SHEILA E. MURPHY POETRY COLLECTION:
GUIDE AND INVENTORY
SPEC.CMS.92

(Compiled by Beverly Carver and John M. Bennett)

INTRODUCTION

Sheila E. Murphy (Mishawaka, Indiana, 1951-) is a widely published innovative and experimental poet, who has lived for many years in Phoenix, Arizona. (An autobiography detailing her life and work was published in 1997 in the Contemporary Authors Autobiography series, vol. 26 [in folder 187 of this collection]). This collection documents Murphy's development into one of the United States' most widely-read and interesting innovative poets. In addition, its almost 130 items will serve as a valuable resource for research into the work and cultural context of many of her contemporaries.

The collection includes nearly all of Murphy's published work (spanning the years 1969 to 2000), in magazines, journals, newspapers, anthologies, broadsides, books, chapbooks, electronic publications (as print outs), and other formats. It also includes numerous reviews of and articles about, her work.

The collection is divided into two parts, each arranged in a separate alphabetical sequence, by title of book or magazine. Part one covers the years 1969-1998, with most material spanning 1980-1998. Part two covers the years 1990-2000, with most material spanning 1998- 2000.

Each entry includes the folder number, followed by the title of the book or magazine, volume and/or issue number (in the case of magazines), the year of publication, and the title of the book or of individual poems (in the case of magazines), plus any other pertinant information. Titles of books and chapbooks are in upper case.

Folder 1 contains Beverly Carver's original indexing of both parts of this collection, and includes for each entry additional information, such as the names of the editors of magazines or book publishers, addresses, and page numbers. Materials on Carver's list are generally in the same order as they are on this one, with some minor discrepancies.

The folders titled "File box" (cf. folder 2, for example) contain parts of the complete Carver list in folder 1, and indicate the contents of the individual shipping cartons as received by OSU Libraries.

I am grateful to Sarah Hogue for her careful assistance in preparing this guide.

John M. Bennett
December 2000

SHEILA E. MURPHY POETRY COLLECTION-

CATALOGUE OF INVENTORY, OHIO STATE UNIVERSITY

Detailed Listing/ Box and Folder Listing:

Part 1

Box 1

Folder Number #1-23

Master list of titles.

File box 1, A- B list.

Abacus, no. 66, 1992 - Literal ponds (one 20 page poem).

Abacus, no. 94, 1995- A brotherly unfixed grace-noted...(one 20 page poem).

Abbey, no. 47, 1984-After dream.

Abbey, no. 48, 1985- Prickly pear; Made for each other.

Abbey, no. 50, 1986- After pulling an all-nighter.

Abbey, no. 52, 1987- Living with; How it is.

Abbey, no. 53, 1987- Reader Questionnaire.

Abbey, no. 57, 1988- THIS STEM reviewed by H. Calhoun.

Abbey, no. 59, 1989- 3:25 in the afternoon.

Abbey, no.60, 1990-She believed it.

Abbey, no. 61, 1990-Abbey readers awards- SEM.

Abbey, no. 62, 1990-"Feast on..." commentary D. Greisman.

Abbey, no. 63, 1990- Toward Tasmania.

Abbey, no. 69, 1993-For Barrie.

Abbey, no. 70, 1993- Miami.

Abbey, no.72, 1994-Photograph.

Abbey, no. 75, 1995- Plots.

Abbey, no.77, 1996- Predators; Plural.

Abbey, no. 79, 1996- Selves.

Another Chicago magazine, no. 23, 1991- Steep phases of guitar strokes; The weight and feel of harps; Choreography.

Acta Victoriana, v. 112, no. 1-2, 1988- March maybe with trees down.

Box 2

Folder Number #24-38

Aerial, no. 3, 1987- Conception; Opening; Logistics; Fluency (#1 "Crush.......").

Aerial, no. 5, 1989- Spiritual; Feast on how the days go by and ...

Alabama Dogshoe Moustache, 1991- It's nice to have.

Albatross, 1987- Mother of god.

Alchemist, no. 12,(v.III, no. 4), 1990- Conversion; Nest poem two.

Aldebaran, 1985- The spiritual life; Pacing (Haibun 53); My last steps.

ALEA, no. 2, 1986- Natural selection; Absolution.

Altadena Review, no.7, 1984- Christmas.

Alternative fiction and poetry no. 5/6, 1988- Alice Friday.

Alterran poetry assemblage; 1996- Pilot; Free-standing self portrait; Correspondence; The separate Justice, Homonym shoulders; Dividends; There is a mood.

Alterran poetry assemblage, 1997- Prowess Remains; What are you doing today; A smooth elan to have embroidered; The quipperware of all new tongues; Love poem in two halves.

Alura quarterly poetry and prose, v. V, no. 2, 1980- San Salvador, 1975; The mute visitor.

Amelia, v. 1., no. 2, 1984-Haibun 16.

Amelia, v.3, no. 2, 1986- Regression.

Amelia, v. IV. no. 4, 1988- Unjacketed.

Box 3

Folder Number #39-51

American letters and commentary, 1995- Parlors.

Anabasis love project no.2, 1993- Trespassive butterflies: SEM/T.Taylor; Of a feast compatible; The trees themselves.

Anabasis vision project, no. 2, 1996- Letters to Unfinished J, n. 16; Pears are beautiful in glass; Letters to unfinished J. no. 17; Hard of hearing in the heart; Letters to unfinished J, no. 18; The orchid; Letters to unfinished J, no. 19.

Anatomy: raw, no. 12, 1994- Today a river; Portrait: Mary E.; Left turn right; Devotion.

And, no. 8, 1994- Normencleature; To gym; Sonnet.

And, no.9, 1995- 6 challis.

Angelflesh, 1997 A limited edition lust.

Angeltread, no.3, 1985- On the tenth anniversary of an accident.

Angle, no.2, 1997-Ninth self portrait; Cast party.

Anima, v. XII, no.1, 1985- The wrapped feelers.

Antenym, no. 7, 1995- Eternity Synonymous with watching...; The tree; Some gender-viable cross stitch.

Antenym, no. 9, 1996-In part; Halloween day; Detached.

Antenym no. 11, 1990- Offertory.

Box 4

Folder Number #52-65

Anthology of magazine verse & yearbook of American poetry, 1985- My sister's blue accordian.

Apple blossom connection, 1988- Age 36.

APPROPRIATE BEHAVIOR, 1986- A chapbook consisting of 16 poems by SEM.

Arcane cyan planes,1982- Blades.

Argo incorporating DELTA, v. IV, no. 2, 1982- A footnote to the flowers; The relationship of paranoia to....

Arizona republic, Life section, 1994- Interview by Angie Chuang.

Arizona women's voice, v. II, no. 2, 1986- The end of friendship.

Art mag, 1987- Is it love.

Artmark, 1997- Indefinite articles, one of 12 bookmarks commissioned for distribution at public libraries.

Ashes, v. III, 1994- Neil is cleaning the garage; Interview by Pauline Mounsey.

Ashes, v. III, no. 7, 1995- Performance review by Virginia Ikeda.

Aspen writer's conference, 1980- The dignity of work.

Asylum v. III, no. 2, 1987- Arlene's house.

Asylum and labyrinths; 1997, (Biography and picture of SEM); Character.

Box 5

Folder Number #66-84

Atelier, no. 6, 1995- Touch of pen to page; Phone call; How to play the flute.

Atelier, no. 7. 1995- Four Sonnets.

Atlantis, v. 14, no. 2, 1989- Portrait; Untitled.

Atlantis, v. 17, no. 1, 1991-Untitled haibun.

Atticus review, no. 12, 1986- Smoke world.

Atticus review, 1987- A mind to be; After innovation; Insomnia.

Avant-garden, v. I, no. 1, 1989- Professional distance; Response to symptoms.

Avec, v. 4, no. 1, 1991- Calendula 101; Muscle required for framing.

Avec, v. 6, no. 1, 1993- Three untitled poems.

B city, 1986- 29 haiku.

Backyard bamboo, 1989- Photograph with a pink cast; The change; Infinity; One for sister Agnes Angela.

Berkeley Works, v. I, no. 4, 1985- Heaven.

BETWEEN PIPELINES, 1996- A chapbook consisting of a poem with 14 segments by SEM.

Big allis, no. 2, 1989- Devotions country western, Refrigerator art; Joy.

Big scream, no. 20, 1985- Describing sexual harassment to...

Big scream, no. 21, 1985- Thanks, Lynn for the line about the...; Sunny side up; (She is intelligent); Think liberation.

Big scream, no. 30; 1991- The energy he used to dream; (A feather).

Big scream, no. 33, 1995- In the Small town library at noon.

Big scream, no. 35, 1996- When you're gone; Inky as a Rorschach for his livelihood; Snapshot; Remarkable Attention.

Box 6

Folder Number #85-102

Bisbee education association news, 1983- Expatriate of corporate life.

Bisbee times, April, 1982- After the war.

Bisbee Observer, v. I, no. 12, 1985- Epistemology.

Black bear review, no. 7, 1988- Review of WITH HOUSE SILENCE by S.K. Morgan.

Black bear review, no. 9, 1989- Pressure.

Black fly review, no. 6, 1985- David Ignatow, what did you do; Appropriate behavior.

Black tape press, no. 4, 1991- The fiddle.

Blackwater, v. I, no. 2, 1995- Treasure.

Blank gun silencer, no. 4, 1992- Fixture; Intervention.

Blind alleys, v. II, no. 1, 1984- Saying rosaries; No matter what.

Blue grass literary review, v. IV, no. 1, 1982- What reflex.

Blue light review, No. 4, 1985- Born again.

Blue mesa review, no 3, 1991- Op cit; A portrait of Beverly C.

Blue mesa review, no. 4, 1992- Review of TETH by Gene Frumkin.

Blue ryder, no. 22, 1992- Intimacy.

Bluestocking press broadside, 1995- Freedom lets go any thirst (the....

Bogg 59, 1988- Boot camp.

Bogg 67, 1995- Untitled.

Box 7

Folder Number #103-114

Bomb, v. 1, no. 3, 1993- Expertise.

Bone & flesh aside, no. 7, 1992- Untitled.

Bradford poetry quarterly, no. 5. 1988- Mentor.

Bradford poetry selected poems, no. 9, 1989- Newsprint on my hands.

Brass city, no. 4, 1996- Untitled; Untitled.

Brass city, no. 6, 1996- Temp.

Break to open, no. 1, 1992- In memoriam, MEK; Circles and shores; Quietly, for C.

Brief description of the whole world, no. 3, 1996-Women with voices dark and harsh; A person pinched in non-abundance.

Broken streets, II, 1981- Freeway.

Broken streets, III, 1981- Bonita beach.
Brushfire, no. 1, 1983- Selves.

Brushfire, no. 2, 1983- Pre-homeopathy pantoum.

Box 8

Folder Number #115-134

Burning world, no. 4, 1984-The spirituality of drunkenness.

Burning world, no. 8, 1987- Leftover U. P. poem.

Burning world, no. 9, 1987- That teacher of mine was no...

File box 2, C-D list.

Cabaret vert, v. I, no. 1, 1991- The genre; The day a quiet; Commute; Lyrical episodes; Publicity.

Cabaret vert edition III, 1993- A middle; Routing; How Kristina ran ; Our pets; The marigolds; Central heating in the heart; Jazz sentences; High time; Rest stop; Myopia according to this formula; Quilt, coffee, partitions; Tap shoes; Quite.

Caliban, no. 9, 1990- Lucid temporary hatches.

Caliban, no. 15, 1995- In common.

Calliope, v. 3, no. 2, 1980- Active contemplative reading Merton; Job interview.

Calliope, v. 4, no. 1, 1980- Afterwards; Eucalyptus.

Calliope, v.4, no. 2, 1981- Only child; When his mother drinks.

Calliope, v.5, no. 2, 1982- Sauna.

Calliope, v.7, no. 1, 1983-Escanaba.

Calliope, v. 8, no. 1, 1984- Of distance.

Calliopes corner, no. 22, 1988- Secular Christmas.

Camellia, v. 5. 1994- In her music.

Camellia, v. 8, no. 1, 1997- Languishing.

Cape rock, v. 16, no. 1, 1981- World's end.

Cape rock, v. 18, no. 1, 1982- Precious.

Cape rock,v. 19, no. 1, 1983- Know to trust the voices; Mister.

Box 9

Folder Number #135-162

Catalyst, no. 9, 1982- The blindness; History.

Catalyst, no. 13, 1982- Greed: a birthday poem.

Catalyst, no. 18, v. 1, 1990 (Kyotolyst)- Heavyweight champ biting his lip...

Catalyst, no. 18, v. 2. 1990 ( Zeroxalyst)- Bananas foster cordial greetings...; Multiple sneeze relatives, how may...; Porscshe sitting in the living room of...; Elk hunting, bi-directional hot flash.

Cathartic, no. 11, 1983- Like father.

Cathartic, no. 13, 1984- Selfhood kit; Ghazal 5/17/84.

Cathartic, no. 15, 1985- Gina Berry.

Cathay, v. 1, no. 1, 1992- Preliminaries; To travel light or not.

Cat's eye, no. 3, 1981- Sixties revolutionary in the eighties.

Cat's eye, no.6, 1982- What there is to shave.

Cat's eye, v. 2. no. 1, 1985- Disability.

Cat's eye, v. 2, no. 3, 1985- This stem much stronger than your...

Cat's eye, v.2, no. 4, 1986- Love-hate; Brother.

Cat's eye, v. 3, no. 1, 1986- Fanaticism; Habit; Riding to O'Hare.

Cat's eye, v. 3, no. 2, 1986- Prelude.

Cat's eye, v. 3, no. 3, 1986-Tradition.

Cat's eye, v. 3, no. 4, 1987- North bondi.

Cat's eye, v. 4, no. 1, 1987-Addiction.

Cat's eye, v.4, no. 3, 1987-An excess of black cohosh.

Cat's eye, v.4, no.4, 1988- Success.

Ceilidh, v.2, 1984- Loving a spy.

Ceilidh, v. 3, no. 2 and 3, 1985- The impersonal (Haibun 82); The open way.

Celebration, no. 4, 1983- Insomnia; Room service.

Celebration, no. 5, 1985- Poem for enduring friendship; Disturbed; Marketing: a theory of indulgence.

Celebration, no. 6, 1988- Deprogramming; Permanent pantoum; Music lesson to myself; South Bend Arizona.

Centennial review, v. 24, no. 3, 1985- I watch you get thin; Instructions for an Etch-a-sketch.

Central park, no. 15, 1989- 6 x 6.

Central park, no. 16, 1989- Review of WITH HOUSE SILENCE by John Tritica.

Box 10

Folder Number #163-179

Century, v. 3, no. 5, 1982- Advent.

