Month: July 2014

Articles of interest: January-June 2014

This post highlights citations for recent scholarly articles with a focus on copyright, especially as it pertains to libraries, higher education, and scholarly communication. Articles were selected according to the following criteria: scholarly/peer-reviewed, English language, published within the past six months, and subject matter pertaining to copyright and libraries, higher education, or scholarly communication. Links to the full-text articles are provided when available; [OSU full text] links will connect authenticated users through The Ohio State University Libraries, while [OA full text] links point to an open access version of the article that should be available to all users.

Did we miss an interesting article? Please share the citation in the comments!

Library services

Crews, K. D. (2014). Copyright and universities: Legal compliance or advancement of scholarship? The growth of copyright. IPRinfo Magazine, 2, 14-15. [OA full text]

Gilliland, A. T., & Bradigan, P. S. (2014). Copyright information queries in the health sciences: trends and implications from the Ohio State University. Journal Of The Medical Library Association102(2), 114-117. doi:10.3163/1536-5050.102.2.011 [OSU full text]

Gore, H. (2014). Massive open online courses (MOOCs) and their impact on academic library services: Exploring the issues and challenges. New Review of Academic Librarianship20(1), 4-28. doi:10.1080/13614533.2013.851609 [OA full text]

Myers, C. S. (2014). Answering copyright questions at the reference desk: A guide for academic librarians. Reference Librarian55(1), 49-73. doi:10.1080/02763877.2014.856260 [OSU full text]

Library policies & procedures

Bowen, T., Calter, M., Lee, F., & Parang, E. (2014). Using computing power to replace lawyers: Advances in licensing and access. Serials Librarian66(1-4), 232-240. doi:10.1080/0361526X.2014.881221 [OSU full text]

Clark, A., & Chawner, B. (2014). Enclosing the public domain: The restriction of public domain books in a digital environment. First Monday19(6), 6. doi:10.5210/fm.v19i6.4975 [OA full text]

Dryden, J. (2014). The role of copyright in selection for digitization. American Archivist77(1), 64-95. [OA full text]

Dygert, C., & Langendorfer, J. M. (2014). Fundamentals of e-resource licensing. Serials Librarian66(1-4), 289-297. doi:10.1080/0361526X.2014.881236 [OSU full text]

Simon, J. C. (2014). E-book purchasing best practices for academic libraries. Journal of Electronic Resources Librarianship26(1), 68-77. doi:10.1080/1941126X.2014.878640 [OSU full text]

Legislation

Michael, G. J. (2014). Politics and Rulemaking at the Copyright Office. Journal of Information Technology & Politics11(1), 64-81. doi:10.1080/19331681.2013.872073 [OSU full text]

Muhammad Waris, B. (2014). National Library of Pakistan as Legal Depository. Pakistan Library & Information Science Journal45(1), 18-23. [OSU full text]

Nsibirwa, Z., Hoskins, R., & Stilwell, C. (2014). Building the South African nation through legal deposit: The impact of legislation on preservation of digital materials. African Journal of Library, Archives & Information Science24(1), 53-65. [OSU full text]

Publishing & scholarly communication

Björk, B., Laakso, M., Welling, P., & Paetau, P. (2014). Anatomy of green open access. Journal of the Association for Information Science & Technology65(2), 237-250. doi:10.1002/asi.22963 [OA full text]

Cheng, W., Ren, S., & Rousseau, R. (2014). Digital publishing and China’s core scientific journals: A position paper. Scientometrics98(1), 11-22. doi:10.1007/s11192-012-0873-8 [OA full text]

Ludewig, K. (2014). MedOANet: The Copyright and OA Landscape in Mediterranean Europe. Liber Quarterly: The Journal of European Research Libraries23(3), 187-200. [OA full text]

Lwoga, E., & Questier, F. (2014). Faculty adoption and usage behaviour of open access scholarly communication in health science universities. New Library World115(3/4), 116-139. doi:10.1108/NLW-01-2014-0006 [OSU full text]

Melero, R. R., Rodríguez-Gairín, J. M., Abad-García, F. F., & Abadal, E. E. (2014). Journal author rights and self-archiving: The case of Spanish journals. Learned Publishing27(2), 107-120. doi:10.1087/20140205 [OSU full text]

Updated 8/8/2014 with K. D. Crews article. 

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By Jessica Meindertsma, Rights Management Specialist at the Copyright Resources Center, The Ohio State University Libraries

Open access and “A Subversive Proposal”

In 2012, The Ohio State University Libraries adopted the Faculty Open Access Resolution, which requires Ohio State Libraries’ faculty to grant the University a license to make their scholarly articles openly accessible.  The goal of this initiative, and open access in general, is to increase the accessibility of research so that others can easily make use of it. According to Peter Suber, open access works are “digital, online, free of charge, and free of most copyright and licensing restrictions.” While free of many restrictions, open access works are still protected by copyright law; publicly available does not mean copyright free.

