Hou-mei Sung

From LibraryWiki

This is Hou-mei Sung's Bibliography by Christina Mathison (Art history department student in the O.S.U). Some publications are under “Hou-mei Sung Ishida”

• Ph.D. Thesis: Wang Fu and the Formation of the Wu School, Case Western Reserve University, 1984.

(Listed in order of publication date, with the most recent at the beginning of the list.)

• The Unknown World of the Ming Court Painters: The Ming Painting Academy, Taipei: The Liberal Arts Press, 2006.

• “Tiger with Cubs: A Rediscovered Ming Court Painting,” Artibus Asiae, v. 64 no 2 (2004), pp. 281-93.

• “Chinese Tiger Painting and its Symbolic Meanings, Part I: Tiger Painting and the Sung Dynasty,” National Palace Museum Bulletin, v. 33 no 4 (September-October 1998).

• “Chinese Tiger Painting and its Symbolic Meanings, Part I: Tiger Painting and the Sung Dynasty (continued),” National Palace Museum Bulletin, v. 33 no 5 (November-December 1998).

• "Crane in Chinese Painting," Oriental Art, v. XLIV, no. 3 (1998), pp. 11-23.

• “The Three Yin Masters of the Ming Court: Yin Shan, Yin Xie and Yin Hong,” Artibus Asiae, v. 58 no ½ (1998), pp. 91-113.

• "Wild Geese and Reeds Painting (Lu-yen t'u) of the Ming Court," Oriental Art, v. XLII, no. 1 (Spring, 1996), pp. 30-42.

• “Eagle Painting Themes of the Ming Court,” Archives of Asian Art, v. 48 (1995) pp. 48-63.

• "Lü Chi and His Pheasant Painting," National Palace Museum Research Quarterly, v. 10, no. 4 (summer 1993), pp. 1-22.

• “The Evolution of Chinese Pigeon Painting,” Oriental Art, ns 39 (Autumn 1993), pp. 28-38.

• “Bian Wen-jin and His Flower and Bird Painting,” Oriental Art, ns 38 (Autumn 1992), pp. 154-64.

• “Lin Liang and His Eagle Painting,” Archives of Asian Art, v. 44 (1991), pp. 95-102.

• "The Formation of the Ming Painting Academy," Ming Studies, no. 29 (Spring 1990), pp. 30-55.

• “Wang Fu and His Depiction of the Bamboo Garden, Zhu Shen Chu,” Oriental Art, ns 36 (Autumn 1990), pp. 138-46.

• “The Early Ming Ink Plum Blossom Painter Xu Jing,” Oriental Art, ns 35 (Summer 1989), pp. 97-109.

• “Wang Fu’s Three Gifts to Dingxuan,” Oriental Art, ns 34 (Autumn 1988), pp. 177-91.

• “Early Ming Painters in Nanking and the Formation of the Wu School,” Ars Orientalis, v. 17 (1987), pp. 73-115.

Upcoming curatorial work:

China Design Now, September 2008, organized by the Victoria and Albert Museum

Chinese Animal Painting Exhibition, October 2009, with catalogue.