Chattahoochee review, v.5, no. 2, 1985- The strange smell of the tunnels.

Chattahoochee review, v.5, no. 4, 1985- After an illness.

Chelsea, 44, 1985- Resume; Language.

Chelsea, 45, 1986- Retracing; Visualization; A saxophone wind presses.

Chiron review, v. 8, no. 1, 1989- Guernsey; A system; The lovely muscles in her arms...; Where I am going to hide; Spectrum.

Chiron review, v. 10, no. 2, 1991- I disappear; Hyphen; Offspring; For will.

Chiron review, v. 12-13, no. 4&1, 1993 & 1994- Things to read.

Chiron review, no. 48, 1996- Prayer for the father of my friend.

A CLOVE OF GENDER, 1995- A book of 139 SEM poems.

CLWN WR, no. 33, 1992- Things will perform for us; Mental life; The patter(n); Temper; Where they belong.

CLWN WR, no.34, 1992- Bottle green.

CLWN WR, no. 37, 1996- A dotted-line relationship.

Coe review, no. 15, 1985- Soprano solo.

Collaboration writing project, no. 1, 1990- What was started: SEM/John M. Bennett.

Colorado north review, v. 28, no. 1, 1987- Children don't exactly thrill me but I.

Columbia poetry review, no. 10, 1997- Geometry; Thighs.

Box 11

Folder Number #180-197

Common sense, no. 6, 1990- Tap dancing/raking leaves; Self- portrait.

Comet Halley, no. 2.718, 1985- Some blues (for Jane).

Compound eye, no. 7, 1995- The morning pages.

Conditioned response, no.6, 1995- Fool's cap.

Conditioned response, no. 8, 1995- Movement.

Conspiracy charges, 1991[Red bass, 15, 1991]- The money I am worth is singing.

Conspiracy of silence, v.1, no. 3, 1989- Fiddle music on the FM radio; The last drink.

CONTEMPORARY AUTHORS AUTOBIOGRAPHY SERIES, v. 26, 1997- Sheila E. Murphy, 1951- Sheila's 15 page autobiography with pictures.

Context south, v. 1, no.1, 1989- Untitled.

Convolvulus, no.9, 1994- In praise of incubators.

Copula, no. 5, 1982- Returning to a virgo.

Coracle poetry, no. 1, 1994- Untitled.

Coracle poetry, no. 3, 1996-24.

Coracle poetry, no. 4, 1997- 25; Untitled.

Cover, v.9, no. 6, 1995- Review of TOMMY AND NEIL by Arnold Fallender.

Crab creek review, v. 3, no. 2, 1985- Taking out the trash.

Cradle boxcars, 1993- Of Thanksgiving; So easy is a true thing; How the resurrection was.

Crash, no.7, 1995-Politics; The body.

Box 12

Folder Number #198-215

Creative Pittsburgh journal, no. 4, 1979- Raisins; Newspaper clippings.

The creative woman, v. 7, no. 3, 1985- My mother's face.

CRITERIA FOR BEING TOUCHED, 1991- A chapbook consisting of 7 poems by SEM.

Crowdancing, v. 2, no. 4,1985- The desire for a cigarette years...; Lives in others' lives (Haibun 55).

Curious architecture, 1996- How partial therefore lovely.

Cyanosis, v. 1, no. 2, 1994- Saratoga; Untitled.

Cypress review, v. 2, no. 2, 1983- A suicide note.

Dadababy, no. 9, 1996- Subjects;Insight; Chords.

Dadababy, no. 10, 1997- Consciously.

Dada dance, no. 3, 1987- Valerian.

Dada dance, no. 4, 1989- Dot matrix; In my life.

Danger poets at play, 1998- In the waiting room; A texture with a coin; Borderline.

DARK MEDICATION, 1997- A chapbook of 8 poems by SEM written in response to 8 paintings by Rupert Loydell.

Day tonight/night today, no. 23, 1984- for M. the painter.

Day tonight/ night today, no. 27, 1985- The knot between my neck and ...; Father and daughter; April 14th.

Dead Rebel News, v. 1, no.3, 1990- Partly cloudy, 84 degrees; Reading; Earring in my lap; Litmus; Mum; Your face.

Dead rebel news, v.1, no.4, 1991- Carnival erupts; Collaboration by[SEM/John M. Bennett] with composition notes.

Dead rebel news, v. 2, no. 2, 1992- Parse; The gymnast; The current.

Box 13

Folder Number #216-229

DeKalb literary arts journal, v. 17, no. 3-4, 1984- My sister's blue accordian.

DeKalb literary arts journal, v. 18, no. 1-2, 1985- Saying goodbye; Unwanted facial hair phantoum.

DeKalb literary arts journal, v.18, no. 3-4, 1985- Detox.

DeKalb literary arts Journal, v. 19, no. 2, 1986- This clown.

DeKalb literary arts journal, v. 19, no. 3-4, 1986- Blue Transparencies; Waking up and not remembering.

DeKalb literary arts journal, v. 20, no. 1-4, 1987- Tone prayer.

Descant, v. 26, no. 4, 1982- Equation; Mindpiece; When we fight.

Descant, v. 27, no.3-4, 1983- In the confessional; Teaching.

DESSERT CART OF SYNDECDOCHE, 1991- A chapbook consisting of 20 poems by SEM.

Dickinson review, v.8, 1993- Red paintbrush; Paperdaisy; Trixis; Apricot mallow; Common sunflower.

Dirigible, no.8, 1997- She listened to Coltrane; Frame.

Dirigible, no. 11, 1998- If you're there, pick up.

Disturbed guillotine, no. 3, 1997- Letters to unfinished J. #33; Letters to unfinished J. #34; Letters to unfinished J. #35; Letters to unfinished J. #36.

Docks, v. 3, no. 2&3, 1992- Rations; Worth singing; Due diligence.

Box 14

Folder Number #230-243

Dreams and nightmares, no. 30-31, 1990- The possible massage.

Driver's side airbag, no. 18, 1995- She sat in the motorcar.

Driver's side airbag, no. 19, 1995- Essay.

Drop forge, no. 4, 1995- Untitled; Untitled.

Filebox 3, E-Go list.

Eavesdroppper, no.12, 1990- To please.

Eavesdropper, no.16, 1990- Meditation for my brother.

Ecphorizer, no. 30, 1984- Your blond ex-wife.

Ecphorizer, no. 31, 1984- Today; On the Threshold of buying a hayes...; The risk free self (disclosure).

Ecphorizer, no. 34, 1984- Questions.

Ecphorizer, no.46, 1985- Achievements.

Ecphorizer, no. 47, 1985- Fellowship.

Ecphorizer, no. 49, 1985- Haibun 228.

Edge, v. 2, no. 3, 1989- Sky.

Box 15

Folder Number #244-257

Eerie country, no. 8, 1982- Leo, speaking of an audience.

Egad, no. 4, 1987- Sequence.

Electrum, no. 33, 1984- Walking Ann Arbor.

Electrum, no. 36, 1985- The week's baggage.

Eleven, 1982- In confidence.

Ellipsis, v.1, no.1, 1988- When you left.

Emily Dickinson, 1990- An afternoon with sleep left over.

Erindale review, v.1, 1982- How a pearl is made.

Etcetera, v. 2, no. 1, 1997- Six-part invention.

Event, v. 12, no. 1, 1983- Responding to an aggressive man.

Event, v.13, no. 1, 1984- Miracles from the gift catalogue.

Exit 13, no. 2, 1989- Aries to Virgo .

Experiment in words, v. 2, no.7, 1991- Affection.

Experiment in words, v. 3, no. 9, 1992- Untitled.

Box 16

Folder Number #258-275

Experimental (basement), no. 1, 1991- Loaf.

Experioddicist, 1994- Breathpoints (consisting of 6 poems by SEM).

Exquisite corpse, no. 45, 1994- A portrait of Beverly C; Salt taste.

Exquisite corpse, no. 56, 1995- When you're important you're half...; Her report was boring.

Fabbro, no. 7, 1985- Presto.

FALLING IN LOVE, FALLING IN LOVE WITH YOU SYNTAX: SELECTED AND NEW POEMS, 1997- a book consisting of 201 pages of poems by SEM, followed by an interview with her.

Famous last words, no. 16, 1988- Interior.

Fat Tuesday decennium, 1991- Propped in bed.

Fell swoop, no. 10, 1987- Hello.

Fell swoop, no. 11/12, 1988- A tour of greater mindflesh, north...

Fell swoop, no. 43, 1996-Stop telling me your unemployed; Routine; Car sounds in the summer night; A willow, prelude.

Fell swoop, no. 46/47, 1996- Formula; Principle of the irrelevant question.

Fennel stalk, no. 1, 1986- The continuum.

Fennel stalk, no. 2, 1986- SEM review of L.H. Clark's DEADLY; Kindness.

Fennel Stalk, no. 3, 1987- Autism (2).

Fennel stalk, no. 4, 1987- Fingernails on chalkboard no one...; Teaching; Survival.

Fennel stalk, no. 5, 1988- On being prolific.

Fennel stalk, no. 6, 1988- Recent autobiography.

Box 17

Folder Number #276-291

Fennel stalk, no. 10, 1990- Acrostic for my boss during takeover.

Fennel stalk, no. 11, 1991- Would be a father noiselessly.

Fennel stalk, no. 13, 1993- Rationale.

Fiction review, no. 10, 1991- Raw botanicals; Seams; Sex with yourself; How to love a daughter like a son; Conjugal; R; For MEK; Consensus.

Filling station, no. 6, 1995- From the Phoenician ghazals; Nuclear redundancies; Twine tooled for deep spaces.

Fine madness, v. 5, no. 2, 1988- My torn red dictionary.

Fingers of silence, no. 1, 1981- Remission; Groveling for my daily bread; Childless; In Austin, Texas.

Fingers of silence, no. 2, 1981- Blackout: A probable coda; People of letters; Rejection; Return.

Fire, no. 2, 1996- The quintessential older woman; Shaving kit; Washington apples; Inheritance; Hoof, bandages; Songshine in particular.

First intensity, no. 7, 1996- A mood apart from singing Charles...; In the places of the cave; Things your mother didn't know.

First Inago anthology of poetry, 1984- Braces; Self image.

First offense, no. 12, 1998- She buys miniature twin trees...; My ego is unscheduled; Treason's arguably the most bitter...; El Mirage is someplace I might...; Tea cozy in a program proffered...; Already the husband has not foiled...; You really are the perfect patient...; When applies to questions about...; Sleeping back to back, spines touch...; Branch office of grief white...

Five a.m., no. 4, 1990- Planting petunias with children at...

Five a.m., no. 6, 1993- Stiff upper resonance.

Five fingers review, no. 12,1993- Untitled poem; Untitled poem.

Flesh mouth, no. 3, 1991- Why my brother likes opera; Just where narrative belongs.

Box 18

Folder Number #292-308

Florida review, The, v. 14, no. 1, 1986- Haibun 236.

Florida review, The, v. 14, no. 2, 1986- France.

Flukes, 1981- The piano tuner.

Flute talk, v. 5, no. 3, 1985- Flute.

Fly by the night, no. 1, 1981- The rhythm of self- reliance.

Fold, Da', v. 1, no. 11, 1991- Untitled.

Forever process, no. 1, 1996- Untitled.

Found street, no. 4, 1995- Priest and shadow; Inside, in silence.

Found street, no. 5, 1996- Fishtank.

Fourteen hills, v.4, no. 1, 1997- In code; The position of letters on the.

Foxtail, 1990- The sergeant.

Fragmente, no. 4, 1991- All places in the world I could be...; Excuse for not aquamarine; Massage again; Most noticed; The gallery.

Fragmente, no. 6, 1995- Wrought iron chairs (a little give to...); Pansies white around the inner red; (Personal) growth.

Fred, The, v.1, no. 10, 1989- Neighbors.

Free lunch, no.2, 1989- Friday-from "Days of the week"; A portrait of Beverly C.

Free lunch, no. 7, 1992- Every power; Unlovely yellow tie with black dots.

Fuel magazine, no. 14, 1995- The muted punchline.

Box 19

Folder Number #309-319

Generator, no. 2, 1988- Trade off; For a change; Noon; The use of the generic masculine.

Generator, no. 3, 1989- Things in bushels; Formula; Unfinished; Solstice.

Generator, no. 4, 1990- Conversion; Arts and letters; Perspective; Narrative; Conquer; The prevailing currency.

Generator, no. 6, 1994- Cadence of dismantling; Bread and butter.

Generator, no. 7a and no. 7b, 1995- Why I do what I do.

Generator, no. 8a and no. 8b, 1998- Gray bead.

Gertrude Stein awards in innovative American poetry, 1993-1994, 1995- Floor piece no. 4.

Gestalten, no. 2, 1997- Lipping; Cud; Correspondence; *ocracy, Section 2: [SEM/P.Ganick}; Chance methods; She avenued herself along.

GHOST OF PARMENIDES, 1996- A chapbook of poems by SEM followed by Collaboration poems:[ SEM/ John M. Bennett].

Giants play well in the drizzle, no. 25, 1990- Glasses; Consequence; Saturday, October 7, 1989.

Giants play well in the drizzle, no. 30, 1992- She wears a couple pounds...; Too much in the way of backwash...

Box 20

Folder Number #320-338

Glasgow University magazine, 1991- We shroud days in a melody of...;Voice mail appears so safe, once...; I pace my listening and my...

Global tapestry, no. 18, 1986- Prickly pear/a value system.

Gopherwood review, 1990- Foreplay.

Gopherwood review, 1991- Very simple hospital not home...

Filebox 4, GP-I list.

Great marble cake, an anthology from Thirteen poetry magazine, 1985- Teatotaler arriving in South Carolina.

Green feather, v. 1, no. 4, 1984- Vision; Swinging.

Green's magazine, v. 9, no.2, 1981- Superstition.

Green's magazine, v. 9, no. 3, 1981- Hostages planning escape out...

Green's magazine, v. 10, no. 1 and 2, 1981- The buddy system.

Green's magazine, v. 10, no. 2, 1982- Gold.

Green's magazine, v. 11, no. 1, 1982- Nature is a franchise.

Green's magazine, v. 11, no. 4, 1983- Music school free shuttle, Aspen.

Green's magazine, v. 12, no. 1, 1983- Obstacles.

Green's magazine, v. 12, no. 2, 1983- Flute.

Green's magazine, v. 12, no. 3, 1983- Changing places.

Green's magazine, v. 12, no.4, 1984- Leaving Aspen.

Green's magazine, v. 13, no. 2, 1985- As candle jazz (Haibun 110).

Green's magazine, v. 13, no. 3, 1985- Leisure pantoum.

Box 21

Folder Number #339-346

Green's magazine, v. 14, no. 1, 1985- Second fiddle.

