Dancer in spread-eagle, semi-squatting pose rests pointed fingertips on each knee while his back, neck, and head are straight and upright. Scroll "epalets" and scrolling around the face complete the appearance of a chair. Drawing is in aqua wash.

Shown is a white silhouette of a woman against an aqua wash background. She wears a full-length wide bell skirt, tightly fitted bodice with an exaggeratedly narrow waist. On her head are plumes and her undulating arms seem to juggle tiny clouds.

Elevated view of stage shows floor with measurements for walls and doors; around this is green. Pulled taut by ropes is sextagonal canvas edged in gold, blue and white; in its center is a globe; hanging from it is a gold bowl surmounted by a large bird.

Three quarter profile, rear view of woman in Edwardian purple gown with extremely long train, ruched skirt. The train, skirt, and sleeves are trimmed in long white ruffled pleats and black piping. In an open rear doorway stands a shrouded black figure.

Role(s): Woman Profile of woman standing out of doors, next to railroad track. She wears an ankle-length brown coat trimmed in black ruffles down the front and a white hood or scarf. The long black hem of her dress drapes down to the ground from under the coat hem..

Man wears lavender-grey tights and pointy slippers, matching bolero jacket over white shirt, long lavender and white dotted scarf over the shoulder, purple tasselled pouch holding small books and a large straw "Jesuit" hat with netting along the brim.

Poster design has pasted-on title and writer's name. Two necks and heads cut open at the top open onto each other, exchanging question marks from cavity to cavity. Bottom head in earthtones with purple contour lines, top head in black with pink lines.

Man wears blue and white pants, one leg decorated with bird pattern, a simple blue top with a white bird, center. A rod extended across his back and shoulders holds a fringed blue cape with white clouds. He has a carrot-like beak and yellow head feathers

Figure wears rainbow-striped tights; the top is a blue clouds-and-birds decorated panel draped from a rod extended across her back and shoulders; it is pinned on using star pins. Her pink breasts are exposed, and her right heal sprouts a gold wing.

Rear view of naked man wearing curled wig; his back and buttocks are tatooed in a colorful filigree. A voluminous gold cloak with tiered green scalloping and white tassels drapes down one shoulder, around his legs and up to his other arm.

Lady with overlarge head crammed into the picture frame wears pink and red gown with a full skirt, fitted bodice, long fitted sleeves decorated with large ruffles in the upper portions. She holds an open fan and stands next to a large gilded oval mirror.

Young woman wears turn-of-the-century ensemble with a long flared overblouse and sailor collar, full blue skirt, black button-up boots, and a hat. Her hand rests on a wood side chair with a green seat. Black decorative edging creates a frame.

Man with long white, straggling hair wears a white calf-length nightshirt and grasps a pillow, holding it to his face while one frightened eye peers out at the viewer.

Contains two stage designs. In the first, a statue of classical soldier with cape stands on dais at back, centerstage; colonnade effect with staggered flats left and right. In the second, in center is a round, still, pool behind which is an open pastoral landscape.

Human skull with blue eyes in sockets is set against a black ground. Atop the skull is a lit lightbulb inside of which is an outline of a human figure. The bulb is surrounded by concentric rings of gold and yellows. "EVERYMAN" inscribed thrice at bottom.

On the center of a tilted floor a long red carpet leads to an empty red throne flanked by two tables; a black and white raining sky is above. Left and right are arrangements of discarded domestic furniture: tables, chairs, cabinets, toilet, bed, dishes.

Man wearing gold and black striped pants, spats, white strap undershirt and small dome hat sits on a wood chair under the light of a single, barely-shaded light bulb. On his chest is safety-pinned a photo portrait of a man.

Highly colored-fuschia, blue, orange, black-expressionist rendering of a very fat woman wearing tiered, ruffled dress and overtight bodice with her breasts spilling out, a pink hat. One hand holds her dress above the knee, the other holds a fan and doll.

Stylized male figure wears dark grey leotard and tights, short jacket with black stripes and puff-sleeve slashing. On his left leg is a bright yellow legging with colorful rings of puffs and slashing. His body is twisted and he wields a broadsword.

