 dollars, that $0.50 could be as much as $47,500[4] per page! This protection afforded innocent infringers was incredibly valuable.

Unfortunately for innocent infringers, those protections have been stripped away over the ensuing versions of United States copyright law.  Jumping back in the CTM, we can skip ahead to 1909, a year of major revision in U.S. copyright law.  The Copyright Act of 1909 removed the “knowing” requirement, making copyright infringement a strict liability offense.  This meant that if someone made an illegal use of a protected work, they had infringed copyright.  Their mental state was irrelevant and innocent infringement was no longer a defense to copyright infringement.  This was the end of innocent infringement as a total defense to liability for copyright infringement.  The 1909 Act did, however, prevent defendants from having to pay any damages if they could show that they were an innocent infringer who was “misled by the omission of the [copyright] notice”[5].  So in that very specific instance of innocent copyright infringement, a defendant could avoid having to pay damages.

Hopping back into the CTM, let’s fast forward to 1989 and the current version of United States copyright law.  Here, we have the Copyright Act of 1976[6], as influenced by the Berne Convention[7].  Copyright infringement is still a strict liability offense under this version of U.S. copyright law, so innocent infringement is no defense to liability.  It’s also harder to avoid paying some kind of monetary award if an individual is found liable.  Yet, innocent infringement does provide a small sliver of relief for some defendants under the 1976 Act.

The first is for an infringer who “was not aware and had no reason to believe that his or her acts constituted an infringement of copyright”[8].  In this instance, a “court in its discretion may reduce the award of statutory damages to a sum of not less than $200”[9].  That might sound great, but let’s look a little more closely.  First, a defendant bears the burden to prove that they were not aware that their work was infringing copyright.  Second, even if they meet that burden, the court still has discretion in reducing damages.  This means the court may not reduce damages, even if the defendant proves the infringement was innocent.  Third, damages are only reduced, not eliminated completely.  Fourth, and finally, this is only an option if the plaintiff in the case chooses to be awarded pre-defined statutory damages, as opposed to actual damages and profits[10]. To add insult to this injury, a defendant may still be on the hook for the plaintiff’s court costs and attorney’s fees[11].  These fees can amount to hundreds of thousands of dollars, if not more.  For example, the attorneys who successfully argued that the happy birthday song is not protected by copyright were awarded over four million dollars in fees[12].

The second is for an infringer who “believed and had reasonable grounds for believing that his or her use of the copyrighted work was a fair use under section 107, if the infringer was: (i) an employee or agent of a nonprofit educational institution, library, or archives acting within the scope of his or her employment … or (ii) a public broadcasting entity”[13] or an employee of a public broadcasting entity.  If an infringer falls into one of those specific employment categories and reasonably believed that their use was a fair use, then no damages will be assessed.  Of course, just like in the first example, the infringer could still be liable for paying the plaintiff’s court costs and attorney’s fees.

Today, innocent infringement is no longer a defense in a copyright infringement case, and even an unwitting infringer could be liable for what might be extremely high court costs and attorney fees.  Innocent infringement, as a defense to liability or a method of obtaining complete relief from liability for damages, no longer exists and we have come a long way since 1790.  Do you think these changes are an improvement?  Leave a comment and let us know how you feel about the treatment of “innocent” infringers in United States copyright law!

Please visit the other post in our series – If there’s no (c), is it copyrighted?

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By Marley C. Nelson, Rights Management Specialist at the Copyright Resources Center, The Ohio State University Libraries

 

[1] Copyright Act of 1790, 17 U.S.C. §2 (1790).

[2] “Mens rea” means guilty mind.  In order to be found guilty of many crimes, you must commit an illegal act (e.g. copying someone else’s copyright protected work) while having a certain level of intent to do so (e.g. knowing the work is protected by copyright).

[3] Copyright Act of 1790, 17 U.S.C. §2 (1790).

[4] Samuel H. Williamson, “Seven Ways to Compute the Relative Value of a U.S. Dollar Amount, 1774 to present,” MeasuringWorth, 2016.  Accessed via https://www.measuringworth.com/uscompare/relativevalue.php on 08/31/2016.

[5] Copyright Act of 1909, 17 U.S.C. §20 (1909).

[6] Copyright Act of 1976, 17 U.S.C. §1 (1976).

[7] The Berne Convention Implementation Act of 1988, Pub. L. No. 100-568, 102 Stat. 2853.  Accessible at http://uscode.house.gov/statutes/pl/100/568.pdf

[8] Copyright Act of 1976, 17 U.S.C. §504(c)(2) (1976).

[9] Copyright Act of 1976, 17 U.S.C. §504(c)(2) (1976).

[10] See, generally, Copyright Act of 1976, 17 U.S.C. §504 (1976).

[11] Copyright Act of 1976, 17 U.S.C. §505 (1976).