Green's magazine, v. 14, no. 2, 1986- Divorce.

Green's magazine, v. 14, no. 3, 1986- Mother's day.

Green's magazine, v. 14, no. 4, 1986- The spaces.

Green's magazine, v. 15, no. 3, 1987- Beginning with parentheses.

Green's magazine, v. 15, no. 4, 1987- Sleep walk (Haibun 98).

Green's magazine, v. 16, no. 1, 1987- Haiku.

Green's magazine, v. 16, no. 2, 1988- The gallery reading.

Box 22

Folder Number #347-361

Green's magazine, v. 16, no. 3, 1988- San Antonio.

Green's magazine, v. 17, no. 2, 1988- Co-dependence.

Green's magazine, v. 16, no. 4, 1988- Walking in heels.

Green's magazine, v. 17, no. 3, 1989- St. Marten island tour.

Green's magazine, v. 18, no.1, 1989- Realistic expectations.

Green's magazine, v. 20, no. 2, 1992- Private lives.

Green's magazine, v. 20, no. 3, 1992- Back.

Green's magazine, v. 21, no. 2, 1993- Timbre.

Green's magazine, v. 21, no. 3, 1993- Two dimensions.

Green's magazine, v. 22, no. 1, 1993- Plains Blackfoot.

Green zero, no. 10, 1992- Boarding card; As impetus the wind; The way to talk about the world.

Green zero, no. 11, 1992- Pallor, chipt paint sacristy (enough)...

Gryphon, v. 7, no. 4, 1982- Baptism of blindness; Cropped.

Gryphon, v. 8, no. 1, 1983- Twelfth dialogue.

Gryphon, v. 8, no. 3, 1984- Simple.

Box 23

Folder Number #362-377

Gryphon, v. 10, no. 2, 1985- Whistling; The way he talks to her.

Gypsy, 6/7, 1987- Storm eyes.

Gypsy, 8, 1987- A purpose.

Gypsy, 21/22, 1994- We craft (our hearts did, this...

Hanging loose, no. 41, 1982- Bedtime.

Hayden's ferry review, no. 4, 1989- Sunflower.

Headlock, no. 3, 1995- Girls in another language; Cruise; Change lessons.

Heaven bone, no. 6, 1989- Songster thought.

Heaven bone, no. 10, 1993- First impression; Blueprint; Squaw peak in sepia.

Heaven bone, no. 12, 1996- One partial aria; Review of TOMMY AND NEIL by John Tritica.

Helianthus, no. 1, 1994- from: The year of desire.

Hippo, 1990- Hypothetical.

Hob-Nob, no. 46, 1986- Sleep; Haibun 12.

Hob-nob, no. 48, 1987- Haibun 13.

Home planet news, no. 35, 1993- Consequence.

Hot flashes, no. 12, 1988- (Grandfather and) the priests.

Box 24

Folder Number #378-398

House organ, no. 11, 1995- Acres.

House organ, no. 21, 1998- Prayer for a New Year.

How(ever), v. 6, no. 2, 1990- To carry; Spaces.

Howling dog, v. 3. no. 2, 1988- Origin.

Howling Mantra, 1991- For BF.

How the net is gripped, 1992- They talk as air would talk if it...; Center is the passkey that defines...; World has voice and voice includes...; Some places listed on the map; A formula I'm used to.

Hummingbird, v. 8, no. 4, 1998- Daughterly in feeling you...

Ice river, v. 4, no. 3, 1988- Face.

Image, v. 13, no. 1&2, 1990- Eternal spring pantoum.

Imagination, v.1, no.1, 1990- Writer of the month: SEM; Real; My voice; Fraternity sorority and all that jargon.

Imagination, v. 1, no. 2, 1990- Separation fever.

Impact parenting, 1983- Prayer on the birth of my niece.

Impact parenting, v. 1, no. 8, 1984- The dignity of work.

Impact parenting, v. 1, no. 9, 1984- The fourth of July.

Impact parenting, v. 1, no. 10, 1984- The daughter returns to school.

Impact parenting, v. 2, no. 1, 1984- Giving.

Impetus, no. 2, 1984- Hypoglycemia; Apology.

Impetus, no.3, 1985- Haibun 178.

Impetus, no. 4(female only issue), 1985- Haibun 131; The mother.

Impetus, no. 5, 1985- Capitalism.

Impetus, no. 7, 1986- June of '85; Autism.

Box 25

Folder Number #399-417

Impetus, no. 12, 1988- Conception.

Impetus, no. 13, 1988- Conception.

The best of impetus, 1996- The mother.

Imploding tie-dyed toupe, no.1, 1993- Animation covets order...; Passengers.

Imploding tie-dyed toupe, no.2, 1994- Climbless afternoons (away, apart...; Sleight of hand dreams for us...

Imploding tie-dyed toupe, no. 3, 1994- Normal oratio performing waxen; Sonnet for morning sleep; announcement of SEM chapbook.

Improvijazzation, no. 5, 1992- Glass furnace primes (thinking) of...; Scurry neglect to feast (its eyes...

Indefinite space, v. 1, no. 2, 1992- Such sphere; Still shot of midnight trees.

Indefinite space, v. 4, 1995- As children in our forties.

Indiana writes, v. 4, no. 3, 1981- The ventriloquist's lover in an...; For the bics.

Industrial sabotage, no. 54, 1997- Cement mixer..: by Burphy Slacks Jr.,pseudonym for (Al Ackerman/ SEM).

INK magazine, no. 10, 1992- Mythology.

INK magazine, no. 11/12, 1993- Your speech; Your briefcase; Trance.

INK magazine, no. 13/14, 1994- Just night; Presences.

Intuit, v. 1, no. 1, 1997- What I wd thoroughbred about...; The tonsure cure (lui-meme); Wild yam; Narration of the cost value...; Half quatrains or so; Some raw material necessitates...; Simultaneity; review of SEM's A CLOVE OF GENDER.

Interruptions, no. 2, 1995- The texture of a thousand trees; Commencement; The blindfold; Geriatric daisies-: [SEM/ John M. Bennett].

In the throes, 1989- Resurrecting an old friendship.

I/o e-magazine, 1986- Twenty-three poems By SEM.

iReadwrite, 1989- Timeclock; Sediment a punching...

Box 26

Folder Number #418-437

Issue one, 1987- Winter prelude.

Issue one, 1989- A homelife.

Issue one, 1992- We're not near him, despite...

Iron, no. 37,1982- After my birth she fell down...; Friday night.

Ithaca women's anthology, no. 7, 1982- Xeroxing my poems at work.

Ithaca women's anthology, no. 8, 1985- Taking unemployment into my own...

Ithaca women's anthology, no. 9, 1986- Listening to you talk for 35 minutes...; Precipice.

File Box 5, J-L list.

Jacket, no. 4, 1998- From prayer; rupture, dwelling [SEM/ Charles Alexander].

Jam to-day, no. 12, 1986- Vindication of an obsessive...; Aria for Harpsicord; In memoriam: Lillian Russell Carver.; Beginning with parentheses...; May procession (Haibun 92).

Jardin litteraire, no. 2, 1996- A better form of sugar.

Le jardin ouvrier, no. 16, 1998- Shelf dolls tr. Poupees d'Etageres; My lower back tr. Mon bas du dos; This inverse sigh tr. Ce soupir Inverse; Translations by Carla Bertola.

Jazziminds magazine, no. 7, 1990- The monument; Chapter eleven; November, Indiana.

Jean's journal, v. 21, no. 3, 1984- Missing in action.

Jean's journal, v. 22, no. 1, 1985- On not becoming a concert flutist.

Jean's journal, v. 22, no. 2, 1985- Fear.

Joe Soap's canoe, no. 11, 1987- The story of my life.

Juxta, no. 1, 1994- Labels.

Juxta, no. 2, 1995- M's kitchen; While she was napping.

Juxta, no. 3, 1995- A wrist of power.

Box 27

Folder Number #438-457

Juxta, no. 4, 1996- A wrist of power.

Juxta, no. 5/6, 1997- Linger (as in hovering (the...

Juxta/electronic, no. 1, 1995- The word toast; Construction zone.

Juxta/electronic, no. 9, 1996- Etcetra perfumes the seed...; How does pereption show...; Choir with moss, with crucible...; I wish everyone would not talk when...; See-through winter barrens us...; Allegro waters chasten me...; Etudes 1, 2, and 3.

Juxta/ electronic, no. 16,Parts 1 &2, 1997- Cork off- a J.S. Murnet Collaboration; Where the hats-J. Bennett/ SEM; Fasten-proof- J.S. Murnet; Fail to steal- J.S. Murnet.

Juxta/ Electronic, no. 24, 1997- Stay up past my bed time, hollow...; Tangents wheeze over the page...; Museums pace me (volume...).

K, no. 6, 1990- Lamp in window.

Karamu, v. 11, no. 1, 1988- Conversant.

Kaspahraster, no. 16, 1986- And danced.

Katalyst, no. 16, 1986- Lowest common denominator.

Key sach(el), v. 1, no. 2, 1997- The sorting process; Another kind of fabric; Vaults.

Kindred spirit, no. 10, 1986- Logical positivism.

Kindred spirit, no. 11, 1986- Understanding Timothy Leary.

Kindred spirit, no. 13, 1986- Why I don't drink coffee.

Kindred spirit, no. 14, 1987- A small miracle.

Kindred Spirit, no. 15, 1988- I piss her off.

Kindred spirit, no. 16, 1988- Wildflower; Sage; Pause.

Kiosk, v. 5, 1992- Arithmetic washes the epitaph...

Kiosk, v. 6, 1993- Your handwriting.

Kiosk, v. 7, 1994- Each butterfly approach.

Box 28

Folder Number #458-467

Kiosk, v. 9, 1996- And what about the debrief; Isoceles relationships.

Krax, no. 23, 1985- Double message.

Krax, no. 25, 1988- Needing a visa for Australia.

Krax, no. 27, 1990- Talking to upper management.

Label , no. 4, 1984- Alcohol; Sabbath business.

Labyrinth, v. 1, no. 2, 1972- First there stands the silent stone...; Antique picnic; Reflections; Those of you who knew Cecilia...; Fragments of a letter; Dream of a lost city Miserere nobis...; If I am to be redeemed, if I am ever...; Except as bodies come formed...;The day breaks open. loud buzz...; There is no more Wordsworth...; Sweet birthday after the sun has...; But oh she has so many needs...; Words to a song I do not sing...

Labyrinth v. 2, no. 1, 1972- Aleatory; Beneath the warmth of polished sky...; Summer is divided (severed from...); Why did you rape my coloring book...; from: Berlioz' symphonie...; After rain the faint smell through..; Now the light feverishly begins to...

Labyris, v. 4, no. 10, 1983- Withdrawal; Third person.

Labyris, v. 4, no. 11, 1983- A poet from South Bend.

Lacuna, v. 3, 1979- What we do with morning light.

Box 29

Folder Number #468-496

Late knocking, v. 3, no. 2, 1987- Washing the sheets.

Late summer, 1984- 12 poems by SEM.

Laurel review, v. 19, no. 1, 1985- Meeting.

Leaflets, 1998- 17 poems by SEM.

Lift, no. 7, 1991- Variable sacred earthgrown teabake; Existent--.

Lift, no. 8, 1991- Taking sides climbs the hypotenuse...

Lift, no. 12, 1993- We walk toward (almost unison...); Grid leaves between sizes a ...; Custom.

Lilliput review, no. 4, 1989- Charity pay dumb.

Lilliput review, no. 6, 1989- Robert Frost; Moments I don't love you.

Lilliput review, no, 11, 1990- Soft megaphones (10 poems by SEM).

Lilliput review, no. 23, 1991- Puppets mostly nude avoid...; Collaboration: SEM/ Al Ackerman.

Lilliput review, no. 26, 1991- Narrative passages; Soliloquy.

Lilliput review, no. 29, 1992- Resistance.

Lilliput review, no. 31, 1992- Petunia-O'Keefe, 1925.

Lilliput review, no.32, 1992-Camera on a leash.

Lilliput review, no. 43, 1993- Bicycle wheel, the heart goes on...

Lilliput review, no. 45, 1993- Form as an intention.

Lilliput review, no. 49, 1993- When she moves is paint softer...; Because you have a magazine...

Lilliput review, no. 51, 1993- Kin.

Lilliput review, no. 60, 1994- Handprint.

Lilliput review, no. 67, 1995- Plural Eloise.

Lilliput review, no. 71, 1995- Air served at room temperature...

Lilliput review, no. 77, 1996- Insatiability rewinds old sorrow and...; I mouth things I don't mean yet.

Lilliput review, no. 81, 1996- Stalemate; Eclectic barrios refract has-been...

Lilliput review, no. 93, 1997- From equations.

Lilliput review, no. 94, 1997- Celibacy, a masking forcibly...; Point of all this comma the, I wish.

Lilliput review, no. 95, 1998- Nocturnes can be written before...

A LITTLE SYNCOPY, 1996- 28 poems by SEM.

THE LITERATURE OF WORK, 1991- A collection of short stories, essays, and poems by men and women of business. Edited by SEM.

Box 30

Folder Number #497-521

Logodaedalus, no. 9, 1996- An anonymous Collaboration issue.

LOS, April, 1992- The posse unisonly blinks.

LOS, June, 1992- Appellate itch seeks chloroform.

LOS, July, 1992- Aubergine.

LOS, August, 1992- Limber beautiful.

LOSS PREVENTION PHOTOGRAPH SOME PENCILS AND A MEMORY ELASTIC, 1989- 18 poems by SEM.

Lost and found times, no. 21-22, 1987- He himself.

Lost and found times, no. 23, 1988- Mass; Magnet.

Lost and found times, no. 24, 1989- Autobio-.

Lost and found times, no. 25, 1989- BFM; What was started:[John M. Bennett/SEM]; Civil: [SEM/John M.Bennett]; Through the door: [John M. Bennett/SEM].

Lost and found times, no. 26, 1990- Remember; What am I missing sleep; I sit down to chant apotheosis of...; The tankas by Burphy Slacks, Jr; - Pseudonym for:[Al Ackerman/ SEM].

Lost and found times, no. 27, 1991- Source documents; Who in motion never slaves; Ornery animals; Ovens mirrorless... by Burphy Slacks Jr;-Pseudonym, [Al Ackerman/ SEM]; Chamorron chili...[B. Carver/SEM]; Mood breaks...[SEM/ John M.Bennett]; What I sorted: [John M. Bennett/SEM}; Wavering ointment..;[SEM/B. Carver].

Lost and found times, no. 28, 1991- Everyday is everyday is badly...; Washing the stones and leaving...; Bare feet (recollect them)...; Cage's slam shut: [SEM/ John M. Bennett};Carnival erupts:[SEM/ John M. Bennett]; Where the hats:[John M. Bennett/SEM}.

