From Woody's Couch

Our Playbook on OSU History

Category: Marching Band (page 2 of 3)

‘Across the Field,’ and into the record books: Drum-major firsts

"Tubby" Essington, 1923

“Tubby” Essington, 1923

The Ohio State University Marching Band began as a drum corps in the 1878-79 academic year, so from the very beginning the band has had a drum major. At that time, the drum major led the musical unit that accompanied the weekly parade of cadets and kept tempo for the units to follow, according to Script Ohio, the definitive OSUMB history.

It wasn’t until the early 1920s, though, that the band had its first drum major who exhibited the showmanship and personality to be a standout figure on the field. That figure was G. Edwin Essington, whose nickname was “Tubby.” It’s unclear why it began, but Essington was the one who started the tradition that continues today.

Dwight Hudson, 1970s

Dwight Hudson, 1970s

He served as drum major for three seasons, from 1920 to 1922. He is best remembered for leading the parade through the streets of Chicago after the Buckeyes defeated the University of Chicago on its home turf in 1921. His characteristic showmanship gained him national recognition that day: At that time, marching bands were in the process of transitioning from traditional military bands to the large, complex entertainment units we know today. The following year, he performed at the first game played in Ohio Stadium. (The Buckeyes were defeated by Michigan, but the band no doubt put on a good show.) He graduated from Ohio State in 1925.

Fifty years later, the Marching Band introduced its first African-American drum major to Ohio Stadium crowds: Dwight Hudson. He started twirling in elementary school and wrote a letter to Paul Droste, then the Marching Band’s director, that he wanted to become the band’s drum major someday. To achieve that goal, he practiced – so much that in 1975 he placed 7th in the world twirling competition. When he came to Ohio State, Dwight Hudson fulfilled his wish: In 1977 he became the drum major. Hudson served as drum major for three years, longer than any other drum major since Essington. His final performance was at the 1980 Rose Bowl.

Shelley Graf, 1981

Shelley Graf, 1981

More than 100 years after the first band formed, the first woman earned the spot of drum major.

Michelle “Shelley” Graf was not only the first woman drum major at Ohio State, but also in the Big Ten. She also started twirling at a very young age, and she performed with her high school band, although as a majorette. Since Ohio State did not have majorettes, she decided to try for drum major. She was assistant drum major in 1980, then won the lead job in 1981. Graf still works for the University as a clinical instructor in the School of Health and Rehabilitation Sciences and as a physical therapist at the Wexner Medical Center. Every November, she leads her patients in performing Script Ohio.

 Filed by C.N.

Early OSU Football: ringers, riots, red ink and … recitations?

1968

This week, a patron asked if we could find out when the OSU Marching Band first played at a football game. We tracked down a likely answer in James Pollard’s “Ohio State Athletics: 1879-1959,” which also offered a wealth of hard-to-imagine tidbits about the early football program at OSU. (Because we don’t have many photos from the early days, we’ve decided to post a few images that help illustrate how far the program has progressed over the years.)

For instance, soon after intercollegiate competition started 1891, there were charges of brutality, the use of “ringers” (non-students) and – hard to imagine today – coaches playing on their own teams. It led to various college faculties to call for the abolishment of football. Luckily, nothing ever came of their appeals.

Training was also much different from the current regimen. Pollard quotes the Columbus Dispatch in describing a typical day of football training in the 1890s:

Every fellow rises at 7 o’clock and breakfasts at training table…on rare beefsteak, poached eggs, fried potatoes and dry bread. The forenoon hours are devoted to study and recitation and at noon an hour is spent rehearsing signals and individual practice… At 4 o’clock the men practice team work with the second University eleven until dark, when they take a run of several miles and then rub down, eat supper and go to bed.

Football practice, 1916

Also unheard of for today’s football program was the gloomy financial picture The Wahoo reported for the 1892 season. (The Wahoo was the name of the student newspaper during a brief period of the early 1890s.) The newspaper gave figures showing estimated costs of $550 – more than double the estimated receipts of $250.

Football ticket line, 1949

In 1893, three years after the football team was founded, the OSU Marching Band made its first appearance at the Oct. 21 game between OSU and Oberlin. According to Pollard, who was quoting The Columbus Dispatch, “the newly organized O.S.U. band” led a “parade of the city” on the morning of the game and gave a concert just before play started.  Clearly the band was not nearly as effective as it is now; the football team suffered a 38-10 loss that day. Back then, of course,  the band consisted of roughly a dozen musicians; today, membership tops 210 members.

Band, 1900

Meanwhile, fans became so incensed at an early score by the Kenyon College team in the second half of a Nov. 30, 1892, game, that the crowd poured onto the field and tore down a portion of the fence. Pollard, quoting the Dispatch again, said “The game had to be stopped until the police cleared the grounds.” The crowd’s passion did not always lead to destruction: Two years later, after OSU won the Thanksgiving game against Kenyon, the Dispatch reported that “the crowd went crazy and carried the winners off the field.”

1970

Kickin’ it with the Collegiennes

Did you know that OSU once had its own all-female precision marching corps? Micki Lee, a 1959 graduate, recently contacted the Archives about her involvement in the Buckeye Collegiennes, a dance-drill team that performed both cheerleader-style kick lines as well as military drill sequences.

According to Lee (whose last name was Umbaugh when she was an undergraduate), Mania Moore, a Dayton native, started the group in spring 1956; the next year, Umbaugh was elected the group’s President and Commander. Under Umbaugh’s leadership, the drill team became proficient not only in marching, but in dancing routines. The group, which consisted of 50 performers and 20 alternates, worked closely with the campus’ Air Force ROTC, as well as Jack Evans, the director of the Ohio State University Marching Band, in choreographing the routines. Its adviser was Jane McCormick, Assistant Dean of Women.

Unidentified Buckeye Collegiennes members, 1959

Lee says in her recounting: “Discipline, correct breathing, posture, and conditioning of each member was VERY important in the training program! The girls were graded on their performances, etc., and received demerits for lack of neatness, tardiness, being unprepared, etc. They also had to have musical ability and be able to know which yard line to be on for each measure of music, in order to execute all the formations properly … and make them look perfect when seen from the top row of seats in the stadium.”

At the Homecoming game in October 1957, they performed during half time, in front of nearly 83,000 fans. After that game, according to Lee, they were asked to lead the annual May Day Parade, perform at St. Johns Arena for basketball games, and entertain during other football game half-times, such as Dad’s Day. They were even asked to perform at the next Rose Bowl, and at the Thanksgiving Day Parade in New York for 1958; however, a lack of funds kept them from going. During a performance, the group would perform three to four routines, to such music as “March of the Toys” “St. Louis Blues,” and “There is Nothin’ Like a Dame.” Lee says they soon became known for concluding their performance “with their famous precision kick-line.”

Collegiennes members perform high kick, 1959

According to Archives resources, the group remained active until the early 1960s. They disappear from the records, until fall 1971 when they show up again – with the addition of knee-high white boots and kick lines. The first performance of the new team took place in 1972. They performed at Homecoming parades, occasionally at other OSU sporting events, and – at least that year – during the season opening of the Kings Island Amusement Park. For several years in the 1970s, the team attempted to perform with the OSU Marching Band during football half-time shows, but the band always declined. After 1975, the record trail stops, so it’s unclear how much longer the team survived.

We’d like to thank Mrs. Lee very much for her contribution to our history of the Collegiennes. Without her help, we would not have nearly as much information about the team, and we appreciate her taking the time to send us her recollections.

 

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