The David Seavey Collection contains correspondence, presentations, clipping and tearsheets, in addition to artwork, proofs, and photocopies of his work for various publications such as the National Observer and USA Today. The collection is minimally arranged, most of the folder titles were written by Seavey.

Collection of original comic strips and cartoons, clippings of political cartoons, illustrated sheet music and miscellany.--Political cartoons and illustrations (1916-1917), Columbus Daily Monitor--Cap Stubbs and Tippie (daily comic strip) (1959-1961)--Tippie (Sunday strip) (1/18/48)--Alec the Great (dates unknown), with verses written by Robert Dennis Dumm--Sinbad (1923?)--sheet music: Shelter lullaby (1943); Tippie and the circus (1944); Tippie and the hurdy-gurdy (1947); Tippie's Hallowe'en serenade (1947); and the Christmas tree (1950)--photo, misc. papers, tape and transcript of oral history interview (2/15/85)

Original art works in this collection may be found by searching the library's original art database.

The Harry A. Bressler Collection consists of printing stereotypes, proofs, and clippings of editorial cartoons from the Brooklyn Chat 1939-1942 by Bressler and editorial cartoons from the Brooklyn Chat for 1939 by Nord.

The Jack McLeod Papers contain original editorial cartoon art, which is described at the item level and available in the Original Art Database. The collection also contains examples of McLeod's work through clippings and tearsheets. Of particular interest is Series 3: Sketchbooks, 1991-2001 which contain thirteen volumes of sketches by McLeod.

The collection contains material documenting Jim Borgman's career as an editorial cartoonist and as cartoonist of the comic strips, Wonk City and Zits. Included in this collection is correspondence from fans, friends, other cartoonists, and King Features Syndicate. In addition there are articles and clippings about Borgman, examples of awards, memorabilia, notes, and sketches. There is also a siginficant collection of proofs and clippings of his editorial cartoons from 1976 to 2004 and photocopies and roughs of the Zits strip.

The collection contains original works of art created by Jim Larrick. The majority of these original works are editorial cartoons that were published in The Clarion-Ledger and the Columbus Dispatch. Also contains tear sheets, proofs, and photocopies of political cartoons published in The Clarion-Ledger and the Columbus Dispatch. The collection also contains a number of photographic negatives and promotional materials for a number of political cartoonists, including Jim Larrick, Don Wright, and Jerry Robinson.

Original art works in this collection may be found by searching the library's original art database.

This collection represents Ritter's artwork throughout different points in his life. The collection contains artwork from Ritter's childhood, including pieces that he created for class and strips about his original character, Myron the Mosquito. The collection also contains work from Ritter while he was enrolled at Arizona State University. This includes proofs and tearsheets of Ritter's editorial work on The State Press, as well as scripts and photocopies of Ritter's strip, Ivory Towers. Clippings, tearsheets, proofs, roughs, prints, transparency sheets, and awards from Ritter's professional work in the Metro Phoenix Magazine, Scottsdale Progress, and Tribune Newspapers are also featured in this collection. The collection also contains a sampling of Ritter's other work in the Atlanta Journal-Constitution, Southern Voice, and GA Voice. The collection also contains Ritter's work on a strip about Bing Crosby, Bob Hope, and Dorothy Lamour. The collection contains a sampling of personal material from Ritter as well.

The Ollie Harrington Collection and Papers includes original published cartoons, along with roughs, sketchbooks and other archival materials.

The Paul R. Carmack Collection and Papers includes a folder of letters from notable people, clippings of his editorial cartoons published in The Christian Science Monitor, a copy of his book The Adentures of Slim and Spud. The majority of this collection are topical subject files of newspapers clippings that Carmack collected. These clippings are from the 1930s and 1940s and focus on the issues of the day. It assumed Carmack collected this information to assist in the creation of his political cartoons for this time period.