Lost and found times, no. 29, 1992- Aprocess; Thought takes longer to arrive now...; Statistic feather various ounces...

Lost and found times, no. 30, 1992- The word "Abundance"; Lakeside quasi (anything imaginative...); CUM LAUDE histogram unless this; Return; Ballooned on the reef:[John M. Bennett/SEM]; Selva:[John M. Bennett/SEM];Sore points:[John M. Bennett/SEM]; Shelves:[John M. Bennett/SEM].

Lost and found times, no. 31- 1993- Phenomenon substitute; Wine; Touch/able; Parked:[SEM/John M. Bennett]; Selvedge as gravity's inverse wake...;[John M. Bennett/SEM}.

Lost and found times, no. 32, 1994- A plentiful enfeebling; A little painting of my mental...; Avenues; quantitative pasta: [SEM/John M. Bennett].

Lost and found times<, no. 33, 1994- The syllabus; Program; Waiting for the check.

Lost and found times, no. 34, 1995- Talk; Clandestiny; Leftover glyph; The public; Bees.

Lost and found times, no. 35, 1995- For now; Insomnia; Temperature, the; Sewer roach:[SEM/ John M. Bennett].

Lost and found times, no. 36, 1996- 4. Letters to unfinished J; This frost begins to swell ( I think...); Soup chides:[SEM/ John M. Bennett].

Lost and found times, no. 37, 1996- She's lovely on Prozac; Proof; Appearances; Abscondily with plenty Mercredi; Fail to steal by J.S. Murnet pseudonym for:[SEM/John M. Bennett].

Lost and found times, no. 38, 1997- Clairvoy; Your mist of... by J.S. Murnet pseudonym for [SEM/John M. Bennett; Velox; I've only lately learned to run my...

Lost and found times, no. 39, 1997- Miss man by J.S. Murnet pseudonym for [SEM/ John M. Bennett]; Some; Shoe soaker by J.S. Murnet pseudonym for [SEM/John M. Bennett].

Lost and found times, no. 40, 1998- Toad licking is explained by the...; Explain about continuance, it was...; Pre-baked sled prompt...; Gelatin removal took a week...

Box 31

Folder Number #522-540

Lower limit speech, no. 2, 1992- Selectively professor eulogizes this...; What eyes sound like (wills paint...).

Lower limit speech, suppl., no. 2, 1992- UPPER LIMIT MUSIC, 10 poems by SEM.

Lower limit speech, n. 5, 1992- Floor piece#4; Occur; Spell.

Lower limit speech, no. 7, 1993- Poem by John Tritica ref. SEM.

Lower limit speech, no. 9, 1993- 9. The moment completely closed...; Poems by Gerald Burns ref. SEM; Under the stern:[John M. Bennett/SEM].

Lower limit speech, no. 11, 1996- John Tritica review of SEM book: TOMMY AND NEIL. Review titled, " A Virtuoso of Peripheral Vision."

Lucid stone, no. 4, 1995- Lullaby.

Lucky star, v.3, no. 4, 1988- Entre.

Lucky star, v.3, no. 5, 1989- Repetition.

Luminous boat, no. 1, 1987- The poet; The black rooms.

Lynx, v.4, no. 1, 1992- GS.

Lynx, v. 11, no. 1, 1996- Honey simmers in the glove...; Lake welcomes; Theory of reciprocity; Partnering, a simple thing.

Lynx, v. 11, no. 2, 1996- Their usual complexions; Loving extension of; A minute.

Lynx, v. 11, no. 3, 1996- Snow confederates:[SEM/John M. Bennett].

Lynx, v.12, no. 3, 1997- Matches.

Lyric, no.3, 1994- I chose her; Fresh breezes left to dry.

File box 6, M-O list.

Madison review, v. 7, no. 2, 1985- Rubank advanced method for.

Magazine of speculative poetry, v. 2, no. 2, 1988- Friendship.

Box 32

Folder Number #541-567

Magazing, no. 9, 1987- Self fulfilling prophecy; Dry county; Some departure; Epiphany; Crossing; The tenth sober year; Third party intervention; Midlife; Departure.

Magazing, no. 10, 1987- Careful; Negotiating; Repartee; Twelve hours before my thirty-sixth...

MaLLife magazine, no. 17, 1989- Props of delirium.

MaLLife magazine, no. 19, 1991- Weigh station.

MaLLife magazine, no. 22, 1992- The magnified corners of a leather...[Stacey Sollfrey/ SEM].

MANY WISHBONES, 1998- A chapbook of 10 poems by SEM.

Margarine maypole orangoutang express, no. 60, 1984- Goodbye.

Margarine maypole orangoutang express, no. 68, 1985- Disarmament.

Margarine maypole orangoutang express, no. 70, 1986- Another life.

Mark, v. 5, 1988- Serious reclusing.

Mati, no. 23/24, 1985- Corporate life; Concession; In retrospect, a biblical derivative.

Meat epoch, no.7, 1992- Yes estranged.

Meat epoch, no. 8, 1992- The effective ruling about shivarees; The system.

Meat epoch, no. 9, 1992- Alaska; Soft lead; Whipsaw.

Meat Epoch, no. 18, 1995- Results.

Meat epoch, no. 19, 1996- A description of the road blocks.

Membrane, no. 2, 1997- Seemingly persons for a while; Saying grace before explosions; Distant from Omaha and strings.

Medusa broadsheet, no.2, 1992-Hope recents outage (woman...

Medusa broadsheet, no.3, 1992- Primary colors.

Memes, no. 2, 1990- Voyage; Portrait: J; Curiosity.

Memes, no. 7, 1995- So you would sleep; Carrot colored oblications; Purpose of togetherness; Romantic love two-fisted.

Memes, no. 8, 1996- I want to jump ship.

MEMORY TRANSPOSED INTO THE KEY OF C, 1986- A chapbook consisting of eleven poems by SEM.

Mesechabe Journal, no. 17, 1998- One thing I prefer never to have to.

Metis, no. 5, 1992- At forty.

Mickle street review, no. 4, 1982- The visit home.

Mickle street review, no. 6, 1984- Jones' berry farm.

Box 33

Folder Number #568-587

Milwaukee review, v. 1, no. 12, 1981- Present tense is copy of the lake...; A circus administrator takes...; A dictionary photograph of Matisse.

MIMA, no. 7/8, 1991- IM/Position.

Mind in motion, no. 4, 1985- Fitting in.

Mirage/ #4 period(ical), no. 17, 1993- Pansy, 1926: O'keefe; Sunflower, NewMexico II, 1935; For kindness.

Mirage/#4 period(ical), no. 25, 1994- To skin.

Misc. proj., no. 3, 1997- from: -ocracy section 4 written Collaborationly by SEM/ Peter Ganick.

misc. proj., no. 5, 1998- I am not a cinder; Etudes fail to go wild.

Mr. Magnanimous, no. 1, 1989- Beautiful snake.

Mockreviews, 1986- Review of MEMORY TRANSPOSED IN THE KEY OF C by SEM, reviewed by Kathy Brady.

Montana review, no. 7, 1985- Cover letter.

Mudfish, no. 2, 1987- Snow from here; Goodbye.

Mundi, no. 7, 1990- SEM is one of 8 poets featured in an article entitled " North American Neo-Surrealist Poetry" by John M. Bennett.

Muse, no. 63, 1987- Don't drink your dinner George.

Mutated viruses, no. 10, [n.d.],- Brash happening; narrative sectional.

Mutated viruses, no. 11,[n.d.],- Ripe gesture.

My legacy, v. 11, no. 4, 1993- Freeway sings amenities, the.

My legacy, v. 12, no. 1, 1993- Indifference melts the fragrance of...

My legacy, v. 13, no. 1, 1993- Laps have color, mules have color...

Nedge, no. 3, 1996- A surgical procedure keeps the...

Nedge, no. 4, 1996- Bait poised to be switched.

Box 34

Folder Number #588-604

Negative capability, v. 3, no. 4, 1983- Pancakes.

New delta review. v. 8, no. 1, 1991- Big reproducing shrubs.

New hope international, no. 5, 1985- Saying goodbye; Disciples; Haibun 88.

New hope international, no. 9, 1987- Grandad at 5 a.m.

New hope international review supplement, no. 3, 1987-1988- Michael Newman's review of SEM's chapbook, APPROPRIATE BEHAVIOR.

New hope international, review supplement, v. 13. no. 5, 1989-1990- Andy Darlington's review of Lost and found times refers to SEM's poetry.

New Kauri, no. 2, 1980- Dermabrasion; Dermabrasion, Sp. Trans. By K. Isbell.

New Kauri, no. 4, 1981- The word; La palabra, Sp. Trans. By L. Loeb; Presence; Presencia, Sp. Trans. By L. Loeb; What I live to pay for; Lo que vivo para pagar. Sp. Trans. By LuzSelenia Loeb; Court reporter; Reportera de la corte, Sp. Trans. By LuzSelenia Loeb.

New Kauri, no. 5, 1982- To the boss man; Al jefe, Sp. Trans. By M. A. Jerez; Two photos of SEM by Laverne Clark; The garden of Eden; El jardin del eden, sp. Trans. By Marco Antonio Jerez.

New Kauri, no. 6, 1982- Photo of SEM by Laverne H. Clark; The face; La cara, Sp. Trans by M.A. Jerez; First person; Priera Persona, trans. By M. Jerez.

New Kauri, no. 7, 1983- Expatriatae of corporate life; Expatriada de la vida corporativa, Spanish translation by Karin Isbell; Inhibitions need a life time in the hot tub of our imagination!; Las inhibiciones necesitan pasar toda la vida en la tina caliente de nuestra imaginacion, Sp. Trans by Karin Isbell; Not the first time; No era la primera vez. Spanish translation by Karin Isbell.

New Kauri, no. 9, 1984- In response; Training for poetry; Friday morning; Thongs.

New Kent quarterly, v. 11, no. 1, 1984- Bullets.

New Mexico humanities review, v. 4, no. 3, 1981- Ticket.

New Mexico humanities review, v. 7, no. 3, 1984- On running a quiet hotel among palm trees.

Newsletter inago, v. 7, no. 5, 1984- Ten poems by SEM.

Newsletter inago, v. 5, no. 1, 1985- Industry piece.

Box 35

Folder Number #605-616

New voices, no. 3, 1981- The fat daughter.

New voices, no. 9, 1986- Haibun 124.

New voices, no. 10, 1987- Ex post facto; Addiction.

New Year's broadside series- Prayer for a New year (1998); New year(1993).

New York quarterly, no. 28, 1985- Al anon.

New York quarterly, no. 47, 1992- A little narration.

Next exit, no. 12, 1988, What I looked like.

Next exit, no. 13- 1988, Playing chopsticks; A clue; Contra indication; Psalm.

Next exit, no. 14, 1989, Cap; Scarf; Arm; Shovel; Fence; Tree.

Next exit, no. 16, 1990, Caster oil the frequency of white...; Aquarium.

Next exit, no. 19, 1991- Tastes round as the apparent...;Walk releases what to think about...; review of A RICH TIMETABLE AND APPENDICES.

Next exit, no. 20, 1992- Mediterranean house; Portrait: H; 11:00 or so.

Box 36

Folder Number #617-635

Nexus, no. 32, 1997- Dimensions; Inclement ruse; The trills (ninefold).

Nexus, no. 33, 1997- Motion once slow.

Nit & wit, v. 2, no. 1, 1979- Happy birthday, anyway.

No, no. 3, 1985- The sacrament of penance.

No, no. 4, 1986- Potential.

No, no. 7, 1987- My view of butterflies.

No exit, v. 1, no. 2, 1994- Stickball next to plush.

No exit, v. 3, no. 1, 1996- Predator.

No roses review, no. 2, 1993- Afternoon itself; Safety.

No roses review, no. 6, 1996- Awakeness is the tuning fork...; Afternoon itself; Safety.

North American ideophonics annual, 1994- Chance delimits searching for...

North country anvil, no. 48, 1984- For my mentor.

Northeast journal, v. 2, no. 2, 1981- Taking Responsibility.

Northeast journal, v. 4, no. 1, 1984- For the lyrics; Another beauty I can understand.

Northeast journal, v. 6, no. 1, 1988- Getting religion.

Notes from the underground, no. 5, 1990- Forsaking all others; Vice versa; The mission; Coma; Manipulate.

Notes from the underground, no. 6, 1991- Grace; Among close friends; Copies of anything can be essential; Any form creamed empathy; It ends so interruptedly you...; I write with Joan.

NRG, no. 32, 1988- The counselor; First.

Nycticoral, no. 4, 1987- Control.

Box 37

Folder Number #636-655

O.ars, no. 6/7, 1989- Portrait of the other; Axiology.

O.ars, no. 8, 1991- Musical language ; Soft lake in the woods; A correspondence; the Garland.

O.ars, no. 9, 1994- With draw chafe in blue mate...; Allegiance moans a little.

Oasis, no. 76, 1996- Today; The pillowy light water.

Oasis, no. 85, 1997- Only text at night and midnight; Here, these are for you; the kind of holiness we knew in.

OBELI: 21 CONTEMPLATIONS, 1990- A chapbook consisting of 21 poems by SEM.

Object, no. 4, 1995- The twelve (ounces of water in...); Limitation can be painted blue or...; Surrender is she happens to me...; Points repeatable of motion-in-love...; Once in a rare she takes time is...; Sheepish breath now sorts yours.

Object, no. 7, 1996- Sixth self portrait; The opposite of straight flush for...; Portrait.

OCRACY: PARTS 1-4, texture chapbook series, no. 36, 1997- A chapbook consisting of no. 1-4 of 12 parts[SEM/ Peter Ganick].

OCRACY: PARTS 5-7, 1997- A chapbook consisting of no.5-7 of 12 parts[SEM/ Peter Ganick].

OCRACY: PARTS 8&9, 1997- A chapbook consisting of no. 8&9 of 12 parts [SEM/ Peter Ganick].

Odd moment, 1981- For my brother Tom; Ballooning; Maid of honor; What I picture I read about...; Male eggplants have fewer seeds; The sidewalks, Bisbee, Arizona; Maternity.

Odyssey, no. 20, 1996- Spouse selected to fit job...; When I test myself; Playthings that mute inclinations.

Offerta speciale, v. 1, 1988- The neighbors, Trans., I vincini; Apocalypse, Trans,. Apocalisse; Leadership trans., Leadersip. A green, trans., Un prato translated by Alberto Vittacchio.

Offerta speciale, v. 2, no. 3, 1989- Fun, trans., Divertimento translated by Alberto Vittacchio.