[12] See, e.g., Andrew Blake, Attorneys awarded $4.6 million over ‘Happy Birthday’ copyright claim, Washington Times August 19, 2016.  Accessed via http://www.washingtontimes.com/news/2016/aug/19/attorneys-awarded-46-million-over-happy-birthday-c/.

[13] Copyright Act of 1976, 17 U.S.C. §504(c)(2) (1976).

The Ohio State University Libraries and the Health Sciences Library Announce a Pilot Program to Combine Copyright Services

The one-year pilot program, beginning September 1, 2016, will consolidate services across the two offices, making the University Libraries’ Copyright Resources Center the single access point for copyright questions and copyright consultation requests from faculty, staff, and students of the university. The Health Sciences Library will provide financial support to the Copyright Resources Center to offset the costs of adding services for Health Sciences Library patrons. The pilot program will be evaluated at the six and twelve month mark.

The partnership is an extension of the existing collaborations between the Health Sciences Library and University Libraries’ copyright units. The pilot program aims to minimize patron confusion on where to go with copyright questions, supporting the university’s value of collaborating as “One university.”

For further information about the pilot program, please contact libcopyright@osu.edu.

Articles of Interest: January-June 2016

This post highlights articles published in the first half of 2016 with a focus on copyright, especially as it pertains to libraries, higher education, and scholarly communication. Links to the full-text articles are provided when available; [OSU full-text] links will connect authenticated users through The Ohio State University Libraries, while [OA full-text] links point to an open access version of the article that should be available to all users.

Did we miss an interesting article? Please share the citation in the comments!

Copyright

Albanese, A. (2016). Google case ends, but copyright fight goes on. Publishers Weekly263(17), 4-6. [OSU full text] / [OA full text]

Aufderheide, P., & Sinnreich, A. (2016). Documentarians, fair use, and free expression: Changes in copyright attitudes and actions with access to best practices. Information, Communication & Society19(2), 178-187. doi:10.1080/1369118X.2015.1050050 [OSU full text]

Hellyer, P. (2016). Who owns this article? Applying copyright’s work-made-for-hire doctrine to librarians’ scholarship. Law Library Journal, 108(1), 33-54. [OSU full text] / [OA full text]

Hess, J., Nann, A., & Riddle, K. (2016) Navigating OER: The library’s role in bringing OER to campus. The Serials Librarian, 70:1-4, 128-134. doi:10.1080/0361526X.2016.1153326 [OSU full text]

Pike, G. H. (2016). Trans-Pacific Partnership: The devil in the details. Information Today33(1), 1-25. [OSU full text]

Libraries

Banks, M. (2016). What Sci-Hub is and why it matters. American Libraries47(6), 46-48. [OSU full text]

Dygert, C., & Barrett, H. (2016) Building your licensing and negotiation skills toolkit. The Serials Librarian, 70:1-4, 333-342. doi: 10.1080/0361526X.2016.1157008 [OSU full text]

Enis, M. (2016). Please rewind. Library Journal141(10), 45-47. [OSU full text]

Finley, T. K. (2016). The impact of 3D printing services on library stakeholders: A case study. Public Services Quarterly, 12(2), 152-163. doi:10.1080/15228959.2016.1160808 [OSU full text]

Graham, R. G. (2016). An Evidence-Informed Picture of Course-Related Copying. College & Research Libraries77(3), 335-358. [OSU full text] / [OA full text]

Lipinski, T. A., & Chamberlain Kritikos, K. (2016). Copyright reform and the library and patron use of non-text or mixed-text grey literature: A comparative analysis of approaches and opportunities for change. Grey Journal (TGJ), 12(2), 67-81. [OSU full text]

Luo, L., & Trott, B. (2016). Ethical issues in reference: An in-depth view from the librarians’ perspective. Reference & User Services Quarterly55(3), 189-198. [OSU full text] / [OA full text]

Nilsson, I. (2016). Developing new copyright services in academic libraries. Insights: The UKSG Journal29(1), 78-83. doi:10.1629/uksg.276 [OSU full text] / [OA full text]

Publishing & Scholarly Communication

Beard, R. M. (2016). An investigation of graduate student knowledge and usage of open-access journals. Journal of Electronic Resources Librarianship28(1), 25-32. doi:10.1080/1941126X.2016.1130453 [OSU full text]

Bennett, L., & Flanagan, D. (2016). Measuring the impact of digitized theses: A case study from the London School of Economics. Insights: The UKSG Journal29(2), 111-119. doi:10.1629/uksg.300 [OSU full text] / [OA full text]

Schlosser, M., (2016). Write up! A study of copyright information on library-published journals. Journal of Librarianship and Scholarly Communication. 4, p.eP2110. doi:10.7710/2162-3309.2110 [OA full text]

Sims, N. N. (2016). My unpublished research was scooped? College & Research Libraries News77(6), 296-301. [OSU full text] / [OA full text]

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By Maria Scheid, Rights Management Specialist at the Copyright Resources Center, The Ohio State University Libraries

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