TO BrazHomepage or LATweb ¤ 2008 ¤ OSU Libraries Catalog






Four
CULTURAL STREAMS
~~ colony and empire, 16th to 19th
centuries ~~
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Sessions » 10. Early
Colony, Sixteenth and Seventeenth Centuries
» 11. Late Colony and High
Baroque, Eighteenth Century
» 12. Seat of Portuguese
Monarchy, 1808-1821; First Empire, 1822-1831; and Regency, 1831-1840
» 13. Second Empire,
1840-1889
Please also consult the » online reference library collection

The platform or stage for the development of Brazilian history and culture has occurred over the eastern half of South America. However, while geographically Brazil is part of Latin America, focusing on this regional association results in an inadequate understanding of the nature of Brazilian development. The cultural and behavioral patterns of Brazil originate along the eastern rim of the Atlantic Ocean, in Europe and Africa. More specifically, they are rooted in Latin Mediterranean and in Bantu and Yoruba cultures. Native cultures of eastern South America ultimately had the least weight in the hybrid of cultures that came to define Brazil. They were defenseless and decimated by the disease onslaught of the incoming cultures. Moreover, the skills of the survivors were honed to their immediate natural environment; and these people came to be concentrated mainly in remote regions of the interior. Native refinements were parochial and alien to the larger, global enterprises in which exporting coastal Portuguese landowners and forced African laborers would engage.
10. Early Colony, Sixteenth and Seventeenth Centuries (Map
of Brazil in 1516,
1519, and
1600)
Focus: Baroque art and culture (1500s to early 1800s) had a profound influence
on Brazil in terms of religion, architecture, sculpture, painting, and music.
The motivation for Baroque art was part of the driving mission of the Jesuits of
the Counter-Reformation to solidify support for Catholicism through total
emotional commitment. To this day the national religious
patroness of Brazil, Nossa Senhora da Aparecida, is represented as a figurine in
rich Baroque dress. Lying within the Portuguese cultural development of
Brazil throbbed an echoing under-rhythm of African culture. The interlocked
founding and enduring hierarchies of Brazil were based on: land=latifundia,
labor=slavery, religion-culture=Baroque,
family=paterfamilias-patriarchy, society=clientela-compadresco. Family
relations were the paradigm for an individual's place and stability in society
so that an elaborate system of "fictive" kin developed, primarily through the
godparent bonds from baptism and marriage. This system reinforced patriarchal
authority and the structure of patron-client relations, yet it could also
somewhat assuage imbalances in the roles for slaves, minors, women, and tenants
or smallholders.
Portugal confronted European competition
for eastern South America from France, Spain, and the Netherlands. Over several
decades during the mid-sixteenth century Portugal made or witnessed a number of
developments regarding the settling, surveying, and governing of Brazil that
would have centuries-long consequences. Spain absorbed
Portugal from 1580 to 1640, when the Portuguese royal dynasty (Aviz) died out;
and Philip II of Spain claimed the Portuguese throne. Brazil continued under
Portuguese administration, but Portugal became part of a dual monarchy under a
Spanish king. The Dutch, a bitter European enemy seeking independence from
Spain, occupied the Northeast of Brazil during the early 1600s.
Throughout the mid-1500s the French were trying to establish a settlement in
South America at the Bay of Guanabara and to penetrate North America through the
mouth of the St. Lawrence River. Ultimately the Portuguese were able to drive
the French, Dutch, and English to west of the mouth of the Amazon River along
the coast of the Guyana Highlands.
Portugal re-solidified its hold on Brazil when the Bragança
dynasty gained control of the Portuguese crown in 1640, restoring independence
from Spain. The renewed Portuguese monarchy now viewed Brazil as the
sustaining vein of both the Portuguese empire and the Bragança
dynasty. This new relationship was formally recognized when, in 1645,
the heir apparent or crown prince of the Portuguese throne bore thereafter the
title of "Prince of Brazil." The first bearer of this title was Dom Teodósio
(1634-1653), the ninth Duke of Bragança and the eldest son of King João IV, the
founding monarch of the Bragança dynasty. Dom João considered Brazil the
economic sustenance of his realm, describing it as a "milking cow" ("vaca de
leite"). The restoration of Portuguese control of Brazil heightened
differences in Brazil's development as a colony from practices of Spain in
Spanish America. Not only was Brazil represented within the Portuguese dynastic
succession, but Brazil influenced governance of the Portuguese African colonies,
the source of its labor supply. After the discovery of gold in Brazil in the
1690s, Brazil came to be of more economic importance in the Portuguese empire
than Portugal itself. In mid-seventeenth century Salvador Correia de Sá
Benevides governed both in Rio de Janeiro and then in Luanda, capital of
Angola. The commemorations he ordered in 1641 to celebrate the restoration of
the Portuguese throne under Dom João IV
became the precedent for "carnaval" in Rio.