Offerta speciale, v. 3, no. 5,1990- Autobiography, tr., Autobiografia; Circumference, tr., Circonferenza. Translated by Alberto Vittacchio.

Offerta speciale, v. 8, no. 16, 1995- Shelf dolls; Italian Tr., Bambole da esposizione; Elongation parts its snare, tr., L'allungamento divide la..., translated by Alberto Vittacchio.

Offerta speciale, v. 10, no. 19, 1997- My lower back, Tr., Al mio rondo; This inverse sigh, Tr., Questo opposto sospiro. Translated by Alberto Vittacchio.

The old red kimono, v. 7, 1983- Waking at five when I'm due in at...

One hundred suns, no. 2, 1994- Chance art.

Box 38

Folder Number #656-676

Open magazine, 1990- Applause; Therapy; Baptism of blood.

Open 24 hours, no. 4, 1985- Letter to sleep.

Open 24 hours, no. 5, 1986- Self knowledge and social action.

Open 24 hours, no. 9, 1993- Location mystifies, be central...; Scrapbooks or emaciated blue(her...); Medium not fine point preferred...; Enticement (shadows figure ounce...).

Open 24 hours, no. 11, 1995- Mr. Pink; No routine; Steering wheel.

Open unison stop, no. 1, 1993- Bisque of such.

Open unison stop, no. 3, 1994- Authority as prayer.

Orbis, no. 65/66, 1987- Over easy.

Orbis, no. 69/70, 1988-Empathy.

The order of things, 1993- The point of toys is better, smaller.

Ormfaer, v. 1, no. 2, 1986- Identity.

Ormfaer, v. 1, no. 3, 1986- Reciprocal madrigal.

Orphic lute, 1985- Wool Pantoum.

Ostinato, no. 1, 1989- Jazz.

Outpost entropy, no. 2, 1996- The jargon of the city; Time no longer comes in shifts; Perceptual distance; Circles; Verification; Dreamed recital.

File box 7- Pa-Pri list

Pages, no. 41- 48, 1987- Fulfilling prophecy; Appearance reality.

Paintbrush, v. 6, no. 11, 1979- Waiting for you to come home.

Paintbrush, v. 15, no. 29, 1988- Fitting; For B.

Paisley moon, no. 16/17, 1993- A metered OFTEN sleigh ride shifts...

Palace corbie, no. 5, 1994- Surface leaks the inner fire, also...

Box 39

Folder Number #677-700

Panhandler, no. 10, 1981- Passive aggressive Christmas dinner; Scissors man.

Panoply, v. 1, no. 2, 1987- Where she is living now.

Panoply, v. 2, no. 1, 1988- A comfortable; A day.

Panoply, v. 3, no. 1, 1989- At sea (pantoum).

Paper air, v. 4, no. 2, 1989- I'm best at playing the game when...; The question following the...

Paper bag, v. 2, no. 2, 1990- You sleep in your blue turtleneck...; Flowers.

Paper radio, no. 2, 1987- If it weren't for...

Paper radio, no. 3, 1988- Free will; Jared; Of workforce; Approaching.

Paper radio, no. 9, 1991- A portrait of Friday; Sacrament; Blue lake in the mind; The moment by Stacey Sollfrey/ SEM.

Paper salad, no. 6, 1996- Such places; Bougainvillaea II; Everthing tastes like imagined...; All the cheerleaders and policemen...

Paradox, no. 3, 1993- Earthquake (with copy of cassette tape).

Paragraph, v. 12, no. 2, 1990- Story with description.

Parting gifts, v. 2, no. 2, 1990- Sincerely.

Parting gifts, v .7, no. 2, 1995- Squaw Peak-June morning, 6:00.

Passages north, v. 1, no. 1, 1979- The nature of personal reality; Contraction.

Passages north, v. 1, no. 2, 1980- Metonomy; Black and white photograph of...; Change of life.

Passages north, v. 2, no. 1, 1980- Father; The wall.

Passages north, v. 2, no. 2, 1981- The last sister of mercy.

Passages north, v. 3, no. 1, 1981- Tendrils; Home.

Passages north, v.4, no. 1, 1982- Walking among gravestones.

Passages north, v. 4, no. 2, 1982- Rosie.

Passsages north, v. 5, no. 2, 1984- Penelope.

Passages north, v. 6, no. 2, 1985- Indiana.

Passages north, v. 8, no. 1, 1987- Another life.

Box 40

Folder Number #701-714

Passages north anthology, 1990- Rosie.

Pavement saw, no. 1, 1994- Intimacies.

Pavement saw, no. 2, 1995- The fish dance.

Pavement saw, no. 3, 1997- What is rocket science.

Peaky hide, no. 4/5, 1998- My neighbor as a matter of routine; All thankfulness the sun goes.

Peckerwood, no. 12, 1992- Security system; Hibernation. Pit won't leave by SEM/ John M. Bennett.

Peckerwood, 1996- Prop jazz poster near likely the dog.

Pembroke magazine, no. 16, 1984- Thirst.

Pembroke magazine, no. 23, 1991- Mass at the crypt.

Pen pal, no. 20, 1984- Tonight: Poetry reading in the casino; Eviction; Daughter; Period.

Perceptions, no. 32, 1994- The first time.

Period piece and paperback, no. 14, 1986- Reality.

Philadelphia poets, v. 6, no. 5, 1985- Little socks.

Philadelphia poets, v. 7, no. 10, 1987- A second movement, dolce.

Box 41

Folder Number #715-732

Phoebe, v. 2, no. 2, 1990- Interlude.

Phoebe, v. 25, 1996- We would be sheep; On being tossed from sanctity.

Phoenix review, no. 3, 1988- Questions for an alternative...

Pica, no. 6, 1997- Douglas; Vast spaces.

Piddiddle, no. 2, 1985- Axes.

Piddiddle, no. 3, 1985- Request.

Piddiddle, no. 4, 1986- Paper.

Piedmont literary review, v. 9, no. 1, 1984- Integration.

Piedmont literary review, v. 9, no. 3, 1984- What is never skin.

Pierian spring, v. 4, no. 4, 1979- Betrayal sequence (editor's prize).

Pierian spring, v. 5, no. 1, 1980- Where to store hostility waste.

Pierian spring, v. 5, no. 2, 1980- Ann Arbor, the laundromat; Building the cocoon (editor's prize).

Pierian spring, v. 5, no. 3, 1980- I never gave him up for adoption.

Pierian spring, v. 6, no. 1, 1981- Bargain.

Pierian spring, v. 6, no. 4, 1981- On the difference...

Pierian spring, v. 7, no. 1, 1982- After birth.

Pierian spring, v. 8, no. 1, 1983- How it's played.

Pierian spring, v. 8, no. 4, 1983- Sun city love story (short story).

Box 42

Folder Number #733-741

Pierian spring, v. 9, no. 1, 1984- The healer; Before I had a good flute.

Pierian spring, v. 10, no. 1, 1985- For the only one; Hypnosis; Return.

Pig in a pamphlet, no. 15, 1988- Alternatives.

Pig in a pamphlet, no. 17, 1989- Review written by SEM.

Pinch penny, v. 5, no. 3, 1984- Loving books; A day home from the office...

Planet Detroit, no. 4/5, 1985- Sun city.

Planet Detroit, no. 6, 1985- The inaugural party; Orbit of a boss.

Plowman, no. 5, 1989- Room and board.

Plowman, no. 11, 1989- Loss prevention photograph, some...

Box 43

Folder Number #742-773

Poetic briefs, no. 13, 1993- Allegro peace and paint.

Poetic briefs, no. 14, 1994- Commentary by SEM.

Poetic briefs, no. 20, 1996- Review written by SEM.

Poetic justice, no. 10, 1985- Raison d'etre.

Poetic space, v. 4, no. 7, 1989- Aspirations.

Poetic space, 1987- 1991, Anthology, 1992- Aspirations.

Poetics list, December 6, 1998- Open fan letter to SEM (unsolicited review of Wishbones).

Poetry and audience, v. 30. no. 1, 1987- Generosity...

Poetry at the 33 review, v. 2, 1996- Coffee; Loves only norm; Gentle sleep (could row enough...

Poetry at the Whitney, 1988- 6 x 6 [SEM/BACarver].

Poetry Australia, no. 81, 1982- To make a living.

Poetry beetsheet, November, 1992- Genre crypts choose handles...

Poetry flash, no. 147, 1985- Editor's choice.

Poetry fly, no. 13, 1995- Amateur.

Poetry Halifax Dartmouth, no. 31, 1989- Lines written in the 5th floor board.

Poetry motel, no. 4, 1985- Premenstrual haibun (69).

Poetry New York, no. 6, 1994- Webs apportion distance into...

Poetry New York, no. 9, 1997- From letters to unfinished J.

Poetry Nippon no.91, v. 10, no. 1, 1990- Meditation; Bury the hatchet.

Poetry north review, v. 5, no. 3, 1985- The furniture; To him.

Poetry Nottingham, v. 41, no. 1, 1987- As unplanned harmony; The quiet.

Poetry Nottingham, v. 41, no. 2, 1987- Honeymoon; The only child at 35.

Poetry of the people, Anthology, No. 3, 1980- The lover's claustrophobia.

Poetry quarterly review, no. 5, 1996- Is shepherd's purse the usual blue...; Letters to unfinished J: 15; Short-term beauty is the same as...

Poetry sheet, no. 10, 1985- Young boss, old employee.

Poetry sheet, no. 11, 1986- The date palm.

Poet's corner, v. 1, no. 2, 1985- In reserve strong.

Potato eyes, no. 6, 1992- She has been dancing.

Potepoetzineone, no. 1, 1997- Ocracy by [SEM/ Peter Ganick].

Polartiz Etzeztz, 1985- Being/parented; Hard candy in the neck.

Polartiz Etzeztz, 1986- Through the door; Civil; What was started.

Poskisnolt, 1980- Sunday afternoon.

Box 44

Folder Number #774-794

Prickly pear, Nov. 1981- The powerless.

Prickly pear, Aug. 1982- Harmonica.

Prickly pear, Nov./Dec. 1982- My conception of heaven as a child.

Prickly pear, spring 1983- Saint brother; V.G.

Prickly pear, summer 1983- Blue house; Circa 1973.

Prickly pear, winter 1983- Confessions of a psychic fort...

Prickly pear, spring 1984- Baptism.

Primary writing, 4/1997- Chapeau my customary father wore...; Violets are their little temples...; Crisp votes shrink mandates...

Prism international, v. 29, no. 1, 1990- Life drawing.

Prism international, v. 29, no. 4, 1991- Most improved; Single vision lenses.

File box 8, Pro-R list.

Proliferation, no. 3, 1996- B.; Sun, by virtue (of subtraction...

Proof rock, no. 6, 1985- A harp in my office; Why I chose flute.

Proof rock, no. 7, 1985- Haibun 73; Markings.

Proof rock, no. 8, 1986- A day in the life; Letter to my letters.

Prophetic voices, no. 3, 1983- Spelling lesson.

Prophetic voices, no. 4, 1985- Why I don't want to see the old...

Prophetic voices, no. 11, 1987- Revelation.

The prose poem, no. 2, 1992- In proximity.

Prosodia, no. 4, 1994- The fox: Reprise; The girl who wrote a story.

Prosodia, no. 7, 1997- Freight.

Box 45

Folder Number #795-809

Psychopoetica, v. 8, 1987- Really is the certitude, I don't use...

Psychopoetica, v. 9, 1987- Something to bear in mind.

Psychopoetica, v. 10, 1988- An open book; The present like a prophecy.

Psychopoetica, v. 11, 1988- Night of the holiday; Haibun 185; I am failing the I. Q. test.

Psychopoetica, v. 14, 1989- Confession; Priority mail.

Psychopoetica, v. 18, 1990- How it might be.

Psychopoetica, v. 20, 1991- The interviewed.

Psychopoetica in love, 1991, An anthology of love poems- Discretion.

Pteranodon, no. 7, 1983- The tall man.

Pteranodon, no. 8, 1984- Come winter.

Public property, fall 1985- Incubator light.

Pudding, no. 11, 1984- Oak ridge drive in June.

Puerto del sol, v. 17, 1982- When Tommy was born.

Puerto del sol, v. 18, 1983- Thirty.

Puerto del sol, v. 20, no. 2, 1984- Haibun 87; Quiet haibun (86).

Box 46

Folder Number #810-822

Puerto del sol, v. 21, no. 2, 1986- The Media.

Puerto del sol, v. 22, no. 1, 1986- A secretary; The mountain and the professor.

PURE MENTAL BREATH, 1994- A chapbook consisting of 81 poems by SEM.

Purple, no. 2, 1997- Yesterday, the older woman talked...; From distance, anything looks.

Purple, Broadside, no. 1, 1997- In the guest bedroom of latitude...

Quarter after eight, v. 3, 1996- Prepare a photograph for framing; My father, from a photograph.

Raddle moon, no. 5, 1987- Thinking the perception.

Raddle moon, no. 7, 1989- Pencil; The god; Growth.

Rag mag, v. 3, no. 1, 1984- Derivation.

Rain city review, v. 1, no. 3, 1993- Dandelions; Peace Habit; Bougainvillea.

Rampike, v. 8, no. 2, 1997- Tense as butter; Sweet Crescendo pie. [ In oversize box 67].

Rampike, v. 9, no. 1, 1997- As any mention of the dogma; The other variable, your absense; All the pairs of shoulders in...; Butterfly sonata # 2 [ in oversize box 67].

Ramraid extraordinaire, no. 3, 1994- Poverty.

Box 47

Folder Number #823-845

Ramraid extraordinaire, no. 5, 1996- Elopement.

Random weirdness, no. 3, 1984- Leisure.

Random weirdness, no. 5, 1985-The sharing.

Random weirdness, no. 7, 1985- Getting my hair done.

Ransom, no. 3, 1988- Things are so predictable.

Ransom, no. 5, 1989- Knife; Fork; Spoon.

Raw bone, no. 7, 1986- Editor's choice.

Realities, no. 3, 1985- Evolution.

Red bass, no. 15, 1991- [cf. Box 11, folder 185].

Red eye, no. 5, 1989- The surface.

Red eye, no. 7, 1989- Gracenote slave communion little...

Red rhythm, no. 3, 1987- Why we switched from the debate...

Reflect, v. 13, no. 2, 1992- Eraser proof.

Reflect, v. 16, no. 3, 1995- Gorgonzola is a pretty cheese and...; Small halo, a cataract...

Remark, no. 8, 1992- Review of THE LITERATURE OF WORK, ed. SEM, reviewed by Laurel Speer. An essay by SEM entitled, Poetry and the world of work.

Rhino, v. 3, no. 1, 1981- Nightmare.

Rhino, v. 4, no. 1, 1984- Inversion.

Rhizome, no. 2, 1998- A change in all the breathing.

