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Introduction
Map
Collection A Narratives:
Port-au-Prince pages
1 | 2 | 3 | 4 | 5
Markets & the Role of Women in Haitian Society
Festivals: Carnival & Rara
Photo Collections A:
En Route to Haiti
Haiti, Mountains
Haiti, Port-au-Prince
Haiti,
Port-au-Prince, Iron Market
Haiti, Port-au-Prince,
road leading to bay
Haiti, Port-au-Prince,
port area
Haiti,
Port-au-Prince city scenes
Haiti, Port-au-Prince
Hotel Excelsior
Haiti, Port-au-Prince
Carnival
Haiti, Carrefour
du Fort, pre-Easter festival of Rara
The later 1940s were a period of active growth in the Haitian art movement, especially in connection with the American sponsored Centre d’Art. Paul Bourguignon was in contact with this group (E. Bourguignon 2004), and collected items of Haitian art and related objects and photographs (UH503-11).
References:
Bourguignon, Erika: “Haiti and the Art of Paul Bourguignon,” Research in African Literatures, 35:173–88.
Bourguignon, Paul: The Greener Grass. Rockville, MD: Adriane Press. 1989. Capote, Truman: “Haitian Notes,” Harper’s Bazaar, December 1948, vol. 82 #2844. Pp. 120–1,165,168,173.
International Reference Service, U. S. Department of Commerce, Office of International Trade, May 1948 & June 1948, vol V, #s 30&38.
Table of Contents, Collection B | Table of Contents, Collection C
Page last revised: July 31, 2007
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