Author: Caitlin McGurk (page 1 of 16)

New Exhibit: WORLD OF SHOJO MANGA! MIRRORS OF GIRLS’ DESIRES

Matsumoto, Akira (Reiji). Aoi Hanabira (Blue Petals) (Tokyo: Showa Manga Shuppansha, 1958)

Matsumoto, Akira (Reiji). Aoi Hanabira (Blue Petals) (Tokyo: Showa Manga Shuppansha, 1958)

OhioStateLogoContact: Caitlin McGurk
The Ohio State University
Billy Ireland Cartoon Library & Museum
1813 N High St.
Columbus OH 43210-1393
614-292-0538
cartoons@osu.edu

FOR IMMEDIATE RELEASE: February 17, 2015

Upcoming Exhibition and Symposiums at The Billy Ireland Cartoon Library & Museum

WORLD OF SHOJO MANGA!
MIRRORS OF GIRLS’ DESIRES

March 28, 2015 – July 5, 2015

Columbus: The Billy Ireland Cartoon Library & Museum will celebrate Women’s History Month, and their international cartoon holdings, with the opening of World of Shojo Manga! Mirrors of Girls’ Desires, a traveling exhibit curated by Masami Toku, Dept. of Art and Art History, CSU-Chico.

Many different kinds of manga have been published for different ages, genders, and fans’ favorite themes since the 1970s. One of the major characteristics of Japanese manga is that it has split into boy’s (shonen) and girl’s (shojo) manga, each developing in its own way. Based on reader’s expectations, each boy’s and girl’s manga has its own theme. Regardless of the subject, the main theme in boy’s manga is competitive fighting, and how the heroes become men by protecting women, family, country, or the earth from enemies, while the main theme of girl’s manga is simply love. Within this context, the topics in shojo manga have changed in response to girl’s expectations and have developed into diverse subjects over the last 70 years since World War I. This exhibition will focus on discussing the specific phenomenon of women’s changing roles and expectations in Japan.

The exhibition will feature works by 12 artists, including female mangaka Masako Watanabe, Miyako Maki, Hideko Mizuno, Machiko Satonaka, and Moto Hagio.

Masami Toku, curator of this exhibit, is a professor in the Department of Art and Art History (CSU), Chico, where she teaches courses in art education and multicultural perspectives of art appreciation. She also works internationally as an educator, publisher, researcher, and speaker. Professor Toku  created this touring exhibition to explore the role of visual pop culture that impacts U.S. society through the phenomenon of manga in Japan. It also introduces manga’s value and contribution to visual culture and society with a special emphasis on shojo manga.

This exhibit will be part of a continuing celebration of manga throughout the spring semester, including two symposiums: Classic Manga and Development & Globalization of Manga (more info below).

Join us on Saturday, April 4th from 5 – 7pm for the opening reception of World of Shojo Manga! Mirrors of Girls’ Desires in The Billy Ireland Cartoon Library & Museum galleries.  Cosplayers are welcome and encouraged!

Also on display at The Billy Ireland Cartoon Library & Museum will be Graphic Details: Confessional Comics by Jewish Women. Separate details forthcoming.

Kurara no Mizuumi (Clara’s Lake) cover illustration – Interview

Kurara no Mizuumi (Clara’s Lake) cover illustration – Interview

About the Billy Ireland Cartoon Library & Museum:  The BICLM is one of The Ohio State University Libraries’ special collections. Its primary mission is to develop a comprehensive research collection of materials documenting American printed cartoon art (editorial cartoons, comic strips, comic books, graphic novels, sports cartoons, and magazine cartoons) and to provide access to the collections.  The BICLM recently moved into its newly-renovated 30,000 sq. ft. facility that includes a museum with three exhibition galleries, a reading room for researchers and a state-of-the-art collections storage space.   The library reading room is open Monday-Friday 9 a.m. to 5 p.m. and Sunday 1 – 5 p.m. The museum is open Tuesday-Sunday from 1 – 5 p.m.  See http://cartoons.osu.edu/ for further information.