Abstracted face of man shows lobes of his brain, each with an electrical cord and plug extending from it; one plug, red, fits partly into a socket, the other plug, grey, hangs loose. He has three sets of eyes-grey, red, and black; the black eye cries.

Female figure of death sits, legs crossed, against a purple back cloth wearing a long white gown and abbess-like headdress. She holds a disc hand mirror in one hand while applying lipstick with the other. Pointed red high heel shoes show below her hem.

Line drawing shows cross section of house open to a large single room with windows, doors, and one small stool. Suspended above are two brass horns, and flanking each the left and right, outside, are two rows of three brass horns, planted in the ground.

Man sits in wood chair, legs splayed, arms crossed with hands on his knees as he looks up with a searching face; a yellow orb circled in white behind him. He wears white/grey pinstripe pants and jacket, white shirt, red tie, and suspenders over all this.

In profile, slightly crouched, is a grey figure holding a hand mirror very close to its face. The other exaggeratedly long arm stretches out and back; from it hangs a floor-length sleeve and robe. In the sleeve's center human faces look out.

Scene shows stage flanked by two large blue and bright yellow brick columns flanking a large open area which contains a low platform, center, leading to very wide variously colored steps. Above the steps is wide window with a bright yellow background; set evenly along the sill are six three-candle candelabras, lit. A dark grey scrim hangs to the top of the window.

Elongated figure stands in profile, his arms stretched in front of him as he holds a skull and open book in the palms of his hands. He wears purple tights, a simple button-up jacket/shirt, round black glasses and a page boy hair cut.

Man stands with his arms outstretched, hands pushing against the black painted frame, his head bent along the top of the frame. He wears fuschia tights, pink and blue belted top overlaid by a voluminous red robe and gold cape, both trimmed in black.

Scene shows stage flanked by two large grey/black brick corner sections each supporting six wall-mounted brass candle brackets with lit candles illuminating the area. Center are very wide variously colored steps above which is a wide window showing a turbulent sea or sky. A dark grey scrim hangs to the top of the window. A free-standing world globe stands close to the front of the stage.

Woman stands in profile facing right side of page; her right, open palm pushes against the viewing plane. The upper nude body is fuschia and a full green skirt, patterned in gold, extends from her lower hip to the floor, flowing in a train behind.

Scene of stage shows two large, bluish-black brick columns flanking a large open area which contains a low platform, center, leading to very wide variously colored steps above which is a wide window viewing a stormy night sky including a moon peeking from behind clouds. Above this appears to be a dark blue sky with flying birds. A free-standing candelabra, candles lit, stands close to the front of the stage.

Contains two stage designs. Both include two tall grey brick rectangular columns flank scenes and back walls show multi-color horizontal stripes, mauve, black, green, fuschia. One includes a candelabra at front of empty stage. The other includes seven lit candelabras sit on wall shelf; three red stools at front.

Contains two stage designs. Both include two tall grey brick rectangular columns flank scenes and back walls show multi-color horizontal stripes, and low open "V" shape. One includes a shovel resting against a telescope and tripod; large cross on floor. The other includes the white ghost of a chair, near rear.

Figure wears floor length a-line charcoal grey tunic with blue and white Eastern European folk decoration; his feet and hands are blue. On his head and face is a blue geometrically shaped mask with two blue eye holes ringed by black and white patterning.

Man wears a black "jump suit" with a silver-trimmed yoke or low neck (not defined), silver lashing and trim on the pant legs, silver belt, boots and gloves with gauntlets. A short black fuschia-lined cape drapes from his back as one hand rests on a sword.

Contains two costume designs. In the first, a faceless man wears grey leotards, tights and headcovering all splattered in gold; over this is a very short pair of black shorts with suspenders. He also wears black gloves and a small gold crown strapped to his chin. In the second, a faceless man wears low-rise fuschia coveralls with black patch pockets, black turtleneck, black beret, and black boots cuffed in gold. In one fuschia-gloved hand he holds an open pair of scissors; a gold umbrella hangs from the crook in his other arm.

Man wears a black, silver-belted gown with a gold, fusichia-trimmed yoke and long hanging gold bell sleeves; he holds a furled scroll. Two smaller sketches show him in black tabard and silver pants and shirt, and in silver tabard and ragged black pants.