(Note: The current Duke of Bragança [the 24th], » Dom Duarte Pio [1945- ], is the
pretendant to the Portuguese throne; his mother was Maria Francisca de
Orleans e Bragança, a princess in the pretendant dynasty to the Brazilian
throne.)
There is a sense in which the history of Brazil from 1645 to 1889 may be
understood as the period of the "Principate of Brazil." The
Bragança dynasty developed as the cohesive core of
the patriarchal slavocracy that comprised half of Brazilian history. Much of
that history is essentially a narrative of how Brazil, at first exclusively the
property of the Portuguese king, came to be distributed and recognized as the
property of others (barons) allied with and supported by the monarchy, whether
that was the founding Bragança dynasty of 1640 or the cadet branch of the family
that asserted itself in Brazil (as Brazil) after 1822. The economic and
political forces that undermined the Empire (last phase of the "principate")
would dissolve by 1889 the centuries-old hold of the Braganças on Brazil. One
may, from such a perspective, say that Brazil evolved in three periods. The
first, from 1500 to 1640, was one of a disputed and then a lost colony. The
second, from 1640 to 1889, was the Bragança patriarchal principate in which
major segments of the land and people were the property of a minority. Since
then Brazil has been a nation engaged in overcoming the limitations of this
heritage (not only pre-liberal but non-liberal). It has developed as an effort
for economic, political, and social participation through wage labor that
navigates market dynamics of consumption and production determined by
increasingly negotiated representational constitutional norms.
This
seal (from about 1520, now in the Vatican Archives) is that of Charles V, of the
Hapsburg dynasty and Holy Roman Emperor (1519-1558). He was king of Spain
(1516-1556) as Charles I. During his long reign the New World came under his
surviving remnant of the Roman empire and was firmly contained within the Roman
Catholic religion against the advances of the Protestant Reformation. It was
this emperor's son, Philip II, who became king of both Spain and Portugal
(reigning in the latter as Philip I). The Inquisition, a tribunal that judged
cases of heresy, operated in Brazil on at least three occasions, functioning as
an extension of the Lisbon agency.