________________________________________________

MANGA at A CROSSROADS: SYMPOSIUMS I & II


Symposium 1: Classic Manga

Date: Friday, March 6
Location: Thompson Library 165

12:00-12:10:    Opening

12:10-1:10:      Prof. Maureen Donovan (OSU) “Comics from the Time of ‘Erotic Grotesque Nonsense’: Yomiuri Sunday Manga of 1930-1931”

1:10-2:10:         Prof. Thomas LaMarre (McGill University) “Manga Empire: Companion Species and Shōnen Kurabu

2:10-2:15:        Break

2:15-3:15:        Prof. Gennifer Weisenfeld (Duke University)  “Laughing in the Face of Calamity: Visual Satire after the Great Kantō Earthquake of 1923″

3:15-4:15:        Prof. Natsu Onoda Power (Georgetown University) “Questioning the Racial Question: Representations of Human Faces in Classic Manga”

4:30:                   Reception

Symposium 2: Development and Globalization of Manga
Date: Saturday, April 4, 2015
Location: Sullivant Hall 220

1:00-1:10:        Opening

1:10-2:10:         Prof. Masami Toku (California State University, Chico)  “World of Shōjo Manga!: Mirrors of Girls’ Desires”

2:10-3:10:         Prof. Jennifer Prough (Valparaiso University)  “Local Texts, Global Audiences: a View from within the Shōjo Manga  Industry”

3:10-3:15:         Break:

3:15-4:15:         Prof. Kerim Yasar (OSU)  “Marketing Manga in the U.S.: Translational Strategies, Transnational  Flows”

4:15-5:15:         Prof. Casey Brienza (City University of London)  “Global Manga: ‘Japanese’ Comics without Japan?”

5:15-5:30:        Wrap-up

5:30:                    Reception

Sponsors: East Asian Studies Center, Institute for Japanese Studies, Ohio State University Libraries, Billy Ireland Cartoon Library & Museum, Department of East Asian Languages and Literatures, Department of History of Art, Department of Arts Administration, Education & Policy, Division of Arts and Humanities, Association for Asian Studies, Japan Foundation, and US Department of Education (Title VI)

For more information and printable flyers click here: http://easc.osu.edu/manga2015

"Soyo" byTennen Kokeko.  Back cover image of  Tankobon 1

“Soyo” byTennen Kokeko. Back cover image of Tankobon 1

TALKING PALETTE, HIDDEN ARTIST: H.J. LEWIS’S VISUAL NARRATIVES

2015_Gar_HJL_Talking Palette cover

Collage created by Garland Martin Taylor of H.J. Lewis cartoons

TALKING PALETTE, HIDDEN ARTIST:
H.J. LEWIS’S VISUAL NARRATIVES

Thursday, March 12th
Thompson Library room 165
5:30 – 7pm
FREE

Sculptor and curator Garland Martin Taylor will be joining us for an evening lecture at OSU to share his research on Henry Jackson Lewis, a nineteenth-century African American political cartoonist. Born a slave, Lewis as a freeman became a self-taught artist whose landscape drawings and editorial cartoons regularly appeared in both white and black newspapers; he was the director of the art department at a black illustrated paper, the Indianapolis Freeman. Although some of Lewis’s drawings are now held at the Smithsonian Museum and the DuSable Museum in Chicago, key details about Lewis’s life and work remained unknown until recently.

Garland Martin Taylor sheds new light on Lewis’s life, his controversial drawings, and his historical importance as an African American visual artist in periodical culture. This event will appeal to audiences with interests in communication, cartoon history, art and art history, literacy studies, print culture, African American studies, and a range of other topics.

1968.1

Courtesy of the DuSable Museum of African American History


This program was made possible with the help of The Billy Ireland Cartoon Library & Museum, University Libraries, The School of Communication, History of Art, African and African American Studies, and Literacy Studies

2013_gar_headshot_Stephan.