Faceless man wears a black, gold-belted gown with a silver yoke and sleeves trimmed in gold. Draped from his back is a deep aqua cape and he wears silver gloves.

Contains three drawings. One includes a stage, black curtain rising, steps with a small platform in center with detail of steps at right. Another includes a black curtain rising, purple backdrop lowering, ramp, center stage with detail at right. The last includes the full stage, spotlit figure on swing at right.

Contains two stage designs. The first is the full stage shown lit by white beams from various directions and angles. Centerstage is a large circle of white light with a gold disc at center; unlit torch stands are behind on a raised floor, with grey backdrop. A lone on-looker stands in front. The second is the full stage shown lit in lavender, purple, blue and black. Centerstage floor has a gold disc; a purple elevated floor behind holds lit torch stands; the gold disc motif is repeated in this portion.

Shown is a grey/white stormy, cloudy backdrop made of fabric stretched at four corners and held by rope. On centerstage stands grey-robed figure in the spotlight; his arms are outstretched and he appears to be almost floating near a gold disc on the floor.

Dancer in (mainly) white body suit wears large green hooked bird's beak. The suit is colored primarily along the outside edges of the body and the hands almost entirely colored; long and short lines of various colors follow the contours.

Two scenes both show movie theatre with film screen showing collaged images overlaid with silver ink. The first has a stool with attached ball and chain sits center, front (back of movie theatre). The second has a red gilded throne sits in same location.

Seated man with splayed legs is drawn mainly as silhouette; in bright colors are various bones: feet, leg and pelvis. He wears black hat with a dial in the center, round black glasses, bright red lips. He holds a "detonator" button wired to his hat.

Includes two male figures. One figure is of a man who kneels on knee held by spike in cup; he holds, by his groin, a picture frame w/mustache and smoking pipe and a second, empty, frame by his face. The other is of a man with two brain lobes exposed wearing sandwich board inscribed, "ETC."

Against a medium blue background is a set consisting of crowns, branches, and foliage arranged around at least four different light projectors using various colors and illumination levels.

Figure pushes against all edges of the picture plane, staring with wide blank eyes; his large hand shows a big ring. The long robe is tiered in alternating rows of sliver/white/brown pleated panels and multi-colored, zig-zag pattern fabric.

Figure wears dark brown robe-belted short tunic over ankle-length straight skirt with two tiers of fabric, the first with geometric patterning, the second, red-black striped. Diamond-pattern cloth covers mouth and neck, wide blank eyes, brown head cloth.

Highly geometrically patterned costume includes wavy gold/bronze patterned sheath, a cape patterned in gold, red, black and white circles, ovals, lines and triangles, and a purple hat with long strings of red beads dangling from the brim.

Against a dark blue background black side walls curve inward to the black floor where sits an end-view cross section of the skeltal structure of a white ghost ship. Two turrets sit atop each side and a floating rod and orb hold an unfurled penant, center.

Red, purple, blue, orange, yellow expressionist scrim surround entire stage; lights hanging on long wires encircle stage floor. Hanging panel above a dancer and floor panel below show text about Nijinksy's life. Illuminated text reflected on white leotard.

Poster design has pasted-on title and writer's name. Head of man is in blue, black and white with sweat, blood, or tears running in rivers down his face.

Slightly bowed woman wears long tunic patterned in gold, black, and white rectangles set on rose. Her multi-color striped scarf draped from her arm matches the neckline trim. Red and gold medallions decorate her hairline.

Two views of stage both show a two-step dais and doorway, rear, opening to red and gold. One shows a suspended flat black angled shape casts a blue shadow. In the other, the shape has grown and gained a third dimension, casting a larger, black, shadow, spilling down steps.

Man wears calf-length, long-sleeve belted tunic in plum and gold fabric, with matching round yoke collar and boots. He wears a funnel-shaped hat and a beard resembling a giant corn cob as he holds a staff and stares from red-rimmed eyes.

Two large silver/green flats flank opening to blue/grey sky. A circle is drawn in the floor's center; in it lie balls. Around this are three tall slender trees with exposed roots; beneath each root system sits a person who tosses balls into the circle.