In 1582 Spain and Portugal were among the first countries in Europe to
adopt the reformed Gregorian calendar, replacing the Julian calendar of Roman
times, which had come to lag by ten days the sequence of the seasons. On 4
October 1582 the next day was advanced to 15 October in Spain, Portugal, and
their colonies. Thereby Catholic European countries began to restore synchrony
between the calendar, the seasonal sequences, and the cycles of the sun and
moon. Protestant Britain only made this adjustment in 1752, advancing from 2 to
14 September.
Further Readings: For this and all following class sections, use the history
chapters from the online textbook, »
Brazil: A Country Study,
Online: Library of Congress Research Division, 1997;
| »
Memória
da justiça brasileira (Carlos Alberto Carillo), 3 volumes,
online (supporting documents can be downloaded)
Transparencies: Colonial fazendas
Video: Section from the film, Quilombo, on slave rebellion and flight to
Palmares
Internet: » Sugar
Cane Cultivation and Production » Slave
Shipping »
Images Cape Coast Castle in Ghana (Gold Coast), holding pen for slaves
shipped to the Americas »
Successive Portuguese royal legal codes: the
Ordenações Afonsinas
(1456-1521), Manuelinas
(1521-1603) and
Filipinas
(1603-1830),
governing Brazil and Portuguese empire »
Battle of Alcácer-Quibir,
1578, determining end of Aviz dynasty in
Portugal »
Cardinal-King Henry, last Aviz monarch of Portugal »
Philip II, king of Spain and in Portugal after 1580 as Philip I »
Formation of the
Duchy of Bragança
and the Family Seat of the
House of Bragança
»
Salvador da
Bahia de Todos os Santos, first capital of Brazil
»
Evolution of Quinta da
Boa Vista, a neighborhood in Rio de Janeiro, from a remote Indian settlement
in the sixteenth century, to a distant Jesuit mission and plantation in the
following two centuries, to a new suburb in the nineteenth, and to a colorful
but aged part of the inner city in the twentieth
»
Early Justice and Court
Systems (click "memória" then volume 1") »
Colonial Policing by Quadrilheiros (block watchmen) »
Casebres, common housing of poor from colonial period to present, made
customarily of mud and sticks ( »
Wattle and Daub) with
a thatched roof »
Beginnings of Local (Town) Government » History
of Brazilian Population, 1550 to 2000, (first decennial census in
Brazil was 1872) Internal
dispersions: 1) »
Quilombo republics of fugitive slaves with
Zumbi, leader of
Palmares quilombo, and a
Capitão do Mato,
hunter of fugitive slaves; 2) »
Bandeirantes
(paulista frontiersmen bands) following
Maps of Entrada
(Trekking) Routes: 1
2
3 and
Bandeirante Ranch
Houses 1
2
(renovation)
»
Layout of a Catholic Church, with Vestments and Ritual Utensils used by
priests » Jesuits
in Brazil: Father
Manoel de Nobrega and
Father José
de Anchieta 1
2 »
Jesuit Missions
(aldeias/reducciones) among Guarani in Brazil and Argentina
and in Paraguay
»
Jesuit
Colonial Education (six years, primary; three years, secondary) and the
Tradition of
Jesuit Education »
Jesuit Theater »
Image of N. S. da Aparecida,
Catholic patroness of Brazil »
Dutch
in Brazil 1 2
»
Views of
Colonial Brazil by Dutch Painters: 1
2
(paintings at end of document) and the
Historia Naturalis
Brasiliae (1648), Dutch publication on the flora and fauna of Brazil
» French
in Brazil »
Francisco de Orellana, a
conquistador of the Incas, was first European to explore (1541-1542) course of
river (by Treaty of Tordesillas, Amazon River lay in Spanish American
territory) »
Chronicle of voyage
by Friar Gaspar de
Carvajal »
Map of Brazil and the World in seventeenth century (with detail of Guinea
coast in Africa)
11. Late Colony and High Baroque, Eighteenth Century
Focus: The eighteenth century definitively consolidated the hold of Portugal on
the eastern half of South America from the basin of the Amazon to the eastern
(or left) bank of the Paraná-Plata complex. Brazil
produced over two million pounds of gold (legally and officially documented)
during the eighteenth century, with the peak years occurring between 1740 and
1760. (Note: Gold is currently sold at over $400 per ounce so that the
official value of gold discovered in Brazil during the eighteenth century would
be nearly $15 billion.) Over three fourths of all the gold produced in the
world during the century originated in Brazil. The discovery of such
unprecedented wealth not only of gold but also diamonds attracted a wave of
settlers into the trans-sierra interior and along
the Atlantic coast. The accelerated pace of commerce in the colony resulted in
a transportation (and communication) system of mule teams and muleteer traders,
known as tropeiros. They moved foodstuffs and dry goods through a corridor of
territory centered in São Paulo, taking provisions from Paraná and Rio Grande do
Sul to the mining towns of Minas and even settlements in the Northeast. The
population of Brazil grew from a few hundred thousand in 1700 to several million
by 1800, a ten-fold increase. The increase was so great that by mid-century it
forced replacement of the Treaty of Tordesillas with the Treaty of Madrid
(1750). Portuguese territory in South America would henceforth be determined
by the the principal of "uti possidetis," that is, the nationality effectively
using or occupying a territory owned it. The economic, political, and
cultural centers of Brazil shifted from the Northeast to the Southeast, Rio de
Janeiro becoming the capital. Brazil and
Lusophone West Africa became an interdependent socio-economic entity of the
South Atlantic. This development of the Atlantic rim as the perimeter of the
Portuguese empire could somewhat recall the Aegean rim of the classical Greek
empire or resemble the trade communities of the Mediterranean and Indian Ocean
rims. The Portuguese empire became
"Brazilianised." The South American colony was the main focus of wealth and
trade. Moreover, Brazilians, especially those who graduated from the University
of Coimbra in Portugal, became government administrators in Lisbon and the
colonies, particularly Africa. Brazil and Portuguese Africa had numerous
aspects in common from the appointment of government officials to street
marketing practices. The bishop of Luanda, Angola was subject to the archbishop
of Salvador, Bahia.