Garland Martin Taylor

Tom Tomorrow Collection Donated to The OSU Billy Ireland Cartoon Library & Museum

TomTomorrow1
OSUheader

 

 

FOR IMMEDIATE RELEASE: January 23, 2015

Dan Perkins donates “Tom Tomorrow Collection” to The Ohio State University Libraries’
Billy Ireland Cartoon Library & Museum 

COLUMBUS- Dan Perkins, better known by his pen name Tom Tomorrow, has donated his collection of manuscripts, research materials, and ephemera to The Ohio State University Libraries’ Billy Ireland Cartoon Library & Museum (BICLM).  Perkins is the creator of This Modern World, a weekly political satire comic strip that runs in approximately 70 papers and on websites including Daily Kos, The Nation, and The Nib.  He has twice received the first place Robert F. Kennedy Award for Excellence in Journalism in 1998 and 2003.  In 2013, he was awarded the Herblock Prize for excellence in editorial cartooning.  In 2009, he created the artwork for the Pearl Jam album Backspacer.  His work has appeared in The New York Times, The New Yorker, Spin, Mother Jones, Esquire, The Economist, The Nation, U.S. News and World Report, and The American Prospect.

When asked why he found OSU to be the ideal home for his collection, Perkins said: “At this point, it represents not only a history of my own work, but of the alternative press itself, and I hope there’s some value in that for some scholar someday.  So when Curator Jenny Robb said The Billy Ireland Cartoon Library & Museum would be interested, I was thrilled — not only is all this material going to be preserved and accessible, but it will be in the biggest cartoon library in the world.  I can’t think of a better home for it all, though it does rob my young son of his eventual inheritance of many boxes full of old newspapers.”

Perkins plans to continue to add to his initial donation in the future, explaining “I still have more of this stuff tucked away in the attic and basement, so the good people at Ohio State can expect further additions in the future — as well as some significant portion of my pre-digital original art.”  The first shipment included tear-sheets of published cartoons and illustrations, interviews, articles, and miscellaneous ephemera.

“We are honored to receive this collection of manuscript materials from Dan Perkins and look forward to future additions to the collection,” said BICLM Curator and Associate Professor Jenny E. Robb, “Perkins’ independent satirical voice and unique graphic style have made him one of the top alternative-weekly cartoonists of the past quarter century.  His cartoons will be appreciated and studied long into the future as insightful commentary and criticism of American politics and society.”

TomTomorrow2

About the Billy Ireland Cartoon Library & Museum:  The BICLM is one of The Ohio State University Libraries’ special collections. Its primary mission is to develop a comprehensive research collection of materials documenting American printed cartoon art (editorial cartoons, comic strips, comic books, graphic novels, sports cartoons, and magazine cartoons) and to provide access to these collections.  The BICLM recently moved into its newly-renovated 30,000 sq. ft. facility that includes a museum with three exhibition galleries, a reading room for researchers and a state-of-the-art collections storage space.   The library reading room is open Monday-Friday 9 a.m. to 5 p.m. and Sunday 1 p.m. to 5 p.m. The Museum is open Tuesday-Sunday from 1 – 5 p.m.  See http://cartoons.osu.edu/ for further information.

 

The Ohio State University Libraries

Billy Ireland Cartoon Library & Museum
Contact: Caitlin McGurk
Sullivant Hall
1813 N. High St
Columbus, OH 43210

614-292-0538 Phone
614-292-9101 Fax

Happy New Year from The Billy Ireland Cartoon Library & Museum

Happy New Year to all! One million thanks for all of the support our friends have shown us during our first  full year in our new building! Easily the most successful in the history of the Cartoon Library, and we are all looking forward to many more to come.

From the San Francisco Academy of Comic Art Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

From the San Francisco Academy of Comic Art Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

Jeff MacNelly Collection Donated to The OSU Billy Ireland Cartoon Library & Museum

From the Jeff MacNelly Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

From the Jeff MacNelly Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

OSUheader

 

 

FOR IMMEDIATE RELEASE: December 30, 2014

Jeff MacNelly Collection donated to The Ohio State University Libraries’
Billy Ireland Cartoon Library & Museum by Susie MacNelly

COLUMBUS- Susie MacNelly, widow of award winning cartoonist, Jeff MacNelly, has donated his collection of original art and papers to The Ohio State University Libraries’ Billy Ireland Cartoon Library & Museum (BICLM).  Jeff MacNelly was awarded the Pulitzer Prize for editorial cartooning in 1972, 1978, and 1985 becoming one of a select group of journalists who have won three Pulitzers. In addition, the National Cartoonists Society twice awarded him their highest honor, the Reuben Award for Cartoonist of the Year.  He worked as an editorial cartoonist for the Richmond News Leader (Richmond, VA), and later at the Chicago Tribune.   In addition, MacNelly created the popular newspaper comic strip Shoe, syndicated by King Features, and the single-panel cartoon, Pluggers, syndicated by Tribune Media Services.   Beginning in 1987, he also illustrated the weekly column of humorist Dave Barry.   MacNelly passed away in 2000.