Man stands facing viewer with two hands, palms open, pressing close to the picture plane; both hands are edged in gold with black lines tracing the inside edge and mimicking palm lines. His round head and face are black, his huge blank eyes blue/black.

Simple green male figure, arms slightly gesturing, stands inside silver figural encasement with two large discs for ears; three stripes of varied colors outline the internal figure. This is set against a dark blue background.

Simple red male figure, arms outstretched, stands inside gold figural encasement topped with large bull's head; three stripes of varied colors follow the outline of the bull's arms and torso. This is set against a dark blue background.

Simple red female figure wearing long gold straight skirt stands inside bronze figural encasement topped by large head with three holes on each side. Inset on the casing legs are panels of multi-colored tiles and gold discs hang from each tiny arm.

Against a striated taupe/pink background is a figure outlined in pink, white and gold. He wears a gold necklace and medallion over a white yoke with wings at the shoulders. A rose scarf drapes the sides of his body, crossing his hips, trailing the floor.

Against a striated blue/aqua background is a tall narrow gateway set into a "tree" with branches extending upward and laterally, numerous gold crowns outline the edges, as if growing from it. Far left and right, two low semi-circular stepped platforms flank this.

Against a striated red/bronze background is a human skull suspended from two decorative chains and surmounted by a halo and crown, with green wings extending from the jawbones. Large flat cloud of fire below hovers over a square white panel.

Contains two costume designs. In the first, against a light blue washed background is an open line drawing of a faceless, crouching man who points to a distant place. He wears a long robe trimmed with red and blue striping along the neck and front loop closures. The second is a line drawing of a man, semi-crouched, with one eye peering out while his head is half hidden in his arms wrapped around his shoulders. He wears black boots and gloves; half of his coat is colored in a muted multi-color "worm" pattern.

Against a red, white and purple-orbed scrim are set a long taqble and 12 chairs; dangling from meat hooks are many objects from cultural icons, i.e., Muchammed Ali, Campbell's soup cans to bodies, corpses, a crucifix, body parts, astronomical images.

Man stands in profile; he is wearing a suit jacket, short pants, pointed lace-up shoes with spats, and a straw boater. He holds an open black umbrella from which dangle various items such as a fish skeleton, pocket knife, rose, etc.

After Japanese style wood block prints, an action pose of a man running and fighting. He holds a large stick in one hand, coming toward the viewer as the sole of his foot pushes the bottom front of the picture plane. He wears long culottes and kimono.

Woman wears Flemish peasant garb complete with hat, long skirts and apron. One large hand cups her frightened face while the other hand is extended in a "come forward" gesture.

Against a gold brushed background stands a line-drawn nude male looking skywayrd. The muscles running from his stomach to groin range from orange-red to purple showing the same colors as the sun disc behind his torso. Left and right black, worded panels.

Poster design includes scene and costume designs. The first includes a golden red sun above a gold beam hanging over oval mirror on empty stage floor. In the other, a woman wears a silver leotard and a huge black floorlength bell skirt; a red scarf is tiered around the skirt's flare.

Against a black background stands a woman in a bright yellow/gold dress; the bodice and hips are fitted, strapless, accented in the same pink as her over-elbow gloves. The huge bell skirt flares below the hips, reaching the floor in black feather hem.

Blending constructivist and expressionist styles is a women in a blue and black nun's habit which flows backward in the direction she looks; purple hands reach out holding a red rosary. Purple, red, and black shadows fill the background on the right.

Man wears red, black, and bronze windowpane checked tight breeches, boots and doublet. His arms, behind his back, hold two swords pointed down. One foot steps forward out of the picture frame. His head is bent, crammed into the top edge of the picture.

Stage shown with large glass panel suspended in front of five free-standing flats. The glass is spattered with much, blood, urine, spit and graffiti. The confetti changes color to indicate changes in scene and mood. Marosin provides a guide and comment.

Young woman wears ankle-length white-striped gauzy chiton-like dress with scalloped hem; under this is a sleeveless garment of red, pink, fuschia, gold and black patterning. She stands against a washed background of blues, reds, pinks.