Mineral wealth not only consolidated
the Baroque character of Brazilian culture but supported such an enlargement and
refinement of the arts that it produced a High Baroque period. Ouro Preto, the
capital of the gold-mining province of Minas Gerais, and numerous other cities
and towns of the region became jewels of artistic accomplishments in
architecture, sculpture, painting, and music. The wealth of Minas nurtured an
exceptional generation of artists and craftsmen.
Despite myriad changes, however, the fundamental patterns of labor
(slavery) and wealth-holding (among a very small elite) did not change. The
pattern of "change/no-change" in Brazilian history manifested its first major
cycle. Diminished gold returns from Brazil in the latter half of the century
and continued demands from Portugal to maintain levels of wealth exported to it
resulted in reforms and rebellion. The Portuguese principal royal minister, the
Marquês de Pombal, attempted to maintain Portuguese wealth by rationalizing the
administration of the realm. He consolidated state trading companies in
Brazil, particularly control of African slavery; suppressed the Jesuit religious
congregation; emancipated Indians encouraging their intermarriage with the
European population; transferred (1763) the capital from Salvador to Rio de
Janeiro, to place the vice regal government closer to the gold mines in the
central part of the colony; and reformed the judicial system and organization of
local government units. Portugal's efforts to make Brazil more productive and
secure for Portugal increased demands on the colony's wealth, yet its precious
mineral resources were depleting. The demands underlying the reforms ultimately
provoked a failed independence movement in Minas Gerais in 1789, the Inconfidênica
Mineira.
The southern Atlantic was many things to many peoples and nations, but
to the Portuguese dynasty over the course of the Brazilian principate it was a
“Bragança Sea.” (The southern Atlantic, like the Mediterranean, has been a
“mare nostrum” in many varying ways.) On the Bragança Sea the fortunes of the
dynasty waxed and waned with tides of sugar, slaves, gold, and diamonds. As the
waves subsided, the dynasty would dissolve: in Brazil in 1889, and in Portugal
in 1910.
Gold was shipped in bars from Brazil to Portugal.
Transparencies: Items similar to previous and sculptures of Aleijadinho
Recordings: Compositions by Father José Maurício
Videos: Emancipation section from the film, Xica
Realia: Model of a Brazilian village
street; plates and drinking cups of colonial pewter
Internet: »
Historic
Cities of Minas Gerais and
Ouro Preto: 1
2
»
Diamantina (also Arraial do Tijuco), the Diamond District of Minas
» São
João Del Rei (tour historic buildings of
city by scrolling to bottom of page and clicking "pontos...") »
Export of Gold over
Original Indian Foothpaths
» Labor
from the African Diaspora 1
2
and
Types of Slave Labor »
Slave
Entrepreneurship » Images
of Colonial Rural Life »
Furniture and Furnishings (click "Union Jack" flag for site in English) »
Elite Fashion from European models »
Tropeiro Routes and
Images 1
2 »
Colonial Postal Deliveries were during the colonial period a royally
contracted service conferred on a
"Correio-Mor," ("Courier Major" as in Capitão-Mor=Captain
Major) and the development of
Postal
Delivery in Eighteenth-Century Minas »
Whaling
and the Lighting of colonial streets »
Late Colonial
Justice and Court Systems (click "memória" then
"volume 2") »
Development of Police ( click "conheça" and
then "histórico") and of
Firefighting Services in Rio de
Janeiro » Marquês
de Pombal, absolutist Portuguese reformer
» Inconfidência
Mineira, independence uprising, 1789, with
Album of Images of Tiradentes, uprising leader »
University and
Town of Coimbra, Portugal »
Map of Brazil and the World in eighteenth century

Colonial town
Tropeiro pack
mule 
Hunting fugitive slaves
» The sculpture of Antônio Francisco Lisboa,
"O Aleijadinho" (The Little Cripple)
»
Baroque Religious Sculpture, Painting, and Architecture »
Historical
Atlas of Rio de Janeiro » Music of Father José
Maurício » Amalgam of
Lundu,
an African and mulatto dance, and "modinha," a type of Portuguese folk song,
became basis for evolution in nineteenth century of samba
»
Recordings of
Modinhas »
Theater of Ouro Preto (Casa da Ópera
de Vila Rica, later the Teatro Municipal de Ouro Preto) showing
Stage
and Audience Seating and the
Building, the oldest in South America »
Arcadismo,
a mineiro school of bucolic poetry »
House of Marília
» Hypothetical history: Imaginary Map of Brazil(s) without the Discovery of Gold
12. Seat of Portuguese Monarchy, 1808-1821; First Empire, 1822-1831 (Constitution
of 1824); and Regency, 1831-1840
Focus: The nineteenth century confirmed the exceptionality of Portuguese
America in relation to Latin America. Brazil preserved European forms of
government as a kingdom and empire. Its independence followed a sequence of
events that comprised political, legal, and nativist stages that developed over
a period from 1808 to 1831. The politico-administrative sovereignty of Brazil
as the seat of the Portuguese monarchy after 1808 became legal independence in
1822. Brazil was a rare historical anomaly insofar as it legally exercised
sovereignty more than a decade before it was legally recognized as sovereign.