“When looking for a home for Jeff’s work, it was clear to me that Ohio State was the ONLY place suitable for such a collection,” said Susie MacNelly.  “The Billy Ireland Cartoon Library & Museum’s reputation is first-rate.”

The BICLM will receive the entire collection in a series of shipments over the next few years. The first shipment included over 800 of MacNelly’s original editorial cartoons from 1971 to 1981, representing the early period of his career.

“We are delighted to receive this collection of original art by one of the most talented and influential cartoonists of the last 40 years,” said BICLM Curator and Associate Professor Jenny E. Robb. “MacNelly’s cartoons can be appreciated and enjoyed as works of art, but they also function as essential primary sources for the study of the late-twentieth century political landscape.”

Ohio State Vice Provost and Director of Libraries Carol Pitts Diedrichs said the editorial cartoons of such a renowned artist were a welcome addition the BICLM collections.

“It is wonderful that such a noteworthy donation is being added to the largest collection of cartoon art and comics material in the world,” said Diedrichs. “As one of the treasures of the BICLM, the Jeff MacNelly Collection can be viewed and studied by students and scholars from around the world.”

Work is underway to catalog the collection so that it can be accessed by researchers.

From the Jeff MacNelly Collection, The Ohio State University Billy Ireland Cartoon Library & Museum

From the Jeff MacNelly Collection, The Ohio State University Billy Ireland Cartoon Library & Museum  

About the Billy Ireland Cartoon Library & Museum:  The BICLM is one of The Ohio State University Libraries’ special collections. Its primary mission is to develop a comprehensive research collection of materials documenting American printed cartoon art (editorial cartoons, comic strips, comic books, graphic novels, sports cartoons, and magazine cartoons) and to provide access to these collections.  The BICLM recently moved into its newly-renovated 30,000 sq. ft. facility that includes a museum with three exhibition galleries, a reading room for researchers and a state-of-the-art collections storage space.   The library reading room is open Monday-Friday 9 a.m. to 5 p.m. and Sunday 1 p.m. to 5 p.m. The Museum is open Tuesday-Sunday from 1 – 5 p.m.  See http://cartoons.osu.edu/ for further information.

The Ohio State University Libraries

Billy Ireland Cartoon Library & Museum
Contact: Caitlin McGurk
Sullivant Hall
1813 N. High St
Columbus, OH 43210

614-292-0538 Phone
614-292-9101 Fax

UPCOMING EXHIBIT: KING OF THE COMICS

 Circulation_1926-09-01-624x891

OhioStateLogoContact: Caitlin McGurk
The Ohio State University
Billy Ireland Cartoon Library & Museum
1813 N High St.
Columbus OH 43210-1393
614-292-0538
cartoons@osu.edu

FOR IMMEDIATE RELEASE: November 20, 2014

Upcoming Exhibition at The Billy Ireland Cartoon Library & Museum

KING OF THE COMICS:

WILLIAM RANDOLPH HEARST AND 100 YEARS OF KING FEATURES

December 13, 2014 – March 15, 2015

The Billy Ireland Cartoon Library & Museum will celebrate the centennial of King Features Syndicate with King of the Comics: William Randolph Hearst and 100 Years of King Features. This exhibit examines the role William Randolph Hearst played in the birth of newspaper comics and traces the 100-year history of King Features, the company he founded to develop and distribute comics, columns, editorial cartoons, puzzles, and games around the world. Brian Walker, author of The Comics: The Complete Collection and co-curator of the exhibit Masters of American Comics, is serving as guest curator for this historic exhibition.