An important contributor to the open access movement is Stevan Harnad.  In 1994, Harnad posted a message to a discussion list on electronic journals hosted by the Virginia Polytechnic Institute.  Harnad’s message, titled “A Subversive Proposal”, suggested that researchers should make their papers freely available.  The message sparked significant discussion and Harnad is now credited with initiating the concept of self-archiving.  In 1995, Harnad’s original message and the email discussion it provoked were collected into a book: Scholarly Journals at the Crossroads: A Subversive Proposal for Electronic Publishing.  The full copy of that book is available through HathiTrust, under an open-access, Google digitized license. In honor of the proposal’s twentieth anniversary, Richard Poynder posted an interview with Harnad titled “The Subversive Proposal at 20”, which looks back at the proposal’s impact and discusses the development of the open access movement.

Scholarly articles are increasingly available as open access documents.  Learn more about open access on the Copyright Resources Center’s open access page, or by reading other articles tagged “open access” on the Copyright Corner Blog.

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Marc Jaffy is a practicum student at the OSU Libraries Copyright Resources Center and is currently a Masters student at the Kent State University, School of Library and Information Science

Patterns and copyright protections

In the United States, patterns are generally not eligible for copyright protection as copyright does not apply to methods or “procedures for doing, making, or building things.” Additionally, an item created from a pattern also lacks copyright protection if it is considered to be a functional object. Under the Useful Article doctrine in US copyright law, if an object has a practical or useful function, copyright protection applies only to the original, creative elements “that can be identified separately from the utilitarian aspects of an object”, but does not extend to the underlying design of the functional object.

photo of vintage sewing pattern

Photo: Butterick Dress 5579 Instr (c) Allison Marchant, CC BY-NC-SA 2.0
Here, while the drawing of the dress may be considered a creative expression of the author and therefore eligible for copyright protection, the pattern instructions and any dress made from the pattern would not be protected by copyright.

In the absence of copyright protection for functional objects, a user of a pattern may be able to use whatever she makes from that pattern for any purpose, including selling the items. However, accompanying materials included with the pattern, such as images, may be eligible for copyright protection (see image above). The United States Copyright Office provides the example that while a drawing or photo of a dress may be copyrighted, that does not give the artist the exclusive right to make a dress of that particular design.

Despite this legal landscape, copyright notices and terms of use such as the following are still commonly found on patterns:

“Copyright 2014. All Rights Reserved. Pattern is for personal, non-commercial use only. Selling items made from this pattern is prohibited.”

What does this mean for designers and those wanting to use the pattern? Are the copyright notices and accompanying terms of use legally binding? Some designers believe that the notice they put onto their patterns provides them with legal protection, but because copyright law does not protect the pattern itself, are the terms of use stipulating personal, non-commercial use legally enforceable?

When it comes to what can be done with the final product made from a pattern, there is a conflict between the desires of those who want to use the pattern and those who designed the pattern. With no relevant case law available as a guide, there really are no definitive answers. Despite the lack of legal precedent, those wanting to use patterns and the items made from those patterns should be aware of how they can legally make use of these materials. In the same vein, designers should understand to what extent and how they can protect their work.

The view commonly held by designers is relatively simple: follow the restrictions set in the pattern’s disclaimer. For example, if a knitting pattern you downloaded was accompanied by a disclaimer that read “personal, non-commercial use only” you could make as many items as you wanted using that pattern, but you could not sell any of them because that would constitute a non-personal, commercial use. However, when designers place notices on their patterns, they may be exaggerating copyright protections and licenses. But it is important to remember that even if copyright protection is not available, a user may be agreeing to a license that restricts the way he may use the pattern when he consents to the terms and conditions set by the designer.

Pattern users should be aware of what they are agreeing to when purchasing or downloading a pattern. By clicking a box that reads, “I agree to the terms & conditions”, a user may be entering into a legally binding agreement that can restrict what she may do with the pattern. Under US law, terms that parties consent to in a contract can trump copyright law, leaving designers with possible legal recourse for misuse of a pattern.

Seeking clear legislative guidance and wanting protection for their work, the fashion industry lobbied Congress to create legislation that would protect unique designs. First introduced in 2007, the Innovate Design Protection and Piracy Prohibition Act (IDPPPA) sought to protect designs for a period of three years if registered with the US Copyright Office within three months of being made available to the public. While similar legislation to limit design piracy has been enacted in Europe, India and Japan, legislative progress of the IDPPPA has stalled as of 2014, and patterns are still generally not copyrightable in the United States.

Unless and until moves are made in Congress, answers about copyright protection and designs still lie in a gray area. Whether you are a designer or a user of patterns, it is important to remain informed about your legal rights and understand the possible ramifications that can come along with something as simple as a pattern.

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Morgan Cheek is a legal intern at the OSU Libraries’ Copyright Resources Center and is currently a student at The Ohio State University Moritz College of Law