This condition, among several other factors, considerably moderated the degree
of violence accompanying Brazilian independence. Rather than a war of
independence Brazil witnessed in 1822 an event more akin to a dynastic putsch.
Effective control of the country by native-born elites, as opposed to
Portuguese-born ones, emerged during the Regency from 1831 to 1840. Intra-elite
regional tensions and warfare surged during the period due to a weakened central
government. This weakness strengthened local government but provoked national
destabilization. The national elite (imperial) re-asserted stable central
government with the enthronement of a second emperor. The founding at the
beginning of the century of the Law School of Olinda (later Recife) and toward
the end of the century of the Law School of São
Paulo represented crucial developments in the formation of secular regional and
national elites.
Portuguese influence declined replaced on the one hand by French social,
cultural, intellectual, and artistic directions and on the other by British
commercial, trade, and financial practices. In 1816 a French Artistic Mission
officially visited Brazil, decisively influencing its transition from the
intense religiosity of the Baroque to a secularizing neo-classicism. Of
singular aesthetic and historical visual value were the paintings and drawings
of Jean-Baptiste Debret, a leading member of the Mission. From the late
eighteenth century onward major scientific expeditions were mounted to discover
and classify the abundant natural phenomena of the interior of Brazil. The
expeditions consisted of European specialists or enthusiasts in what was then
termed "natural philosophy." Among them was Charles Darwin, who briefly touched
in Brazil on his ship, the HMS Beagle, during 1832.
The exercise of central authority oscillated during the independence
process as Pedro I wrested power from Portugal in 1822. Brazil declared itself
an empire because it considered that, together with independence, the Portuguese
colonies of western Africa should be ceded to it. These colonies were
socio-economically more integrated with Brazil than Portugal. Retaliating
against attempts by the Brazilian national assembly to obtain amplified
lawmaking authority, Pedro I decreed a constitution in 1824, concentrating a
major portion of government power in himself. He was compromised by his
dynastic forays in Portugal during 1826 when he briefly succeeded to the throne
of that country as Pedro IV, then installed his daughter (Maria II da Glóra)
as queen, and blocked his brother from becoming king. His reign in
Brazil approached its finale when in 1828 he had to surrender Uruguay as a
province of Brazil. Culminating scandals due to extra-marital affairs forced
him to abdicate in 1831. He left the country and his five-year old son, Pedro,
under a Regency government until his heir reached the age of majority.
The Regency witnessed a decade of fractured national authority, with a
decentralized government somewhat resembling a republican federation. To secure
authority in the interior of the country, a National Guard was established with
the military authority of "coronel" granted to major landowners. The system of
coronelismo bestowed armed authority on rural patriarchy. To quell increasing
and sustained regional uprisings, the Regency accelerated the declaration of the
heir's majority to 1840, and he was crowned emperor as Pedro II . From 1840 to
1853 Brazil and Portugal were still associated by dynastic family ties since
Pedro II was monarch of the former and his sister, Maria II, of the latter. She
died in 1853.