Man wears tight shorts, tank leotard, and gauzy, patterned, open, long sleeve blouse tied at waist. He is dancing, head bent over, arms stretched forward with his figure crammed into the picture frame. Cobalt blue background.

Man wears tights reflecting color in surrounding light. In a fencing pose he holds a sword in one hand and a dagger in the other. His loose shirt has balloon sleeves, red stripes, and a filigree pattern. Head down, he is crammed into the picture plane.

Contains three stage designs, each with two images on one page of the same basic set with color and configuration alterations. In the first, a large open triangle hovers over a stage with three main elements: a ramp flanked by two gold-painted Incan god images on raised wedges. In the second, an open quadrilateral hovers over a stage with two and three main elements: ramps and wedges are raised and lowered. In the third, an open quadrilateral hovers over a stage. One image includes a raised wedge showing gold face, black cross and the other includes three triangle shapes balanced on pivot points.

Drawing blends styles of expressionism and Klimt, using intense color and black line to define the figure who wears a voluminous green cloak lined in fuschia; this includes a winglike standup collar in multicolor square pattern and a pink breastplate.

Woman wears blue, green and white striped Edwardian-era gown with a long matching scarf swirled around her back and over her arms. A parasol is poised between her two hands.

With references to Eastern iconography, this image shows a woman wearing an abbess's headdress and long veil; her garment is a red gown decorated with large blue, purple, and gold medallions with gold crosses in the center. She hold a green chalice.

Against a dark blue sky is a set with a poster bed on a square red dais; a funnel of white light encircling the bed comes through an opening in a suspended arch. A lit candelabra, front. A grey wall behind has a Moorish doorway at left, a cross on the right

With Eastern iconographic references, this highly geometric image shows man in a robe and cape decorated with striped rows of sun medallions, patterning in purple, blue, black and teal; sleeves have yellow/black scrolling. Floor is in black/brown zigzag.

With Eastern iconographic references, this highly geometric image shows man in a multi-colored patterned gown with long black and gold bell sleeves and matching yoke collar. The floor is in zigzag black/brown inlay.

With references to Eastern iconography, this image shows a woman wearing a long white head scarf covered with blue stars, a habit of brown, white, black and silver with a top layer decorated with stars and flowers, and a pleated underskirt.

Entire drawing in fuschias, purples, blue, white blended throughout the page. The figure of a dancer appears as an outline in the color, with a skull head and a huge, white, standup open ruff collar.

One scene is a flat wood wagon with arched tent decorated in large harlequin pattern, designs in each diamond shape; four busts along top ridge. In the second secne, a wagon holds two trees and column topped with horse and rider sculpture; two Renaissance city facade flats flank the wagon.

Man wears flesh colored tights and leotard with knee-high silver and white striped "bootlets,"over-the-elbow silver, black and white striped gloves with bows, purple, red, black and silver cape, and chest ribbons with placard inscribed "I am THE KING."

Figure stands, arms raised upward at elbows; hips and legs are clad in red and orange tights with blood vessel pattern overall. On the upper body is a green and gold leotard with tree branch pattern and leaves that protrude from the arms; gold fan collar.

Faceless figure in dance position with legs outstretched, torso twisted and arms raised, hands touching, wears a blue white and gold unitard, with blue striping running the perimeter of the body; the center areas are white with gold edging.

Grey beach with white tilted platform against purple and blue night sky, blue and white kites flying in sky; man stands, arms upraised, on white tilted platform against purple and blue night sky with two large spots, the sun and moon, shining on him.

Wedgewood blue silhouetted female shows nude torso with a dropped waist long, full skirt in panels of various shades of blue and green with alternating panels showing white leaf design. Her raised arms hold up sides of skirt attached to wrist bracelets.

Empty chair sits on grey beach; white curtain and cords swirl above.

At a golden beach with a blue sky three suspended rods hold green, blue and white curtains at staggered distances.

In the background, against a striated lavender and blue backdrop, sits Ariel in the center of a suspended rod; in front another rod holds two opened sheer aqua curtains clipped together at the bottom with a medallion. A large log sits front right.

Man wears pewter grey tights and leotard with flame/leaf pattern printed overall, the leotard being more detailed, finished by a gold Medici collar and gold elbow bracelets. He wears a silver, plumed cap with a gold unicorn horn extending from brow.