Among the many King creations included in this exhibition will be:  The Katzenjammer Kids, Happy Hooligan, Little Jimmy, Bringing Up Father, Krazy Kat, Polly and Her Pals, Tillie the Toiler, Popeye, Blondie, Barney Google and Snuffy Smith, Flash Gordon, Mandrake the Magician, The Little King, Henry, Prince Valiant, Buz Sawyer, Rip Kirby, Beetle Bailey, Dennis the Menace, Juliet Jones, Hi and Lois, Family Circus, The Lockhorns, Hägar the Horrible, Zippy, Marvin, Curtis, Bizarro, Baby Blues, Mutts, Rhymes with Orange, Zits, Tina’s Groove, and Dustin. In addition to original drawings by the artists, related materials such as printed newspaper pages, photographs, correspondence, sales brochures, advertisements, and merchandise will dramatically demonstrate the impact that King Features has had on the evolution and success of newspaper comics.

Opening Events:

On Saturday, December 13th the public is invited to celebrate the opening of King of the Comics:  William Randolph Hearst and 100 Years of King Features at the Billy Ireland Cartoon Library & Museum.  Events are free.

1:00 pm           Curator’s Tour with Brian Walker
2:30 pm           Behind the Scenes with King Features’ Mutts and Rhymes with Orange,
                        featuring Patrick McDonnell, Hilary Price and Brendan Burford
3:30 pm           The Making of Zits and Baby Blues featuring Jerry Scott, Jim Borgman, and Rick Kirkman,                                  moderated by Simpson’ writer Tom Gammill

5 – 7:00 pm   Opening reception – remarks at 5:30 pm

Special thanks to King Features Syndicate for their sponsorship of the exhibit and events.


Wexner Center Film Events

In conjunction with the opening celebration, The Wexner Center for the Arts will show two films adapted from iconic King Features characters.  Both will be screened in 35mm in the center’s Film/Video Theater. Visit wexarts.org for tickets and information.

Friday, December 12, 7:00 pm
Popeye starring Robin Williams (Robert Altman, 1980)

Sunday, December 14, 1 pm
Prince Valiant starring Robert Wagner and Janet Leigh (Henry Hathaway, 1954)

 

About the Billy Ireland Cartoon Library & Museum:  The BICLM is one of The Ohio State University Libraries’ special collections. Its primary mission is to develop a comprehensive research collection of materials documenting American printed cartoon art (editorial cartoons, comic strips, comic books, graphic novels, sports cartoons, and magazine cartoons) and to provide access to the collections.  The BICLM recently moved into its newly-renovated 30,000 sq. ft. facility that includes a museum with three exhibition galleries, a reading room for researchers and a state-of-the-art collections storage space.   The library reading room is open Monday-Friday 9 a.m. to 5 p.m. and Sunday 1 – 5 p.m. The museum is open Tuesday-Sunday from 1 – 5 p.m.  See http://cartoons.osu.edu/ for further information.

 

 

 

RARE MANGA Collection OPEN HOUSE!

RARE MANGA Collection OPEN HOUSE

Manga

Monday, October 27th
4:30-6pm
Will Eisner Seminar Room
The Billy Ireland Cartoon Library & Museum
Sullivant Hall

Come explore the rare treasures of one of the largest university manga collections in the world, right here at OSU! The Ohio State University Billy Ireland Cartoon Library & Museum holds over 20,000 manga materials spanning its history, genres, and formats. This event is a special opportunity to view these works up-close with specialists on hand to provide the context. 

Items on display will include early Japanese newspaper comics of the 1920s (Jiji manga), original art by Osamu Tezuka, Sugoroku (Japanese board games), original sketches by Sugamo Prison inmates, contemporary mangaka portfolios, and more!

From 5-5:30pm there will be a brief presentation on the history of the collection and how to access it for classes or your own pleasure from The Billy Ireland Cartoon Library & Museum reading room.


FREE AND OPEN TO THE PUBLIC

d_4403

ICAF 2014 at OSU!

November 13-15, 2014

icaftote

We are so excited to announce that The Billy Ireland Cartoon Library & Museum will be this year’s host for the International Comic Arts Forum!

Since its inception at Georgetown University in 1995, ICAF has been held nearly every year at prestigious universities and centers for comics scholarship throughout the country. This November, marking one-year exactly since our Grand Opening Festival of Cartoon Art, ICAF will grace the auditoriums and lecture halls of The Ohio State University for their three day, star-studded conference weekend.