Rhizome, no. 3, 1998- Garrett Caples' review of SEM's FALLING IN LOVE, FALLING IN LOVE WITH YOU SYNTAX.

Rhododendron, summer 1988- A portrait of Beverly C; Your name.

Rhododendron, fall 1988- The kiss; Changing political parties; Investigative journalism; On an agenda.

Rhododendron, fall 1989- Santa Fe, November.

Rhododendron, spring 1990- Singing my breath; Nature's course.

Box 48

Folder Number #846-860

Ribot, no. 3, 1995- The turn; Attention.

Ribot, no. 4, 1996- Gorecki in July; Thales.

A RICH TIMETABLE AND APPENDICES, 1991- A chapbook consisting of 9 poems by SEM and 2 collaborations of SEM and Stacey Sollfrey.

FEELING THE ROOF OF A MOUTH THAT HANGS OPEN, 1991- Content (a Collaboration poem by Stacey Sollfrey and SEM); She sat in a motorcar ( a Collaboration poem by Stacey Sollfrey and SEM).

River rat review, no. 1, 1987- Causation.

River rat review, no. 2, 1988- Touch piece.

Riverrun, fall 1987- If you wanted a strolling violinist...

Rocky hill lines, no. 6, 1987- Old friend who no longer speaks.

Room, no. 6, 1992- Shared chapbook with 14 poems by SEM from CORRESPONDING.

Rooms, v. 4, no. 3, 1997- Pacticum; Selfproofing the obvious; Triste.

Rooms, v. 4, no. 2, 1997- Science; In all the roster of a world.

Rooms, v. 4, no. 3, 1997- Triunity sweetens waffles, leaflets.

Rooms, v. 5, no. 1, 1998- Twelve unidentified birds more...; Shelved lately where the goad is...; Episode of Monday; Is it, could it be possibly time to...

Round table, v. 3, no. 1, 1986- Jerry, to his therapist.

Rustic rub, no. 3/ 4, 1995- Chuparosa; Trailing four o'clock; Sand verbena; Fairy duster.

Box 49

Folder Number #861-868

File box 9, Sa-Sy list.

SAD ISN'T THE COLOR OF THE DREAM, 1991- A book consisting of 92 pages of poems by SEM.

[empty folder].

Salt lick, v. 3, no. 1/ 2, 1989- Divorced, remarried; The mail; By the light of the digital clock...; The men with fat necks; Solipsism.

Salt lick, v. 4, no.1/ 2, 1989- Some yellows, some dark blues...; A portrait norm; Sad isn't the color of the dream; Fast forward; A portrait of Beverly C.

Salome, no. 27/ 28/ 29, 1982- Characters.

Salome, no. 39/ 40/ 41, 1985- Accompanists.

Sandcutters, v. 16, no. 1, 1982- Loose leaf (AZ annual nat. contest: first place winner in long free verse).

Box 50

Folder Number #869-884

Santa Clara review, v. 79, no. 3, 1992- Proof.

Santa Clara review, v. 81, no. 2, 1994- Inhibitions.

Scorched hands: an anthology of verse and rage, 1996- Eighth self portrait; Intervention; Pears are beautiful in glass.

Scratch, no. 1, 1989- One Saturday; Fist coiled wire, something...; Membrane, Speed, a camera.

Scratch, no. 2, 1990- Review of SEM's book entitled LOSS PREVENTION... Mark Robinson, reviewer.

Scratch, no. 7 1992- I love to look through sunglasses...

Screaming Ray review, no. 1, 1997- I give her a gift.

Scrivener annual anthology, no. 15, 1991- Porch light.

Secrets from the orange couch. V. 5, no. 2, 1992- Calibration isn't much related to...

Sensor, v. 1, no. 1, 1989- Prime; Life segment; Primed; Original love tunes.

Sensoria from censorium, 1990- Cruise control; Auto-

Separate doors, v. 4, no. 4, 1984- Looking deep into the enemy's face; Man of the house; Caledonia, 1961.

Separate doors, v. 4, no. 5, 1985- The fight; Waste; Warn me when I'm tame.

Separate doors, v. 5, no. 1, 1986- The fight (corrected).

Sepia, no. 25, 1984- Aged parent pantoum; Releasing.

Sepia, no. 28, 1984- Outlines of knives; Between holidays in Alpha, in a...

Box 51

Folder Number #885-902

Sepia, no. 30, 1985- Correspondence; Poet behind a desk.

Sepia, no. 31, 1985- After old times; One day following the four-year...

Sequoia, v. 33, no. 1, 1989- Baptism.

Shattered wig, no. 5, 1990- Sheepfacy climbers; New Year; Much later, raisins; Axiom.

Shattered wig review, no. 6, 1991- Sharply happens document; Still life.

Shattered wig review, no. 7, 1991- Cheerful is like training people...; Teaches me to feel each ounce.

Shattered wig review, no. 8, 1992- Palpable traps; Blizzard equals muscle gone...; China.

Shattered wig review, no. 10. 1993- So flexible a minus sign.

Shattered wig review, no. 13, 1995- (On) method; Theme park sacraments.

Shearsman, no. 23, 1995- I want your hand to form a...; Discipline as empathy; Heart mythology.

Sheila-na-gig, v. 1, 1990- Love poem.

Sheila-na-gig, v. 3, 1991- To N. J.; To J.C.

Shockbox, v. 1, no. 3, 1992- Narrative; Her sense of gravity.

Short fuse, no. 34, 1996- One room schoolhouse; The police.

Sideshow, no. 2, 1990- Eye texture woman pink; Polit-; Kalamazoo.

Signal, v. 1, no. 1, 1987- Casual separates.

Signal, v. 1, no. 2, 1988- If peace.

Signal, v. 2, no. 2, 1989- Review by SEM of WOUNDED GEESE... written by M.R. Warden.

Box 52

Folder Number #903-923

Signal, v. 3, no. 1, 1989- Review by SEM of OPEN FORUM AND... written by Stephen-Paul Martin.

Signal, v. 5, no. 1, 1991- Sucrose; All the boys with lips muscles...

Silent but deadly, no. 5, 1994- Response by SEM to "Bare rocks" by John M. Bennett.

Silent but deadly, no. 7, 1995- They didn't cook; 20 responses to "They didn't cook".

Silent treatment, no. 6, 1995- At forty-five bland man's unwavy...

SINCE WE LAST MET, transition series no. 6, 1996- A chapbook consisting of 9 poems by SEM.

Sing heavenly muse, no. 7, 1983- Your music.

Situation, no. 2, 1993- Floor piece no. 4.

Situation, no. 4, 1994- Four portraits of friends: Ramona W.; Four portraits of friends: Pat J.; Four portraits of friends: Melody C.; Four portraits of friends: Jane D.

Situation, no. 10, 1995- Land ( collaboration poem by John M. Bennett/SEM); Balloon rind, core (collaboration poem by John M. Bennett/SEM); Wax a sheaf (collaboration poem by John M. Bennett/SEM).

Sivullinen, no. 18, 195- Substitute touches.

6ix, v. 1, no. 2, 1991- A restaurant (Voltaire) and the...

Skylark, no. 19, 1991- One Thursday.

Slipstream, v. 9, 1989- Therapy in the fast lane.

Small press distribution catalog, 1997- Listing for TETH; Listing for A. Bacus no. 94; Listing for SAD ISN'T THE COLOR OF THE ...; Listing for A CLOVE OF GENDER; Listing for TOMMY AND NEIL.

Small press review, no. 290, 1997- Review by SEM of PRIME SWAY by John M. Bennett.

Smelt money, no. 5, 1995- I cannot hear you.

Smoke signals, v. 2, no. 4, 1982- Sem's responses to eleven questions.

Sodom society, v. 1, no. 3, 1985- Haibun 161.

Sojourner, v. 14, no. 9, 1989- Signals.

Sol, no. 22, 1987- The crisis.

Box 53

Folder Number #924-940

Sonoma mandala, v. 13, 1986- Hotel business; Cicadas; Post biztrip landing.

Sonoma mandala, v. 14, 1987- Falling in love, falling in love with.

Sonoma mandala, v. 17, 1990- Sink includes the punctuation of...

Soundings east, v. 7, no. 1, 1984- Florida.

South Florida poetry review, v. 2, no. 2, 1985- Pigeon forge; Still moment near a gray fence...

South Florida poetry review, v. 3, no. 1, 1985- Unlearning.

South Florida poetry review, v. 7, no. 2, 1990- Massage II.

Spectacles, v. 1, no. 4, 1991- Geography to me equals inverted...

Spelunker flophouse, v. 1, no. 2, 1997- Anatomy.

Split city, 1995- Music sounds; Energy; She sat in her car.

Spoon river quarterly, v. 6, no. 4, 1981- Prayer on the birth of my niece.

Spoon river quarterly, v. 9, no. 4, 1984- Reading the wedding poem; Wild rice pantoum.

Spout, no. 21, 1997- Peace is drawn; Hotel prints.

Staple, no. 10/ 11, 1987- As a voice; The Smell of the dark sun; Comparable worth; Intermission.

Star-web paper, no. 8, 1984- You know whom I mean; South Bend; Late afternoon in the family room.

Star-web paper, no. 9, 1987- Bull's eye.

Still night writings, v. 1, no. 3, 1984- Unmaking.

Box 54

Folder Number #941-958

Stone country, v. 16, no. 3/ 4, 1989- Ann Arbor.

Stone drum, v. 2, no. 2, 1990- Karma.

Street bagel, no. 14, 1981- The reconstruction of pain; Late summer.

Stride, no. 26, 1986- Siesta; Tradition; Coach; The physical; Performing strategy; Future tense; Sequencing the talk and feeling; Captive; Hovercraft.

Stride, no. 32, 1989- Arizona.

Stride catalogue, 1987- 88- Listing of SEM book, WITH HOUSE...

Stride catalogue, 1990-91- Listing of SEM book, SAD ISN'T THE...; Listing of 2 SEM books.

Studio one, spring 1985- Protestants.

Subrosa, no. 14/15, 1987- New York meadow squared; The sadness.

Success, no. 83, 1985- Wearing my mother's clothes.

Success, no. 85, 1986-Waking.

Sugar mule, no. 3, 199?- A peculiar way of dishonesty; Curriculum; To have something in common; The powdered moths of wakefulness.

Sulphur river review, v. 5, no. 1, 1989- Regression to the mean.

Sulphur river review, v. 8, no. 2, 1992- Vacant lots; How partial therefore lovely; This margin; Pierced looking roses; Some market stalls; The dandelion of poise; Postscript.

Sulphur river review, v. 9, no. 1, 1993- How radical; To free a thereom.

Sulphur river review, v.11, no. 1, 1995- Abstraction- White rose no. 3; 1927; O'Keeffe; O'Keeffe- Pansy, 1926 (II).

Sulphur river review, v. 11, no. 2, 1995- Safety; Care.

Sulphur river review, v. 14, no. 1, 1998- Gravity's nursemaid drawn freehand; Each instance the body knows.

Box 55

Folder Number #959-969

Synergism, an anthology of Collaboration writing, 1995- Shaping [John M. Bennett/SEM ]; Daylight stutters open [John M. Bennett/ SEM].

Syntactics, no. 1, 1997- Description, narration, other...; Voice; Story line; The creases in her jigsaw; Heart; Foreplay.

File box 10- Ta-Tr list.

Tailings, v. 3, no. 3, 1980- Flute teacher; Belated letter.

Takahe, no. 1, 1990- The professional poem; A thought of thoughts on power; Makeshift; Prima donna.

Talisman, no. 5, 1990-A monotone.

Talisman, no. 7, 1991- I want to be athletic with you (want...; Blackberries very slanted the...; Comprehend means to me luxury...

Talisman, no. 9, 1992- She drops irregularly sliced...

Talisman, no. 10, 1993- I walk; Uncompass; Heat protocol.

Talisman, no. 11, 1993- Between mountains; I rinse you in what's mine...; Red poppy-O'Keeffe, 1927.

Talisman, no. 12, 1994- Fluency ( # 2 substance...)

Box 56

Folder Number #970-981

Talus and scree, no. 3, 1997- Lambskin.

Tandava, no. 3, 1983- Not yet.

Tandava, no. 5, 1984- Sitting in the choirloft Sunday...; Leftovers.

Tandava, no. 8, 1986- Stress; Haibun 135; Management by feeling; Bathtubs; Anniversary poem; One a.m.

Tandava, no. 9, 1986- I drive old cars; Hypothetical; Popsickles in the can, those...; Conjecture.

Tandava, no. 10, 1987- Lounge; The quiet moist; Utopia.

Tandava, no. 14, 1988- Evolution season; Thomas.

Tandava, December, 1990- Show falling over Munich; The cruelty of fathers; The being boss poem.

Tapas, spring, 1994- Primed for intention.

Taproot, 10th anniversary ed., 1997- Oxymoron.

Taproot reviews, no. 1, 1992- article, "Sheila Murphy's TETH" by John M. Bennett.

Taproot reviews, no. 5, 1994-review of SEM's TOMMY AND NEIL by John M. Bennett.

Box 57

Folder Number #982-999

Taproot reviews, no. 7/8, 1995- Review by John M. Bennett of THE WEIGHT AND FEEL OF HARPS, a cassette of SEM's poetry accompanied by the celtic harp of Megha Morganfield.

Taproot reviews, no. 9/10, 1996- Reviews by John M. Bennett and M. Wallace of SEM's A CLOVE OF GENDER; Review by John M. Bennett of SEM's VIRGULE.

Taurus, no. 9, 1983- Conscience.

Taurus, no. 11, 1983- Watching you drink my life.

Taurus, no. 12, 1984- The new regime, a corporate...

Taurus, no. 15, 1984- Processing.

Tears in the fence, v. 5, 1986- Valentine 1984.

Tears in the fence, v. 7, 1988- Cool.

Tears in the fence, v. 9, 1991- Deja-vu; Northlife.

Tears in the fence, v. 12, 1994- Thirties; So baggage; That share of adolescence that...

Tears in the fence, v. 14, 1997- Stretching.

Tel-let, no. 39, 1995- Five poems (a single poet issue).

Tendril, no. 16, 1983- Consciousness.

Tenth Muse, no. 1, 1990; Open; The next step; The muted punchline; Burlap chalice; The real; The big gun.

Terrible work, no. 3, 1994- Portrait H; Valerian; A flower. Then another flower; Beginning with broccoli.

Terrible work, no.4, 1994- Portable monk; Why I love eggs.

Terrible work, no. 7, 1997- Slap; Narrowleaved popcorn flower; Desert milkweed; Repleting.

TETH, 1991- A book of 80 poems by SEM.

Box 58

Folder Number #1000-1024

Texture, no. 4, 1993- Lariat prepared the way a piano...