Man stands, legs splayed, arms lowered and outstretched, palms up. He wear flesh-colored tights, cuff boots, very short shorts trimmed in white, fitted bodice with high neck, and cap sleeves with long very heavily draped dolman sleeves extending below.

Bearded man wears fuschia, gold and flesh striped doublet with flared skirt, gold/white striped bodice with filigreed standup collar, flesh-tone tights, red gloves, and a red, fuschia, black, gold, and white striped cape over and behind open arms.

Bearded man with red hair is clothed only in black/pink/gold and white striped trunks, one gilded high black boot, one blue clog, a black collar with filigree necklace as a yoke, red gauntlets and a black/gold scarf draped loosely around his back and arm.

A lavender/blue drop with stars sets off sheer blue drape with gold stars; in front is orb of many small lit torches; on beach a red/gold pyramid.

Woman in unitard wears her golden hair coiled around her ear and dangling from the back. She holds aloft an open umbrella from which hangs a transparent flowered curtain which surrounds her.

Against striated drop of blues, purple is set a gold ship's wheel at front; a sheer white drape is billowing from a rod.

Dancer in dark green body suit with head and hands covered in the same. Up the inside of his legs, leading into his torso, is a gold root system that becomes a tree; on the breast, center, is a red flower. He wears a red and gold filigreed standup collar.

Contains two stage designs. One depicts a grey stage floor empty except for podium stage left; suspended from the grid are multiple chandeliers and single-bulb lights flanking left and right. The other includes all pink, silhouettes of figures stand against two rectangular shapes.

Against a dark blood red background a woman wears ankle-length green tunic dress with wide swatches of black and red paint overlaid; she looks skyward.

Three quarter profile of woman in multi-color ankle length, straight sleeveless dress, the color effected in long daubs of various colors. Her body is the white of the paper while the background is dark green. She wears colored sandals with raised soles.

Includes a black and white drawing of shields and spears piled center stage; single spots on pile come through holes in two angled flats left and right. Also included is a fuller color rendering with purple sky, red lights and women sitting around arms and at front of stage.

Against a multi-colored striated background stands a man, hands outstretched, wearing a long flowing magenta robe with a geometrically patterned multicolored yoke and narrow, floor-length apron. Attached to the apron at the groin is a sword.

Against a multi-colored striated pink, lavender, and grey background is a nun in full black habit with long black veil over her face; across the face, extending to her waist is a simple white cross. Her arms cross over her torso and she holds lit candles.

Against a multi-colored striated blue, green, yellow, grey background is a woman in a floor-length caftan, one half bronze, the other aqua, joined by a multi-colored striped vertical panel; robe is lined in cobalt blue. Hat is lavender/yellow and grey.

Centerstage are a gallows, ladder, and wheels on broken axles; this sits on a 3-level checkered dais with a boardwalk leading to it. Behind is a large multi-color sculpture reminiscent of a wrecked ship, against purple and black sky. Ax, foreground.

Hot pink back and side walls are covered with black and gold helium filled balloons and an oriental style rug is on the tile floor. At right, pasted on, is a line drawing of a man being hanged from tied strings dependind from a bunch of floating balloons.

On a mainly red/pink expressionist background are two drawings of a sinuous woman. In one drawing, a woman wears sleeveless blue gown tucked up in baby blue scarf, large black hat. Oversize red and black tassels decorate her hat, dress, and scarf. The other drawing is a black and white pencil drawing.

Two drawings of a sinuous woman. In one drawing, a woman wears dress with a pink and black checkered drop waist sleeveless bodice, full pink and blue skirt with asymmterical hem showing long legs, front, and black wings extend from her hips. The other drawing is a black and white pencil drawing.

Two drawings of a sinuous woman. One drawing shows a woman in profile in long purple gown with extremely long train, a black boa which becomes trim, a large white floral wreath is attached on the back at the hips and trails streamers with inscriptions. The other drawing is a black and white pencil drawing.

Dancer in dark green body suit with head and hands covered in the same. Up the inside of his legs, leading into his torso, is a gold root system that becomes a tree; on the breast, center, is a red flower. He wears a red and gold filigreed standup collar.