All panels and lectures are FREE AND OPEN TO THE PUBLIC
To find out more about hotel rooms and registering as an academic, visit here: http://www.internationalcomicartsforum.org/2014-conference-info.html

ICAF 2014 FULL SCHEDULE

Thursday November 13th

 

9:00 AM: Welcome from Jenny Robb, Curator of the Billy Ireland Cartoon Library and Museum

9:15 AM: Opening Remarks: José Alaniz, ICAF Executive Committee Chair

9:30 – 10:30 AM: Plenary Speaker: Bart Beaty

10:30 AM: Coffee Break 

11:00 AM – 12:45 PM: Concurrent Panel Session One

1A: Comics Form and Fine Art
Moderator: Bill Kartalopoulos

  • “Huntsman Descending a Staircase with His Dog”: Cartooning as Method in American Modern Art 1910-1920, Ben Owen, Ohio State University
  • Quasi-­Comic Elements in the Art of Paul Klee, Adrielle Anna Mitchell, Nazareth College
  • Third Stream Art: William Steig’s Symbolic Drawings, Andrei Molotiu, Indiana University
  • Andy Warhol’s Grids: Comicity and The Comics Art World, Colin Beineke, University of Missouri


1B: Resolving Cultural Identity in Comics
Moderator: José Alaniz

  • Aleksandar Zograf’s Polovni Svet and the Invention of a Post-­‐Yugoslavian Identity, Paul Morton, University of Washington
  • Post-unification German Comics and the Legacy of East German Culture, Elizabeth Nijdam, University of Michigan, Ann Arbor
  • Into the Present, by Way of a Non-Existent Past: Trillo, Breccia, and Alvar Mayor, Héctor Fernández L’Hoeste, Georgia State University
  • Propaganda and memory in Li Kunwu and Philippe Ôtié’s graphic novel A Chinese Life, Nick Stember, University of British Columbia


12:45-2:15 PM: Lunch Break

Optional behind the scenes tour of the Billy Ireland Cartoon Library and Museum for registered presenters and guests (sign-up instructions to be provided)

2:15 – 3:15 PM:  Concurrent Panel Session Two

2A: Fictional Faultlines
Moderator: Rebecca Wanzo

  • A Cosmonaut in Palomar: Seeing, Showing, and Imagining In Gilbert Hernandez’s Heartbreak Soup, Josh Kopin, University of Texas At Austin
  • “The Death of Mike Albergo: Ideology, Culture, and The ‘Nam“, Robert Loss, Columbus College of Art and Design


2B: Breaking Boundaries Across Media Forms
Moderator: Brittany Tullis

  • Webcomics as Collaborative Spaces: The Practice of Guest Authorship, Leah Misemer, University of Wisconsin Madison
  • Comics between Art and the Underground in India, Jeremy Stoll, Chicago, IL


3:15  – 4:45 PM: Comics and Institutions Roundtable 

Participants: Ben Saunders, Jenny Robb, Charles Hatfield, Jared Gardner and Toph Marshall

5:00-6:30: Reception at the Billy Ireland Cartoon Library and Museum

6:30 PM: Dinner Break 

8:00-9:30 PM: Justin Green and Carol Tyler in conversation 

Friday November 14th

 

9:00 – 10:30 AM: Concurrent Panel Session 

3A: “Good” and “Bad” Comics
Moderator: Mark Heimermann

  • “If Not Actually Evil… Vulgarizing”: Contextualizing the Moral Panic Around Comics Circa 1909, Tad Suiter, George Mason University
  • “Always Gettin’ in Trouble”: The Li’l Tomboy Comic Book Series, the Good Female Consumer, and the 1950s Bad Girl, Michelle Ann Abate, Ohio State University
  • “Slaughtering Innocence: the 1950s Comic Book Controversy and the Crisis in the Meanings of Childhood”, Andrew O’Malley, Ryerson University


3B: Metafiction and Archival Practice in Comics
Moderator: José Alaniz

  • (Re)Posting the 1893 Chicago Columbian Exposition: Postcards and Chris Ware’s Jimmy Corrigan, the Smartest Kid on Earth, Nhora Lucía Serrano, Harvard University
  • One Day at a Time: Fabula, Syuzhet, and the Storyworld in For Better or For Worse, Susan Kirtley, Portland State University
  • Metafictional archive: Mise en Abîme and Identity in Miguelanxo Prado’s Ardalén (2012), Arturo Meijide Lapido, Ambrose University