Further Reading: | »
"Federalism in Brazil" (Percy Alvin Martin), The Hispanic American
Historical Review, Vol. 18, No. 2. (May, 1938), pp. 143-163
Transparencies: Drawings, paintings, and photographs of scenes of Brazilian
life during late colony: Rural and urban, patriarchal society, slavery, street
markets, port activity
Paintings and Drawings: Art books representing the work of the French cultural
mission to Brazil in the early nineteenth century, emphasis on works of
Jean-Baptiste Debret; neo-classicism, the secularization of the Baroque
Illustrations: Folio of facsimile drawings from the Rodrigues Ferreira
expedition in the Amazon.
Internet: » Napoleonic attempts to occupy
Portugal
1807,
1808,
1809 and
(Map) and the
Peninsular War in Portugal »
Texts of Decrees of 1808 transferring royal and national institutions from
Portugal to Brazil »
Gazeta do Rio de
Janeiro, 1808, first newspaper published in Brazil » Digitized, full-text
retrieval of Reports
and Documents of Provincial Presidents (Governors) and Imperial Ministries
(1821-1889) »
Earliest Newspapers
1 2
3 » Emperor
Dom Pedro I and
Letter regarding the
"Fico" (declaration to remain in Brazil) with
The Cry of
Ipiranga ("Indepedência ou Morte!")
» Gallery of Brazilian
Monarchs »
Paço
Imperial (Imperial Palace), seat of
government in Rio de Janeiro from 1743 to 1889 of the Colony, Kingdom, and
Empire of Brazil »
Coronelismo » Founding of
Law School of Olinda
(later
Recife) »
Map of Brazil and the World in early nineteenth century
»
French Artistic
Mission: Drawings
and Paintings of Jean-Baptiste Debret: 1
(paintings at end of document)
2 »
Drawings and Paintings of Nicolas-Antoine Taunay 1
2
3
and Félix-Émile
Taunay (son of Nicolas) » Architecture of
Auguste-Henri-Victor Grandjean de Montigny » Explorations
of the Naturalist Alexandre Rodrigues Ferreira (1783-1792)
» The Baron Georg
Heinrich von
Langsdorff Expedition (1825-1829)
through Amazon, with the
Drawings of Johan Moritz Rugendas and
the
Influence of Johan Elias Riedinger 1
2
3 (also Ridinger) on eighteenth century naturalist drawing »
Carl von
Martius 1
2 and
Johann von Spix 1
2 accompanying 1817 the Archduchess Leopoldina of Austria (Hapsburg)
to wed future Dom Pedro I
Pedro I
Pedro II
13. Second Empire, 1840-1889
Focus: Over the course of the nineteenth century the cultivation of coffee
initially in the state of Rio de Janeiro (valley of the Paraíba
do Sul River) and then overwhelmingly in São
Paulo came to dominate the export economy of the country. The coffee
barons of São Paulo progressively concentrated both
exceptional economic and political power. Profits from the export of coffee
were very high; but its cultivation confronted a number of risks in terms of
soil exhaustion, long term capital investment, fluctuating global markets, and
unstable sources of labor.
The movement to abolish slavery steadily
grew from 1850 onward, with the institution ending in stages from that year
until 1888. A victorious War with Paraguay, from 1864 to 1870,
nevertheless revealed devastating weaknesses in the structure of Brazilian
society. These prompted reforms in the Army emphasizing technology and
republican government as essential to modernize and strengthen the country. An
influential segment of the military followed the tenets of the French philosophy
of Positivism, which emphasized management of society through technical
expertise. São Paulo became a magnet attracting
free immigrant labor from southern Europe, "re-Latinizing" the country. The
immigrant population was the nucleus for the growth of wage labor, the most
profound factor henceforth influencing the economic, social, and political
future of the country. By 1889 convergence of military elites, coffee
barons, and abolitionists in favor a republican form of government brought about
the collapse of the Empire. Military officers, headed by Field Marshal Deodora
da Fonseca, overthrew the emperor and established on 15 November 1889 a
republican government. This was designated the "United States of Brazil" and
was constituted as of 1891 with a four-year presidency and a bi-cameral Congress
based on tightly limited suffrage.
The Regency witnessed the emergence of native-born Brazilians to the
administration of the country. During the succeeding Second Empire, in cultural
matters, native Brazilian themes increasingly emerged. French neo-classicism
and beaux-arts continued as dominant influences. Nevertheless, in painting,
literature, and music, native Brazilian themes, particularly related to history,
indigenous legends, and folk songs, steadily developed. European scientists
continued, as from the late eighteenth century, to mount major expeditions
through the country.


