Music Research Methods and Bibliography, Music 786
Due: December 2, 2009
Compile an annotated bibliography on a subject
of interest that will be of value to you in your professional career. The
research for this project may be related to work done in other classes at Ohio State, provided, of course, that this project does not also satisfy the requirements
for another course. Your bibliography should comprise all major sources
relevant to the subject, including works published in foreign languages. The bibliography may consist of books, articles, reviews (of books, concerts,
recordings, or published scores), dissertations, scores, primary sources (e.g.,
holograph manuscripts of compositions or treatises, oral history recordings,
and letters), internet resources, and other pertinent resources. It may be
presented either as a single alphabetized list or a classified list (e.g., a
series of separately alphabetized lists devoted to different aspects of the
topic). Depending upon the nature of the topic, other principles of ordering
may be used, such as chronology, for example. If you choose to organize your
bibliography into sections, do not subdivide your bibliography by document type, e.g.,
"books," "articles," and "dissertations," etc., as this is
irrelevant to content.
Please define your topic so your bibliography
includes all major sources relating to the subject, and contains no fewer
than 25 citations. If the scope of your bibliography is too narrow to
generate a minimum of 25 major sources, consult with the instructor on ways to
expand the scope of your project or your method of research. The scope of your
project will determine the number of bibliographic citations. If major sources
are omitted from your project (including items published in foreign languages),
your grade will be adversely affected. You must search all relevant tools
included in the "Pro-Forma Bibliographic Checklist"
and include citations for all relevant, significant sources.
After examining these sources, you will make a
qualitative judgment as to whether the source should be included in your
bibliography, or rejected. If a source is to be included, you will write your first
draft of an annotation on the index card[1]
below the citation. If a source is to be rejected (i.e., references which looked relevant at first but were
found to be insignificant upon closer examination), you should write the
reasons for rejecting it below the citation. In
this case your brief handwritten annotation on your card might read something
like this: "Seen - not pertinent," or "Scholarship too popular
or low-level," or "a completely unoriginal MA thesis from _______ ________ State University."You will turn in your index cards in two separate
piles secured by rubber bands or in separate envelopes: sources included in the
bibliography, and sources rejected as insignificant or irrelevant. A mark of a good bibliography is its focus: what is included and what is excluded.
Bibliographic citations must be single-spaced
and in "hanging indent" form, with the second and subsequent lines being 0.5
inches indented under the first line of the citation. This aids the reader in
scanning the bibliography alphabetically by author. Annotations will comprise
at least one paragraph (three sentences at minimum), and should be concisely
written in complete sentences, single-spaced, appearing one line below
the bibliographic citation. Although we are striving for clear, concise annotations,
keep in mind that an abstract for a book or dissertation will be considerably longer
(perhaps two or three pages long) than an abstract for a three page article from a periodical.
Annotations for citations in the bibliography
should be written in declarative style, as explained in the document
"Writing Abstracts"
from RILM Abstracts of Music Literature linked on the course web site.
For those sources you are unable to examine, the annotation may simply indicate "Unavailable" or "Perhaps
relevant but not seen." However, your index card for such items should clearly
indicate your early and continued attempts to order these items through
OhioLINK or through the Interlibrary Loan Office ("ILLiad" request forms from
Interlibrary Services).
The bibliography should be your
work, not someone else's, although we always rest on others' shoulders in doing
bibliographic work. Our aim must be to cite and credit the work of others
scrupulously, whenever we borrow (quote) anything more than a simple
bibliographic citation. In other words, an abstract written by another
writer should be credited to him or her. It is permissible to quote a RILM
Abstract or an abstract from another annotated bibliography, especially if
the original work is in a language you are unable to read, or to quote phrases
from a dissertation's abstract, provided that we credit the source using
standard footnote procedures. It is not permissible to pass these
abstracts off as our work, by not crediting the source(s). That is plagiarism,
a serious academic offense that if detected and proven could result in your
expulsion from the university.
If you do quote from other authors,
please do so sparingly and judiciously. A minimum of 20 annotations must be
of your own creation, free of quotations from other sources, and not
including those listed as "unavailable." The following footnotes demonstrate
how you should document a quotation from a RILM abstract[2]
(or other databases) and from published annotated bibliographies. [3] Later entries quoting from the same work may use a short form footnote.[4]
A preface of approximately three to
five pages (double-spaced) should introduce the bibliography. The
purpose of the preface is to explain:
If you are studying a particular composition, you should
attempt to find information about the location and condition of the
composer's holograph manuscript and other important sources (e.g., first
edition, letters to the publisher from the composer listing corrections, and
copyist manuscripts). This information should be given in the
introduction, or form the first section of a classified or systematic annotated
bibliography (e.g., "Primary and Secondary Sources, and Edition History").
SUGGESTED METHODOLOGY: Use 5" x 8" index cards to sort,
classify, and assemble your bibliography. The cards give you the room you will
need for your draft (usually handwritten) annotations, and to note your
attempts to locate items at OSU or through interlibrary loan.
NOTE:
most OhioLINK items can be requested by you directly, on-line, and should
arrive within a matter of days if they are not reference books or A-V media, so
be sure to search the OhioLINK central database early in the quarter for
important books and scores not at OSU that you would like to see. Simply
learning how to obtain and review the material that you will need (making
notes, extracting quotes if useful) is a big part of the project. I will
reduce the grades of final projects showing too many items marked
"unavailable" if they were in fact available on the OSU Library Catalog or OhioLINK.
A
labor-saving hint: Most successful students do not write everything out by
hand in preparing citations (bibliography cards). They make photocopies and
printouts from reference sources (indexes, databases, encyclopedia
bibliographies, etc.), usually reduce or enlarge them by photocopier as
appropriate, and then cut and paste them to their cards.
Often
photocopies (or downloads) need to be edited to get them into proper
bibliographic form for the final bibliography.
Remember that:
A limited
number of duplicate entries of certain books or articles will normally occur in
a classified bibliography, when a reference which is clearly relevant to more
than one section is posted to its proper places. This is permissible, but
please edit the annotation to show its relevance to the various sections in
which you post it. (Obviously, such duplicate entries will not count toward
your minimum number of 25 citations for this project.)
The complete
assignment will be presented in a pocket-folder or envelope (campus mail
envelope is fine) containing the following items: (a) The word-processed (or
typed) bibliography containing a minimum of 25 annotated citations (of which a
minimum of 20 must be of your own creation, i.e., not quoted from another
source), (b) the annotated cards for items included, (c) the cards representing
rejections, and (d) a completed "Pro-Forma Bibliographic
Checklist" keeping track of which basic print and electronic reference
sources were consulted, and the manner in which they were consulted (e.g.,
search terms and Boolean or proximity operators used). You may not think this
is important now, but if you ever return to the topic for a thesis,
dissertation, or publication project, you will benefit greatly from properly
completing this bibliographic checklist.
[1]
I highly suggest that you use 5" X 8" index cards, but you may use another
system to keep track of your sources, e.g., a database program on your laptop.
Please consult with me if you do not plan to use index cards to organize your literature
search. [2]
Barbara Dobbs Mackenzie, abstract for RILM record accession number 1999-01649. [3]
Joann Skowronski, Aaron Copland: A Bio-Bibliography (Westport, Conn.:
Greenwood Press, 1985), 153 (item B592). [4]
Skowronski, Aaron Copland, 144 (item B527).