10:30AM: Coffee Break

11:00 AM – 12:45 PM: Concurrent Panel Session 

4A: Examining Underground Comix
Moderator: Toph Marshall

  • From the Georgia Straight to Tijuana: The Changing “Adventures” of Rand Holmes’s Harold Hedd, Sean Rogers, York University, Canada
  • “My Fantastic Inimitable Mental Machinations!”: Richard “Grass” Green’s Minicomics and African American Comedy, Brian Cremins, Harper College
  • Comics Come Out: Lesbian Feminism, Gay Liberation and Underground Comix, Corey K. Creekmur, University of Iowa


4B: Positioning Comics Within Contested Cultural Spheres
Moderator: Bill Kartalopoulos

  • “Advantages in Cartoon and Caricature Work:” Comics and the Art World in Cleveland (1930-­‐1938), Brad Ricca, Case Western Reserve University
  • [Before] Manga Theory: The Manga Emaki (Manga Handscrolls) of Okamoto Ippei et al., Nicholas Theisen, Iowa City
  • Persepolis without comics: Satrapi in Critical Context,  Marc Singer, Howard University
  • The Ambivalent Recognition of the Exhibition: Comic Exhibitions in France in the 2000’s, Jean-Matthieu Méon, Université de Lorraine


12:45 PM: Lunch Break

Optional behind the scenes tour of the Billy Ireland Cartoon Library and Museum for registered presenters and guests (sign-up instructions to be provided)

2:00 – 3:00PM: The John Lent Award Lecture

Picturing the Unspeakable in Global Comics
Jennifer Anderson Bliss, University of Illinois at Urbana-Champaign

3:00 – 4:00 PM: Phoebe Gloeckner Spotlight
Moderator: Brittany Tullis

4:30-5:30 PM: 
 Hanneriina Moisseinen Presentation 
Moderator: Bill Kartalopoulos

5:30 PM: Dinner Break

7:30-9 PM: Laulu: Documentary screening with Hanneriina Moisseinen

 

Saturday, November 15th

 


9:00-10:30 AM: Concurrent Panel Session Five

5A: Comics’ Active Formal Elements
Moderator: Qiana Whitted

  • Perceptual Systems and the Comic Book Art of Geometrizing the Story, Frederick Luis Aldama, Ohio State University
  • Skewing Text to Images: Asian Language Orthography in Asian American Comics, Shan Mu Zhao, University of Southern California
  • Conversations in Comic Strip Swedish: The Case for Applying Conversation Analysis to Comic Strip Data, Kristy Beers Fägersten, Södertörn University, Sweden


5B: Representing the Body
Moderator: José Alaniz 

  • Locas Tambien: Performing Disidentifications in Love and Rockets, Rachel Miller, Ohio State University
  • Staring at Comics: Disability and Visuality in Al Davison’s The Spiral Cage, Frederik Byrn Køhlert, University of Montreal
  • The “Ravaged Body” as Carrier of Cultural Memory in the Petit Polio Bandes Dessinées of Farid Boudjellal, Margaret C. Flinn, Ohio State University


10:30 AM: Coffee break

11:00 AM – 12:30 PM: Concurrent Panel Session Six

6A: Ideologies of the Monstrous
Moderator: Mark Heimermann

  • The Post-Apocalypse and Contemporary Comics, Kathryn Manis, University of New Mexico
  • Monstrous Gynophobia: Male Fears of a Female Monster in Bernie Wrightson and Bruce Jones’ “Jenifer”, Joshua Zerl, Eugene, OR.
  • The Problem of Appearance in Goya’s Los Capichos, and Mignola’s Hellboy, Scott Bukatman, Stanford University


6B: Hidden Worlds of Early Comics
Moderator: Brannon Costello

  • Daumier’s Deadline: Expedited Expressiveness and the Franco-Belgian Cartooning Tradition, David Allan Duncan, Savannah College of Art and Design
  • The National Taste: Ally Sloper, Escape Magazine and British Comics, Nick Robinette, Quinnipiac University
  • The Hidden World of Jimmy Swinnerton, Peter Sattler, Lakeland College