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Transparences: Earliest photographs: Street life
(Marc Ferrez) and Court life
Realia: Photocopies of letters of Dom Pedro II, written in exile
Recording: The overture to the opera, O Guarani,
by the first internationally
known Brazilian music composer, Carlos Gomes. (Opera premiered at La Scala,
Milan)
Internet: » Coffee
Cultivation 1
2 »
Fazendas (click on thumbnail images at base of site to enlarge pictures), an early town and coffee plantation region in the
Paraíba do Sul River valley (click thumbnails) »
History of Vassouras from 1850 to 1900, by Stanley Stein »
Sobrado houses and buildings, old style colonial and nineteenth century
constructions of more than one floor (from "sobrar," meaning "to be more than
enough"), often with decorated balconies along second floor fronting street »
São Paulo as Nineteenth Century "Town" and
construction of Railway
for São Paulo Coffee
»
Jardim da Luz , the
first (1825) public park in the city, and the
Development of Police (click "institucional"
then "vultos históricos") and of
Firefighting Services
(Chronology) in São
Paulo » Historical
Atlas of São Vicente and Santos (ocean
port of São Paulo) » Emperor
Dom
Pedro II »
Palácio
Rio Negro, Imperial Summer Residnece in Petropolis 1
2 (tour of museum and a
gallery of photos) 3
(palace lit at night) »
Almanac
of Imperial Court, 1844-1889 (business
and government directory) »
Justice and Court
Systems under Empire (click "memória" then
"volume 3") »
Development of Postal and Telegraph Services with
Images of Stamps during Empire » Pioneer
entrepreneur, the
Baron of Mauá
»
War of the
Triple Alliance 1
2 or
Paraguayan War, 1864 (also 1865)-1870 with
Map of War Theater
»
Duke of
Caxias 1
2
3, field marshal and national military hero, with military
Anthem to
him (click "arquivo" to hear) »
Ana
Nery, pioneer of nursing in Brazil and a "Florence Nightingale" in the war
with Paraguay » Four
Major Legal Stages of Abolition: 1851, the end of slave trade; 1871
the Lei da Ventre
Livre meaning the Law of the Free Womb; 1885, freeing of +60-aged slaves;
1888, the
Lei Áurea, meaning the Golden Law,
abolishing slavery »
Joaquim Nabuco, abolition leader
» Júlio
Mesquita, founder of the republican and abolitionist newspaper » Declaration of
Abolition and
of the Republic »
Proclamation of the Republic at the Paço Imperial, 15 November 1889; and
Dom
Pedro II Presents His Abdication, 16 November 1889; and
Dom
Pedro II Sails into Exile in Europe, 17 November 1889 » La
Marseillaise, just as others attempting to overthrow monarchies or
authoritarian regimes, the Brazilian republican movement used the French
national anthem as a rallying song »
Positivism,
Military, and Modernizing Technical Elites »
Rui
Barbosa 1
2,
civilian leader and principal author of the
Republican Constitution of 1891 for a "United
States of Brazil" with
Copy of His Telegram
to Brazilian ambassador in Paris announcing proclamation of Republic
»
Maps
of the Bays of Rio de Janeiro and
Salvador
da Bahia in 1882
» The Emergence of native themes in painting:
Vitor Meireles and
Eliseu Visconti » Nativist themes in literature:
José
de Alencar » Antônio de Castro Alves, abolitionist poet and his
poem, O Navio Negreiro
(in various translations) »
Development of Book
Publishing » Beginnings of Brazilian musical nationalism:
Alberto Nepomuceno
and
Leopoldo Miguez
and
Henrique Oswald and
Francisco Braga with Recordings
of Composers (select composer from screen menu)
» Brazilian popular music: Parallel factors in Brazil and
Portugal in the emergence of samba and Portuguese Fado with
Fado Recordings
»
Marc Ferrez and
Pioneer Brazilian Photographers »
Elite Fashion from
French Models » Naturalists in the Amazon: Charles Darwin in Brazil
Alfred
Russel Wallace 1
2
3 and Henry
Walter Bates (1848) and Louis
Agassiz with the Thayer
Expedition (1865-1866)
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