Texture, no. 5, 1993- This as you prepare, (let go)...; I decide to love (large body of water...

Third alternative, 1993- Another target audience; Fluency (#3 rebellious...); Is the temple; A predicate or two; The familiar: A portrait.

Third half, no. 3, 1987- The pure seamed poem; Teaserie; Conservatism; Prayer of conjecture.

Third half, no. 4, 1987- Starting point; Correspondence; Spiritual growth and dependence.

Third half, no. 6, 1988- Reason; A Small death.

Third half, no. 7, 1988- Power.

Third half, no. 8, 1988- Almost summer; Are there deciduous.

Third lung review, no. 6, 1990- Realism.

Thirteen, v. 2, no. 2, 1984- Linda; The woman who erased her mother.

Thirteen, v. 2, no. 4, 1984- 3/2/83.

Thirteen, v. 3, no. 1, 1984- Mother to daughter; White oak drive.

Thirteen, v. 3, no. 3, 1985- Being your name.

Thirteen, v. 4, no. 1, 1985- What non-poets do.

Thirteen, v. 4, no. 2, 1986- Haibun 122.

Thirteen v. 4, no. 3, 1986- Snowed in.

Thirteen, v. 4, no. 4, 1986- Post incubation piece; Whole notes; The crazy woman's daughter; Thirteen lines for flute and dancer; 12 Tone love in 13 lines.

Thirteen, v. 5, no. 1, 1986- A conception; Testing; Capture; This is the title only; This is the poem only; Habit.

Thirteen, v. 5, no. 2, 1987- Talking memory.

Thirteen, v.5, no 3, 1987- Agenda; Power.

Thirteen, v. 5, no. 4, 1987- Prelude; Recall; Correct me if I'm wrong; Daughter; Reverse marketing; Thursday night.

Thirteen, v. 6, no.1, 1987- The other half, contemplative; The Howard Johnson's at Indianapolis.

Thirteen, v. 6, no. 2, 1988- Unromance; Review by SEM of NEVER ASK FOR DIRECTIONS by Ken Stone.

Thirteen, v. 7, no. 4, 1989- Ending with light; Baroque.

Thirteen, v. 8, no. 1, 1989- First; Side effects; Adjustment; The big fist; Partner; Trucks going; Waffles; Part of me would release; New guy; The prisoner; Love poem; Etude.

Box 59

Folder Number #1025-1043

Thirteenth moon, v. 11, no. 1/ 2, 1993- Self portrait; Innocent bystanders.

THIS STEM MUCH STRONGER THAN YOUR SPINE, 1987- A chapbook consisting of 24 poems by SEM.

Three times four, no. 7, [n.d.]- The copper leaves; Newspaper year; Talking dreams.

Thunder sandwich, v. 1, no. 1, 1985- What I am; Music; Sleeping in the Casper, Wyoming...

Thunder sandwich, v. 1, no. 2, 1985- That poem by the girlchild...; Invocation; The dog nobody wants; Recognition; Top seated left brain bore; The purpose of unhappiness.

Thunder sandwich, v, 1, no. 3, 1985- Script for a postcard; Playing the piano; Letter to the ex; The litmag at the finish line; Learning to crawl; B.S; The poet's wife.

Thunder sandwich, v. 1, no. 4, 1985- Outside the erotica motel; Soulmate; Unemployment; On a soft mound of brown rice...; The litmag I want into.

Thunder sandwich, no. 4e, 1998- Pax began the wording of the drug...; On approach,her docile art collects...; Tawn color of oncoming land...; Constructure helps apply the paint...; One of the niche markets is a...

Tight, v. 2, no. 1 1991- Flute; One of the cousins.

Tight, v. 2, no. 2, 1991- Windmills and billboards, a Collaboration by SEM and Beverly Carver; Homespun.

Tight, v. 2, no. 3, 1991- Inside; To K.L.

Tight, v.2, no. 4, 1991- Yeah; Quota.

Tight, v. 3, no. 1, 1992- Portrait of the desired.

Tight, v. 4, no. 3, 1993- Yellow paint across.

Tight, v. 5, no. 5, 1994- Precision; Presiding; Caressing spirit tucked beneath; Political.

Tight v. 6, no. 3, 1995- Birdnoise interrupts; Portrait of Beverly C; Fancy books; Yellow paloverde; Fiddleneck; Yellow Linanthus; Coyote Gourd; Unicorn plant.

Tight, v. 6, no. 4, 1996- Trespassion # 8; The new world; Costs; Commerce.

Tight, v. 7, no. 2, 1996- Gravitation; Portrait: Husband; Acrostic; With flower; Delineative cusp light (warm or...

Tight, v. 7, no. 4, 1996- Confetti sand, a Collaboration by SEM and John M. Bennett.

Box 60

Folder Number #1044-1069

Tinderbox, 1981- The husband.

Tinfish, no. 2, 1996- Voice projectiles; Shelf life rounded.

Tin wreath, no. 1, 1985- Ghazal 9; Intuition.

Tin wreath, no. 4, 1986- Bald spot; Daily bread; Lawyer; Cheesecloth: Spiritual.

Tin wreath, no. 10, 1988- The roselight; Fabricating depth.

Tin wreath, no. 12, 1988- Not loving you after analysis; Charismatic.

Tin wreath, no. 16, 1990- Consumer; Elevator music.

Tin wreath, no. 18, 1990- Through windows; Portrait: Eleven years.

Tin wreath, no. 19, 1990- The man with no immunities.

Tin wreath, no. 23, 1992- Five poems by SEM, THOUGHTSONGS: Madrigals cheat lungs (wear...; Pleasure of toss meaning into new...; A portrait: P; Provisional strings of heart unlace...; Sorrow pauses to be melted yes...

Tin wreath, no. 27, 1993- Temple without.

TOMMY AND NEIL, 1993- A book consisting of 70 poems by SEM, 35 created for her brother Tommy and 35 created for her brother Neil.

Tongue to the boot, no. 2, 1995- To butterfly in daylight; Apology (In lieu of roses); The more of green you wash; Relax the length of childhood is...

Topo, v. 1, no. 1, 1980-The dignity of work; Getting advice.

Topo, v. 2, no. 1, 1982- Rene Magritte, "Chateau des..."

Tops, no. 65, 1987- Cigarettes back in my life.

Tops, no. 69, 1987- Mother and son; Force fit.

Tops, no. 81, 1989- The difference between biography...

Torino, v. 7, no. 14, 1994- Daughter to mother; Solitaire; Da figlia a madre, Italian translation by Alberto Vitacchio; Solitario, Italian translation by Alberto Vitacchio.

Torque, no. 3, 1995-Confidence; Jayne G; Ron A; The frame.

Touchstone, v. 8, no. 3, 1983- Carla the secretary.

Touchstone, v. 9, no. 1, 1989- The variable you; This is how lust sneaks in where..; I want my tostada salad; The authenticities; Learning to relax.

Touchstone, v. 9, no. 4, 1985- Monogamy; Routine.

Touchstone, v. 12, no. 1, 1987- Haibun 235.

Traffic, no. 17, 1996- Review of SEM's book, TETH by Janet Gray.

Tramp, no. 6, 1989- A drawing of peace.

Box 61

Folder Number #1070-1093

Transmog, no. 15, 1994- A better offer, The vendor.

Transmoog, no. 16, 1994- Energy.

Transmog, no. 17, 1995- Answers.

Transmog, no. 18, 1995- Wednesday afternoon, June 7; Awaiting the repairman.

Transmog, no. 19, 1995- Fourth self portrait.

Transmog, no. 20, 1996- Jottings taste; Intermission; Majoram; Strictures in release.

Transmog, no. 23, 1996- Letters to unfinished J.

File box no. 11- List Tri-Z.

Triangle shirtwaist fire, no. 2, 1995- If and as you pay attention lovingly...; Her fatigue referred alertness...; A pate with wider tonsure (young)...

Tropic of fat Tuesday, v. 3, 1985- Haibun 221.

Truly fine, v. 8, no. 1/ 2, 1986- Sean,1970.

Truly fine, v. 9, no. 1/ 2, 1987- A gamble.

Truly fine, v. 10, no. 1/ 2, 1988- Bridgework; The talk we had; Finding; Immunity.

Truly fine, v. 11, no. 1/ 2, 1989- Family; Meditation on impatience; An empathy; Interrogative.

Truly fine, v. 12, no. 1/ 2, 1990- Neutrality; Mid-life crisis; As mind.

THE TRUTH RIGHT NOW, 1988- A chapbook consisting of 26 poems by SEM.

Tsunami, v. 3, no. 1, 1990- Humor.

Tule review, autumn, 1995- Desert gazal; 18, from the Phoenician ghazals.

Tule review, winter, 1997- 14, from the Phoenician ghazals.

Turbulence, no. 1, 1993- Chant sleep; What burns east decides a yellow...
The war keeps.

Two twenty-four, v. 1, no. 2, 1992- Sensibility.

Two twenty-four, v. 1, no. 3, 1992- Photographs to render.

T.W.I., no. 5, 1988- Judging the poetry meet.

Tyuonyi, no. 6/7, 1990- SEM's response to eight questions.

Box 62

Folder Number #1094-1115

Tyuonyi, no. 11, 1992- Small beads of torque [consists of ten prose poems].

Underpass, no. 4, 1990- A melody; Therapy.

Underpass, no. 5, 1991- I hear you (again) be just the...; Les vacances; by definition.

Underpass, no. 6, 1992- The narc rehab turns to the intellect...; Vocabulary workday peut-etre.

Unicorn, no. 4, 1996- Her body; The obligation to desist erasing.

University college review, 1993- 94- Self mercy unequal to self image(...

Upper limit music, supplement, no. 2, 1992- Informal logic [consists of 10 poems by SEM].

Valley spirit, no. 7, 1985- The center of imagination.

Vega poetry journal, v. 18, 1979- East lansing by train after Christmas.

Very small magazine, no. 9, 1988- The frame; The bearded politician.

Very Small magazine, no. 13, 1990- I dream that I am dreaming flight.

Vice versa, v. 4, no. 1, 1989- Drafts of lies.

Vigil, no. 12, 1996- Letters to unfinished J. no. 11.

VIRGULE, 1996- A chapbook consisting of 18 poems by SEM.

VIRTUOSO BIRD, 1981- A chapbook consisting of 21 poems by SEM.

Visions, no. 7, 1969- In translation; The news.

Vivo, v. 1, no. 2, 1992- Untitled, by [SEM/John M. Bennett].

Voices international, v. 15, no. 3, 1980- Overture of whispers.

Voices international, v. 17, no. 3, 1982- After a photograph by William Oman.

Voices international, v. 20, no. 4, 1985- Unsent Christmas letter.

Voices international, v. 21, no. 1, 1986- Sprinkler pantoum.

Volt, v. 4, 1994- Reciprocities (come first are sung)[oversize box 67].

Box 63

Folder Number #1116-1123

Walking and sinning, no. L4, 1989- Tiny lights.

Walking and sinning, no. 2, 1991- Legend.

Washington review, v 18, no. 3, 1992- What about her ego frosts ( my ego..; What to anticipate ( the color silk..; Politics equals sex that does not...

Watchwords, v. 1, no. 6, 1983- Rural route two.

Waves, v. 10, no. 3, 1982- Hiccup.

Waves, v. 4, 1981- The vibrator; Equal relationship.

Welter, spring, 1983- Groveling for my daily bread.

Way, no. 2, 1996- THREE WORKS consisting of three selections of poems by SEM: Letters to unfinished J#66-80; Watching thorns; For the loaded funds and gardens.

Box 64

Folder Number #1124-1142

West coast line, no. 18, 1996- Olive leaves; Postcards, Between the sense of ...; Cracked windshield; The pretty feather of a happiness.

Westwords, no. 3, 1987- Some composition.

Weyfarers, no. 40, 1984- Not to a fiction.

Weyfarers, no. 42, 1985- The lady who shoplifts mercy from...

Whatever, v. 2, no. 1, 1995- Creed.

Whetstone, 20th anniversary, 1987- The radio blasting its guts out...; So be it.

Whetstone, spring, 1989- To a large editor.

Wide skirt, no. 6, 1988- The non-drinkers in a drinking crowd; Knowledge; SEM's APPROPRIATE BEHAVIOR reviewed by David Harmer.

Wide skirt, no. 7, 1988- The vacation.

Wide skirt, no. 9, 1989- The executive painter; When feeling the loss of time of...; And to dust thou shalt return.

Wide skirt, no. 11, 1990- A short autobiography; Lady seminar.

Widener review, no. 2, 1985- Tradition.

Wind, v. 14, no. 51, 1984- Fever.

Windfall, no. 6, 1984- Epistemology.

Windfall, no. 9, 1987- The postulant.

Windless orchard, no. 38, 1981- The visiting nurses' book sale; Recession; Tornado warning.

Windless orchard, no. 42, 1983- Taking unemployment into my own...; Hallowe'en, 1982.

Windless orchard, no. 44, 1984- Air conditioning pantoum.

Windless orchard, no. 46, 1985- Runner's high.

Box 65

Folder Number #1143-1167

Windless orchard, no. 51, 1989- Reading the directions; Elementary.

Windless orchard, no. 57, 1993- Every future climb.

Wind topography, 1992- Chapbook consisting of 11 poems by SEM.

Winewood journal, no. 3, 1984- Out of my system.

Wings, v. 2, no. 2, 1993- Plant.

Wire, v. 4, no. 18, 1986- I look at your art I see.

Wire, v. 6, no. 21, 1987- Stress.

Wire, v. 13, no. 31, 1991- Hard.

WITH HOUSE SILENCE, 1987- Book consisting of 60 haibun poems by SEM.

Witz, v. 1, no. 2, 1993- Review of SEM's book, TETH, by John Tritica.

Witz, spring, 1996- SEM's book, A CLOVE OF GENDER, reviewed by Susan Smith Nash.

Womanspirit, v. 10, no. 39, 1984- Women in business; When work dries up.

Wooden head review, no. 5, 1997- Seventh self portrait; Traces of burning.

Wooden head review, no. 8, 1998- Your belongings wilt after a while...; Conversation can be intimate, think...

W'orcs/ aloud allowed, v. 10, no. 3, 1995- What in-your- face means how...[in oversize box 67].

Wordsworth's socks, no. 2, 1989- Day's end.

Working papers, no. 20, 1997- Nature and writing; Engelmann prickly pear; Fiddleneck.

World's edge, an anthology, 1991- Seduction; The topic; Yes the extreme; The fragrance of the night; How open; I like you sleeping where I can't...

Woven dreams, winter, 1986- Haibun 48.

Writers forum, no. 7, 1981- Initation.

Xib, no. 6, 1994- Grace notes.