12:30 PM: Lunch Break

2:00 – 3:30 PM: Dash Shaw Presentation

4:00 – 5:30 PM: Jeff Smith in Conversation with Tom Spurgeon

5:30: Dinner Break

7:00 PM: March Presentation with Congressman John Lewis, Andrew Aydin and Nate Powell, followed by performance by Sweet Honey in the Rock

Closing Remarks: Jose Alaniz

 

Hope to see you there! For more information contact cartoons@osu.edu

Upcoming Event: ROOT HOG OR DIE – The John Porcellino / King-Cat Documentary

ROOT HOG OR DIE – The John Porcellino / King-Cat Documentary Screening

Friday, September 26th, 2014
7pm
The Jean and Charles Schulz Lecture Hall
(2nd floor of the Cartoon Library)

FREE to ALL AUDIENCES

poster rough blue

“…perhaps no comics artist since Charles Schulz has rendered so much psychological detail with so few lines.”

–Rain Taxi Review of Books

For over twenty-five years, John Porcellino has self-published his zine ‘King-Cat Comics & Stories,’ which, through simple artwork and storytelling, investigates the essence of just being alive.

In King-Cat, John beautifully renders the “in-between moments” – those instances which occupy the bulk of our lives, but can pass easily without notice: Sitting on the front porch. Peeing at a rest stop. Watching a bird.

With humor, compassion and a keen eye, John shows readers what they might be missing, and in doing so inspires many to embrace life more fully.

Born of the zine revolution of the late eighties/early nineties, King-Cat today is the template for cartoonists who seek to create work that is personal, well-crafted and free of outside influence.

From following John around on tour & in the woods to interviewing fellow cartoonists & zinesters, wives & girlfriends, friends & bandmates, ‘Root Hog or Die’ illustrates how John manages – and occasionally struggles – to live and function as an uncompromising artist in twenty-first century America.

“I wanted to face existence. That’s like Punk and Buddhism and everything.” — John P.

Watch the trailer here: https://www.youtube.com/watch?v=autzPcnndlc

The Billy Ireland Cartoon Library & Museum is located at 1813 N. High St, Columbus OH 43202.  This screening will be held in the Jean and Charles Schulz Lecture Hall, on the 2nd floor of Sullivant Hall.

6:30pm – Informal meet-and-greet with book signing opportunities
7pm – Root Hog Or Die Screening

Following the screening, John P will be doing a Q+A and signing for his new book “The Hospital Suite

Upcoming Event: An Evening with TONY MILLIONAIRE!

Here at The Billy Ireland Cartoon Library & Museum we are dreaming and scheming up a BIG list of programs for the fall, as we celebrate our first full year in our new expanded home- Sullivant Hall!

You’ll hear about them all soon enough, but first we’d like to announce:

An Evening with Tony Millionaire

Thursday, September 4th, 2014
7pm
The Jean and Charles Schulz Lecture Hall
(2nd floor of the Cartoon Library)
FREE to ALL AUDIENCES

TonyMillionaireDrinky

Tony Millionaire is the mad genius behind the long-running and frequently mispronounced syndicated comic strip Maakies, which began in 1994 in The New York Press.  He is also the creator of a long list of all-ages graphic novels, including Billy Hazelnuts and the Sock Monkey series, which revolves around the beloved character Uncle Gabby and his adventures in an old seaside Victorian house with his stuffed compatriot Mr. Crow.  Millionaire also created the Cartoon Network animated Adult Swim series, “The Drinky Crow Show,” based off of his Maakies comic strips.  Combining all of the mystery and beauty of the work of Johnny Gruelle (Raggedy Ann and Andy) with the macabre style of the 19th century Penny Dreadfuls, Millionaire has produced a prolific body of work that is as grotesque at times as it is poignant and romantic.

Tony MillionaireGabby

Please join us on Thursday, September 4th at 7pm as Mr. Tony Millionaire graces the stage at The Billy Ireland Cartoon Library & Museum’s Jean and Charles Schulz Lecture Hall (2nd floor) for a conversation with Caitlin McGurk about his eccentric life and cartooning legacy.  There will also be a book signing to follow.

This event is FREE and open to the public.

Tony Millionaire’s appearance is made possible by the generous help of the 2014 Cincinnati ComicCon, Northern Kentucky Convention Center Sept 5-7.

Older posts