Xib, no. 7, 1995- Distance that I need.

Xib, no. 8, 1997- A peaceful year of spiritual growth; Temptation breaks my stride...

Xenophilia, no. 6, 1993- Pizzicato ruptures.

Xenophilia, no. 7, 1993- What you take (oceanic) with you...

Box 66

Folder Number #1168-1175

Yak, no. 7, 1990- The accountant.

Yarrow, v. 4, no. 2, 1984- The story of a boss.

Yellow butterfly, no. 1, 1984- Purging.

Yellow butterfly, no. 2, 1984- Invoice; The radio in my office.

Yellow butterfly, no. 3, 1984- Threshold; Divorced piano; Meditation on an envelope.

Yet another Small magazine, v. 4, 1985- Night poet.

Yet another Small magazine, v. 5, 1986- Status quo.

Zyx, no. 15, 1997- He spill, by [SEM/ John M. Bennett].

Box 67 - Oversize

Folder Number - random

830- Rampike, v. 8, no. 2, 1997.

831- Rampike, v. 9, no. 1, 1997.

1129- Volt, v. 4, 1994-Reciprocities (come first are sung).

1156- W'orcs/ aloud allowed, v. 10, no. 3, 1995- What in-your-face means in...

Box 68

Part 2

Folder Number #1176-1186

Always the beautiful answer: A prose poem primer, 1999- Six one-line prose poems; Prose re: Prose poetry; Motion; The sacrament of one Small note; Things to read.

American letters and commentary tenth anniversary issue, 1998- Victims.

Architrave: a journal of the arts, 1999- "When she hums, the whole of..."; "Astringency-belabored homicide..."

The art of haiku 2000, 2000-Quashing.

The art of practice, 1994- This margin; How partial therefore lovely; Annunciation; When clouds, class clown; Marriage; Eros; I walk; Rations.

At last, no. 8, 1998- Practice looking at a room and...; The key to cleaning up is line of...; She ilks the pink in her...; Of lullaby; Labor intensity; Traffic; Sectional; Showing slides.

Big scream, no. 37, nadasong, 1999- What matters most is the delivery...

Big scream, no. 38, 2000- Particulars; Divinity.

Black bear review, no. 30, 2000- Pro forma.

Cokefishing in alpha beat soup, July, 1999- "All I ever want to do is show off...".

Combo, v. 3, 1999- Bath; Desk; Book.

Box 69

Folder Number #1187-1204

Dufus, first edition, 1998- The solo of detail; Concentricity.

Eighteen/eighty-one, 1991- Eighteen poems by SEM from the chapbook, PURE MENTAL BREATH.

The end review, no. 1, 1998- Vespers; Corn phone (Collaboration John M. Bennett/ SEM); Open fan letter to SEM.

English, no. 2, 1998- Ocracy, sections 10-12 (Collaboration By Peter Ganick and SEM).

Etcetera journal, v. 3, no. 1, 1998- She was an immaculate lean girl...

Facture, no. 1, 2000- "Photographs leave wallspace..."; "All afternoon I've been unkind..."; "An empty glass of water..."; "Sonority breached comatose...; "It's fate, what you've been dealt..."; "What we have need not be...".

Fell swoop, no. 49, 1998- Casual erasible and thrifty...; Shagnasty's the polite word for...; Orchestral paperweights percuss...

Fever dreams, contemporary Arizona poetry; 1997- L; Simplest feature of a droll mood; Dead center top of eye chart; Paint in 2/4 time.

Found street, no. 9, 1999- "A person without tags is..."

Generator, v. 9, 1999- Careless not synonymous by J. S. Murnet (SEM/John M. Bennett).

George and Mertie's place, v. 5, no. 8, 1999- Rug.

House organ, no. 25, 1999- The insatiable though not acuisitive.

Hummingbird, v. 8, no. 4, 1998- Daughterly in feeling...

IMMERSION TONES, 2000- Chapbook of 33 poems written by SEM.

Indefinite space, v. 8, 1999- Sunday afternoon a pilferage of...; A situation enmities itself...

THE INDELIBLE OCCASION, 2000- Book of 75 poems by SEM.

Industrial sabotage, no. 58, 2000- Haibun 57.

Inscape, v. 4, 1999- Femin-; As seldom thatched, a branding...;
Centers retrace warmth...

Box 70

Folder Number #1205-1227

Ixnay, no. 2, 1999- "Wall without the flower."

Le jardin ouvrier, no. 18, 1998- Blossom, synonymous with...; Floraison, synonyme de...(Translation by Jean-Francois Egea et Ivar Ch'Vavar); Balcony, the sea, a wave of siren...; Balcon, lamer, une vague sirene...; Parentheses keep us...; Parentheses nous gardent...

Le jardin ouvrier, no. 19, 1998- Road becomes so instantly...; Si immediatement devient...(Trans. Jean-francois Egea et Ivar Ch'Vavar); Compose a white chenille...; Compose un dessus del lit...

Le jardin ouvrier, no. 20, 1999- Strawberry tenders resignaton of ...; Fraise offre la demission...(Trans. By Jean Francois Egea et Ivar Ch'Vavar); Croquet is being symptomatic in... ; Le croquet est en train...(Trans. By Jean-Francois Egea et Ivar Ch'Vavar); Substance missing from...; Substance manquant de...(Trans. By Jean-Francois Egea et Ivar Ch'Vavar).

Le jardin ouvrier, no. 21, 1999- Rain isn't what I like, it's no...; La pluie n'est pas ce que...(translation by Jean-Francois Egea et Ivar Ch'Vavar); Surprise is chariot of the...; La surprise est le char...(translation by Jean-Francois Egea et Ivar Ch'Vavar).

Le jardin ouvrier, no. 22, 1999- Legend pores over itself...; La legende se penche (translation by Jean-Francois Egea et Ivar Ch'Vavar); Percussion is without anointing...; Le choc est sans se...(translation by Jean-Francois Egea et Ivar Ch'Vavar).

Le jardin Ouvrier, no. 23, 1999- Clarity mimes truth surreptitiously...Sounoisement clarte...(translation by Jean-Francois Egea et Ivar Ch'Vavar); Neighborhood extends the reach...; Le voisinage etend la portee...(translation by Jean-Francois Egea et Ivar Ch'Vavar); Self economizes on a definition...; Le moi economise sur une...(translation by Jean- Francois Egea et Ivar Ch'Vavar).

Juxta 7, 1999- Shoe soaker (Collaboration by SEM and John M. Bennett or "J.S. Murnet").

Juxta, 8, 1997- Goddess comma the.

Kenning, v. 1, no. 3, 1998- Tacklebox (first half).

Kenning, v. 2, no. 1, 1999- Tacklebox (second half).

Key Satch(el), v. 3, no. 1, 1999- "Breeding when nothing else to..."; "The driveway in and out of itself purrs..."; "Say you (at 29,000 feet) keep a...".

Key satch(el), v. 3, no. 4, 1999- "Our percentage from a growth..."; "what it means to be artfully..."; "Early to judge, search for the...".

Ladder to the next floor, 1993- Siesta; Tradition; Coach; Haibun 34; Haibun 58; Haibun 192, 193, 194; Touchmarks; The physical; Future tense; Sequencing the talk and feeling; Arizona.

LENS ROLLED IN A HEART, 1990- Chapbook of 15 poems written Collaboratively by John M. Bennett/ SEM.

Lilliput review, no. 103, 1999- Lulled into an episode...

Lilliput review, no. 110, 2000- "Print veins on a tabletop with..."

Lilliput review, no. 111, 2000- "Around the taken notes..."

LOOSE WATCH, A LOST AND FOUND ANTHOLOGY, 1998- The tankas (by Burphy Slacks, Jr. a Collaboration of Al Ackerman/SEM); Magnet; What was started ( a collaboration of John M. Bennett/SEM);Contact; Lakeside quasi (anything ...; Shelves ( Collaboration of John M. Bennett/SEM); Wine; This frost begins to swell...; She's lovely on prozac; Fail to steal(by J.S. Murnet, a collaboration of John M. Bennett/SEM).

Lost and found times, no. 41, 1998- Duty me more times than...; Eccentrifugal parlance chips...; Question if we are not blessings...; Sturmitas avenge thirst kindling...

Lost and found times, no. 42, 1999- That will constitute our nuevo...; Sweat chalks up a rumor...; Partial neverance elongates task...; Epicenter episode
( by J. S. Murnet) a collaboration of John M. Bennett/SEM).

Lost and found times, no. 43, 1999- From lunations by I. Arguelles/SEM; She everests my sleep; Ham Chakra by J. S. Murnet-(SEM/John M. Bennett); "Dried whitening.." by SEM/L. LaCook.

Lost and found times, no. 44, 2000- "Given over to doing.."; "Painting, censure..."; "Stamina..."by SSAllam/SEM; "Sentences..."by SSAllam/ SEM; "Locations..." by SSAllam/SEM; "The hands..." by SSAllam/SEM; To wood... by D. Baratier/SEM; Dominoes by J.S. Murnet-(SEM/John M. Bennett); Tripod.

Box 71

Folder Number #1228-1233

Lvng, no. 7, 1998- With; Meaning.

Lyric&, no. 6, 1998- from "The Phoenician Ghazals".

MEANWHILE THE RIVER...Et PENDANT CE TEMPS LA RIVIERE, 2000- 18 SEM poems in English, trans. By Jean-Francois Egea & Ivar Ch'Vavar.

Memorial reading for Ramona Maher Weeks, 1997- Opening remarks.

Milk, v. 1, 2000- "Headlines break the paint on...".

Nedge, no. 7, 1999- "Symmetrical indifference...".

Box 72

Folder Number #1234-1247

Neologisms, no. 5, 1998- Forty-five or so; And she was losing hair.

NEUTRALYSIS/THE GLASS HALF, 1999- Chapbook of 28 pages written by SEM.

New Year's broadside series, 1999- In a new year.

Nextus, v. 34, no. 1, 1998- "Etched across the feast of...".

Nextus, v. 35, no. 1, 2000- "Tetrameter tasked..."; "Her life was neiman- prone"; "A very inexpensive piece of ...".

Numens from centrality, 1999- A collaboration (Peter Ganick and SEM) containing six segments: <one>, <two>, <three>, <four>, <five>, <six>.

Oasis, no. 90, 1998- Toward versus untoward; The mad nags to perfume us...

The onset review, v. 3, no. 2, 1999- Most heavy-set contrarians; So let your soft side drift.

Pandaloon, no. 3, 1998- I haven't had to work at not...

Peaky Hide, no. 6, 1998- Cross; Propose to me.

Poetics@,1999- SEM prose "Jorge's comments..."; Sem prose "Spencer's most".

Pogone, 1999- Visual brevity punctuates the...; Cello seemed incompatible with his...

PRIMARY TROUBLE: AN ANTHOLOGY OF CONTEMPORARY AMERICAN POETRY, 1996- Road becomes so instantly; Tender knows the power of...

Primary writing, no. 22, 2000-; Bloom, a will.

Box 73

Folder Number #1248-1259

Quarter after eight, v 6, 2000- #1 " In a fleshed out version that..."; #2 " Three leaves kiss the water..."; #3 "Using aqua velvet aftershave...", written by SEM/ David Baratier.

Rampike, v. 10, no. 1, 1998- Fract 1; Dignity is a form of being liked...; Power surge.

Rampike, v. 10, no. 2, 1999- Untitled "Left handed lighthouse..."; Untitled "He fed me chilly insta-..."; Exact change.

Revisita Canaria de Estudios Ingleses, no. 37, 1998- Bipolarity in SEM's TETH, a review by John M. Bennett.

Rhizome, no. 4, 2000- Review of SEM book: FALLING IN LOVE, FALLING IN LOVE WITH YOU SYNTAX reviewed by Garett Caples.

Ribot, music, v. 7, 1999- Two poems.

Rooms, v. 5, no. 3, 1998- Message to self: select an ink...; Stake in the ground, thought of; "They tend to think better when...".

Rooms, v. 6, no. 1, 1999- On surface lovely is not lovely.

Rooms, v. 6, no. 2, 1999- " If you want to dry your fast break..."

Rooms, v. 7, no. 1, 2000- Gendrift.

SAW LEAKING TREES, 1999- A chapbook of 40 poems written Collaboratively by John M. Bennett/SEM("J.S. Murnet"); New chapbook series no. 34.

Shattered wig review, no. 17, 1998- Playpen filled with shop talk..; Cement trucks died en route.

Box 74

Folder Number #1260-1276

6ix, vol. 6, 1998- From prayer, rupture, dwelling.

6ix by six, no. 1, 2000- " If there are threads to flower..."; "Break even ocean into one..."; "Lethally legalities poach the..."; "Pact liquefy in time in tact..."; "Once when she level bests..."; Dispute.

Small pond magazine of literature, 1999- Untitled, "train travel intuits my...".

Split shift, no. 2, 2000- "Advancement is an artificial..."; "Wisdom informs discretion..."; "Rules and regs in lower case..."; Cauliflower; "Truce me..."; "Motto stretched past taffy..."; "How simply they wash...".

Sulphur river, v. XIV, no. 1, 1998- Gravity's nursemaid drawn...; Each instance of the body knows.

Sycamore review, v. X, no. 2, 1998- Of helmets; Spangles; Glue.

Talisman, no. 18, 1998- From Letters to unfinished J: 90.

Temperature as art, 1998- Margins gradually surpass...; "I don't know how to keep the..."; Take my temperature. Don't dare...

Texas review, v. 19, no. 3/4, 1998-99- SEM's review of Laverne Clark's book, KEEPERS OF THE EARTH.

The text, no. 12, 1998- Extrasensory redemption; Twenty-five American haibun.

Tinfish, no. 8, 1999- Prayer, rupture, dwelling by SEM/Charles Alexander.

Tremblestone, no. 1, 1999- Magnetize; Difficulty; "Everybody sends me books..."

The Tucson poet, v. 3, no. 2, 1998- A meadow's phosphorescence.

Vapor/strains, no. 3, 1998- Pendulum forcibly housed retro-...; There isn't very much to learn...; Going white structure bleeds the...

Vapor/strains, no. 4, 1999- "Dozen (singular), her vision..."; "Bereavement, sopapilla, waltzing..."; "Role reverence, what is in the..."; "Yearful situation posing nude..."; "Thesis, antithesis, and sparkling..."; "Selections of the mind as a ..."; "Nuance flavoring the things we..."; "Locus, loquacity, a lull then,...".

Volumetrics, chaplet series, no. 45, 1999- Volumetrics; Pretext of quotent; Six.

SEM publications 8-98 to 8-00[Beverly Carver's list].

Content last revised: December, 2000

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SHEILA E. MURPHY POETRY COLLECTION: GUIDE AND INVENTORY SPEC.CMS.92